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Friday, September 9, 2022

Canon announced expensive 4K Broadcast PTZ camera




MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the CR-N700i – a 4K 60P 4:2:2 10-bit PTZ camera with a 1.0-inch Type CMOS Sensor and 12G-SDI connectivity, designed for professional broadcast, studios, and live event productions. Building on Canon’s broadcast heritage, the CR-N700 incorporates the intelligent AF from Canon’s popular professional video cameras, such as the EOS C70 and XF605, for precision focus across the entire pan, tilt and zoom range. With a host of powerful features, this launch expands Canon’s PTZ line-up, offering a PTZ camera for various types of productions and technical requirements. Additionally, Canon is announcing the availability of a firmware update for the Canon CR-N500 and CR-N300 PTZ cameras.

Achieve Broadcast Quality, Easily

To meet the current demands of broadcasters, the CR-N700 features a 1.0-inch Type CMOS sensor and DIGIC DV7 processor to deliver superb 4K UHD 60P 4:2:2 10-bit imagery for truly immersive content. Capable of high-quality transmission, Canon’s newest PTZ camera allows content creators to stream 4K 60P over IP with PoE++ support that allows for power, streaming, and camera control over a single cable – perfect for remote and live broadcast productions. 

The impeccable image quality is also the result of the high-performance lens, which has a 15x optical zoom and a 30x advanced zoom when shooting in Full HD. When coupled with Canon’s renowned Image Stabilizer, broadcasters can capture smooth, steady footage even from a distance. This can be ideal for shooting reality TV shows or even sports when camera operators want to discreetly zoom in on the action. The CR-N700 also features a Night Mode, allowing operators to capture footage in near darkness thanks to a removable built-in IR cut filter. Along with the HDR formats in PQ or HLG, broadcasters can capture virtually uncompromised footage in various lighting environments.

Breaking new ground for Canon’s line-up of PTZ cameras, the CR-N700 is equipped with fast, intelligent and extremely accurate focusing thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X. This deep learning autofocus locks onto a subject’s head, to track them as they move and even when they turn their face away. Eye Detection AF locks onto the subject’s pupil for even greater precision, while the Face Priority AF allows operators to prioritize a specific individual. This can be ideal for scenarios where it is imperative to stay locked onto the anchor throughout.

Superb Connectivity, Simple Workflows

As with Canon’s entire range of PTZ cameras, the CR-N700 supports multiple protocols to integrate with existing workflows seamlessly. Designed to fit into the diverse production ecosystems of broadcasters, the CR-N700 features SRT and NDI|HXii protocols for high-quality 4K video streams, while FreeD enables integration with virtual productions. Broadcasters can easily create multi-camera setups that meet their needs with these protocols, and with Canon’s XC protocol, it is possible to integrate the CR-N700 alongside other Canon Cinema EOS cameras such as the EOS C500 Mark II, EOS C300 Mark III, or professional camcorders including the XF605iii for a truly versatile setup. It’s even possible to match other Canon cameras’ look with Canon Log 3 and Wide Dynamic Range picture settings.

The flexible connectivity options include 12G-SDI and 3G-SDI, HDMI or IP, which allow the seamless transmission of 4K60P, for high-quality, consistent broadcasts. The CR-N700 also includes professional dual XLR audio inputs, Time code, and GEN-LOCK, for different production needs.

Enhanced control

Canon’s latest PTZ camera offers the same intuitive control as other models in the line. The advanced drive mechanism enables movements as slow and precise as 0.1° per second, meaning operators can capture cinematic shots. Compatible with both Canon’s RC-IP100 controller and Remote Camera Control Application, as well as selected third-party controllers, this further simplifies integration with existing production setups. With the CR-N700’s crop function, broadcasters can take two separate feeds from a single PTZ camera. They can select up to two regions of interest within the 4K frame and output them as a separate feeds in HD resolutions. This feature is perfect for productions with limited PTZ cameras on site.

Canon CR-N700 Key Features :

  • Dual Pixel AF with iTR AF X
  • 1.0-inch Type CMOS sensor with DIGIC DV7 Processor achieves 4K60P 4:2:2 10-bit
  • 15x Optical Zoom (30x Advanced Zoom)
  • Multiple protocols including NDI|HX, SRT, FreeD, RTMP(S), RTP, RTSP, Standard communication protocol & Canon XC Protocol
  • Enhanced connectivity with 12G-SDI, 3G-SDI, and HDMI output

Canon CR-N500 and CR-N300 PTZ Camera Firmware Update

The new firmware update for the Canon CR-N500 and CR-N300 PTZ cameras adds SRT and FreeD protocols. SRT protocol is a widely used video transmission protocol for live broadcasts that provides both low latency and error correction for smooth video over public internet connections. FreeD protocol is also a widely used protocol for transmitting camera positioning information, allowing the camera to be used in virtual applications such as virtual studio systems. Both protocols are supported by the CR-N700, and are now available on the CR-N300 and CR-N500 with firmware version 1.2.0 that is currently available for download.

Pricing and Availability

The Canon CR-N700 PTZ is scheduled to be available in December 2022 for an estimated retail price of $9,699.00.

Thursday, September 8, 2022

Canon announced five affordable and powerful 4K Camcorders



MELVILLE, NY, September 7, 2022– Canon U.S.A., Inc., a leader in digital imaging solutions announced the launch of four professional camcorders – the XA65, XA60, XA75, and XA70 – alongside the VIXIA HF G70 camcorder. The new camcorders are suited to a wide range of uses, including documentary, corporate events, and education. Capable of capturing amazing 4K quality content and HD UVC Streaming via USB-Ci, with advanced autofocus and face detection functionality, these models offer excellent performance. All of them enable MP4 and On-Screen Display (OSD) recording, while the four professional camcorders feature XF-AVC recording to support broadcast applications. Additionally, Canon has announced a firmware update for the XF605 camcorder.

High-Quality 4K Capture

With Canon’s line-up of compact camcorders, content creators can easily capture stunning 4K footage in multiple scenarios. Powered with the DIGIC DV6 image processor and leveraging the 1/2.3-inch type CMOS sensor and 1.0-inch type CMOS sensor, respectively, the XA65/XA60 and XA75/XA70 are capable of shooting 4K UHD and Full HD images using oversampling for superb HD quality, making them perfect for a wide range of shooting scenarios. When coupled with Canon’s intelligent optical design, these camcorders offer impressive zoom functionality in a lightweight body. Achieving a 35mm equivalent focal length, the XA65/XA60 offer a 20x optical zoom and the XA75/XA70 a 15x zoom. All professional models support 40x digital zoom, which extends to 800x in the XA65/XA60 and 600x in the XA75/XA70. These models are also designed to improve operability with a new, large 3.5 inch Touch Panel LCD Monitor and high-resolution Ocular EVF with impeccable video capabilities.

Precision Focus, Steady Footage

With Canon’s precision AF systems, the XA65/XA60 and XA75/XA70 help content creators lock onto their subjects and easily follow the action. Featuring Dual Pixel CMOS AF, the XA75/XA70 models are capable of fast and accurate focusing, which couples with the Dual Pixel focus guide to help make manually focusing on a subject easy. The XA65/XA60 line-up employs an advanced Hybrid AF system for precise focusing even in low light situations. All offer adjustable focusing speeds for either fast or smooth AF, which can also be controlled via the 3.5 inch LCD display, enabling operators to easily set the focus by touching a single AF point. For excellent accuracy and convenience, especially in busy environments where operators need to keep a subject in shot, Face Detection AF and Face Tracking are available. All feature manual focus, which can be set either by the focus/zoom ring, or the control ring on the lens of the XA75/XA70. Employing 5-axis image stabilization, these models capture steady, virtually shake-free footage.

Versatile Recording Formats

Featuring a range of flexible recording options, the XA65/XA60 and XA75/XA70 can seamlessly fit into multiple professional workflows. With a host of specialist recording options, including Slow and Fast Motion, on-screen display recording, which embeds the date and time into the video image, and an infrared mode to capture footage in the dark, these camcorders can be used for a wide range of use cases. They can also be easily integrated into a multi-camera setup thanks to the custom picture menu, allowing users to color match footage with other Canon cameras. For professional sound capture, the XA65/XA60 and XA75/XA70 have two XLR audio inputs and 4-channel linear PCM to set the recording level and input sensitivity.

New to the XA and VIXIA Series of camcorders, OSD recording embeds date, time, timecode and other data into your original camera files, effectively “time stamping” the information into each frame of video, a requirement for legal and law enforcement videographers.

Enhanced Connectivity Options

Canon’s new professional camcorders offer a range of connectivity options to enable simple and fast transmission of high-resolution video. The XA65/XA60 and XA75/XA70 can stream HD video in UVC via USB-Ci through a compatible PC – great for education or houses of worship which increasingly offer both in-person and virtual services. All models feature HDMI output and simultaneous backup and relay recording via dual SD cards, with the XA65 and XA75 offering an additional 3G-SDI output.

Unlock Your Inner Filmmaker

Designed for aspiring filmmakers and documentarians, the VIXIA HF G70 is a multi-functional camcorder delivering professional capabilities in an easy-to-use form factor so they can shoot like a pro. Utilizing a 1/2.3-inch type CMOS sensor and high-quality 20x Zoom lens, this camcorder captures 4K UHD video in MP4 and oversampled HD footage for impeccable video resolution. HDMI and USB-C output enable users to turn the VIXIA HF G70 into a web camera for high-quality video calls and sharing content online. Additional scene modes are also available, including night mode, on-screen display recording, and audio scene mode, which adds sound recording that is tuned to the shooting environment.

XF605 Firmware Update

Canon has also added a firmware update for the XF605 camcorder in response to feedback and requests from users. The firmware v1.0.1.1 offers greater efficiency for broadcasters, and more versatile shooting options for content creators using the XF605 – a professional broadcast camera designed for solo shooters.

To meet the growing demand for remote and live production, this latest firmware update adds Canon’s XC protocol, enabling the XF605 to work alongside other compatible Canon products within a multi-camera system. Combining the excellent performance of the camera with advanced network technologies, broadcasters can seamlessly integrate the XF605 into their setup and control the ISO, aperture, Custom Picture, and AF of all cameras from a single point. The v1.0.1.1 firmware also introduces a new 4K Intra 60P/50P recording option alongside XF-AVC Intra 410Mbps, creating a lightweight, high-quality codec that helps to minimize storage costs.

Powered by Canon’s Dual Pixel CMOS AF, users can now enjoy the benefit of Face and Eye Detection AF and tracking in both fast and slow-motion shooting, perfect for capturing fast-paced action. For even more options, the firmware now also adds support for vertical shooting – a feature first seen in the EOS C70. This feature is great for digital signage, where content creators need to capture 4K content in a portrait format. For simple operation in vertical shooting mode, the monitor and on-screen menu change orientation.

A camcorder designed for single operators and streamlined crews, such as on-the-ground broadcasting, the v1.0.1.1 firmware gives operators the ability to monitor all four audio channels in the on-screen meter display. Users can now select assignable button 11 as the record button – ideal for those shooting on a tripod or in a vertical orientation. Also added is a feature that retains the selected shooting mode while switching from standard to Slow and Fast shooting.

Responding to feedback from customers and end users and the broader adoption of multi-camera setups for live and remote production, this firmware levels up the performance of the XF605 and enables it to be easily integrated into multi-camera setup.

The Canon XF605 firmware update v1.0.1.1 is currently available for download.

Canon XA75/XA70 Key Features :

  • 1.0-inch type CMOS Sensor and DIGIC DV6 Processor for 4K UHD recording
  • 15x optical zoom with 40x digital zoom
  • DUAL Pixel CMOS AF and face tracking
  • OSD Recording
  • Dual XLR audio input with 4ch audio recording.
  • Infra-Red Shooting Support
  • USB Video Class (UVC) Supporti
  • 3G-SDI (XA75 only) and HDMI output

Canon XA65/XA60 Key Features :

  • 1/2.3-inch type CMOS Sensor and DIGIC DV6 Processor for 4K UHD recording
  • 20x optical zoom with 40x digital zoom
  • OSD Recording
  • Dual XLR audio input with 4ch audio recording.
  • Infra-Red Shooting Support
  • USB Video Class (UVC) Supporti
  • 3G-SDI (XA65 only) and HDMI Output
  • Canon VIXIA HF G70 Key Features:
  • 4K UHD 1/2.3-inch type CMOS sensor
  • High Quality 20x Zoom Lens
  • OSD Recording
  • USB-C Output for Streaming
  • Hybrid AF
  • Oversampled HD Processing

Price & Availability

The Canon XA75 and XA70 professional camcorders are both scheduled to be available in November 2022 for an estimated retail price of $2,999.00 and $2,499.00 respectively. 

The Canon XA65 and XA60 professional camcorders are both scheduled to be available in October 2022 for an estimated retail price of $2,299.00 and $1,799.00 respectively.

The Canon VIXIA HF G70 prosumer camcorder is scheduled to be available in October 2022 for an estimated retail price of $1,249.00.

Wednesday, September 7, 2022

New Broadcast and Filmmaking products announced by Canon




MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, today strengthened its cinema and broadcast offering, in line with user needs, with a suite of products. This includes the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S), Canon’s latest 8K CINE-SERVO lens for a broad range of productions; the EU-V3, a modular expansion unit for the EOS C500 Mark II and EOS C300 Mark III cameras; a Cinema EOS firmware update; and the DP-V2730[i], a 27-inch 4K professional reference display that may seamlessly fit into workflows of broadcasters and filmmakers.

Capture the World Cinematically - CINE-SERVO 15-120mm T2.95-3.95 EF/PL CN8x15 IAS S

With a superb combination of focal range, compact size, and lightweight, the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) supports Super 35mm and Full-Frame[ii] sensor cameras, making it ideal for a range of cinema and broadcast productions. With its versatile focal range from a wide 15mm, up to an impressive telephoto range of 120mm, the lens can further extend up to 180mm via the built-in 1.5x extender. To support future productions, 8K optical performance can be maintained across the full focal length, providing consistently high image quality across the entire frame.

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) features Canon’s renowned warm color science, matching the existing range of Canon’s cinema lenses – and an 11-blade aperture, producing a beautiful, round bokeh. Offering outstanding optical performance – and breathtaking image quality for HDR, 4K, and 8K productions – the lens supports EF mount communication and advanced metadata capture with support for Cooke /i Technology™. The PL mount version of the lens is also the first Canon CINE-SERVO lens to enable both ZEISS eXtended Data™ (XD) communication and Cooke /i Technology™. Featuring the same 16-bit encoder found in Canon’s broadcast and existing CINE-SERVO lenses, which provides accurate lens position, zoom, focus, and iris metadata, the information and communication functions between the lens and camera are paramount for VFX, virtual, and cinema productions.

The high-end CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) is available in both EF and PL mount, featuring a powerful and detachable servo motor drive unit. This adds to the versatility of the lens as it allows for live production and documentary-friendly Studio and Field- operation. The drive unit’s ergonomic hand grip and zoom rocker make on-the-go, shoulder/ENG-style shooting easy. With the drive unit’s two 20-pin ports for attaching zoom and focus controls and a third 20-pin that provides 16-bit encoded metadata for virtual systems, the lens also fits nicely into a tripod-mounted studio-style configuration.

EU-V3 : Modular Expansion Unit for Live Production, Compatible with The EOS C500 Mark II and EOS C300 Mark III Cameras

With the increased move towards large format sensor cameras for broadcast, events, and live sports production – providing viewers with a unique perspective when watching their favorite teams play – Canon has listened to user requirements with the EU-V3 expansion module for both the EOS C500 Mark II and EOS C300 Mark III. Building on both cameras’ modular design, it expands and supports specific functionality for multi-camera and live productions.

For studio and live production use, the EU-V3 has a 4-pin XLR DC power input for constant power to both the expansion module and the camera body – no need for external batteries to power the devices.

The EU-V3 also offers an SDI return video feature, allowing real-time monitoring of a live broadcast feed from a production switcher. The return output destination can be selected from the VIDEO, EVF-V50, MON/HDMI, and SDI-OUT terminals. The EU-V3 also enables Tally support to alert the camera operator and the subject being captured. Both SDI Return video and Tally functions are essential for informing camera operators and their subjects of when their camera feed is live and the current status of the production.

The lens focus position can also be displayed on-screen when using the EU-V3 – with compatible broadcast and CINE-SERVO lenses via 12-pin serial communication. The Focus Position Meter, which users can choose to display along the top or right side of the screen, allows users to register multiple focus positions on a distance scale and highlights when the focus is achieved during manual operation – such as when selecting the finish line for a race.

The EU-V3 can be combined with the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens on the EOS C500 Mark II and EOS C300 Mark III cameras.

Cinema EOS Firmware : Expanding Horizons

A new Cinema EOS Firmware update is being introduced to strengthen the capabilities for the live production market for both the EOS C500 Mark II and EOS C300 Mark III cameras – enabling both cameras to be used within live environments and multiple workflows. Key updates include :

  • Implementing XC protocol: integration into multi-camera solutions, supporting direct control via RC-IP100 remote camera controller (sold separately) and ethernet connections.
  • Strengthening of AF features: 120p / 100p AF support, alongside face detection during Slow and Fast Shooting Mode.
  • Audio 4ch display: the audio level display will show all four audio channels when this mode is selected.
  • New accessory and lens support: allowing the EOS C500 Mark II and EOS C300 Mark III camera to work perfectly with both the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens and EU-V3, as well as support for the Flex Zoom series of lenses.

DP-V2730 : 4K HDR Display For The New Generation

An advanced professional 4K HDR monitor, the DP-V2730, has a 4K UHD display engine and 1,000 cd/m² full-screen peak brightness, with Canon’s local dimming technology giving an ultra-low black level of 0.001 cd/m². A great option for both filmmakers and broadcasters, the DP-V2730 has a 27-inch screen that achieves high brightness with minimal noise, which is ideal for both on-set and post-production environments, and meets Dolby Vision certification standards and EBU TECH3320 user requirements[iii]. 

The DP-V2730 features a suite of award-winning monitoring tools such as a waveform monitor, histogram, frame luminance monitor, RGB parade, and much more – all driven by Canon’s latest processing platform. The display is a great companion for broadcast and filmmaking, delivering high-end 4K HDR performance for on-set video villages, on-location production facilities, and is ideal for virtual post-production editing, VFX, and color grading.

The DP-V2730 has an HDMI input and 12G-SDI terminals (4x Inputs and 5x Outputs) capable of delivering 4K60P 4:2:2 10-bit or 4K30P 4:4:4 12-bit signals, ideal for seamless integration into multiple workflows. The DP-V2730 can also easily be linked to a compatible computer, tablet, or smartphone plus multiple Canon Displays (via a LAN connection) with the Remote Control Web UI. This touch-optimized interface provides live image viewing, detailed signal information and direct control over inputs, monitoring tools, and settings. A paid license is required to activate this feature. Users can also access 4-way SDI input switching via a paid upgrade that supports various workflows, such as sending an output feed to a director’s monitor, external recorder, or live streaming solution.

Canon CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) Key Features :

  • Wide angle 15-120mm, with 8x magnification
  • High-quality optics for HDR, 8K and 4K capture
  • Built-in 1.5x extender – providing reach up to 180mm
  • Full frame sensor coverage (with 1.5x extender engaged)
  • Modular design with a removable drive unit
  • Interchangeable lens mount from EF to PF
  • First CINE-SERVO lens to support ZEISS extended Data (XD)

Canon EU-V3 Key Features :

  • Constant DC IN power – no need for external batteries
  • Return SDI Signal Input
  • Remote B (RS-422)
  • Ethernet
  • Tally Signal Support (XC Protocol)
  • V-mount battery plate (with D-TAP)
  • 12-pin Lens Terminal
  • DC OUT 12V-2A

Canon Cinema EOS Firmware Update :

  • XC protocol support
  • 120p / 100p AF support
  • Face detection during Slow and Fast Mode Shooting
  • Audio 4ch display
  • Flex Zoom Series and CN8x15 IAS-S E1/P1 lens support

Canon DP-V2730 Key Features :

  • 27” 4K UHD HDR Display
  • 1000 cd/m2 brightness and 0.001 cd/m2 black levels
  • Award-winning monitoring tools
  • Achieves Dolby Vision certification standards and EBU TECH3220 user requirements.
  • 12G-SDI and HDMI connectivity

Pricing and Availability

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) cinema lens and EU-V3 accessory are scheduled to be available in November and December 2022 for an estimated retail price of $30,999.00 and $2,999.00 respectively.

The Canon Cinema EOS Firmware Update is scheduled to be available in October 2022 free of charge.

The Canon DP-V2730 reference display is scheduled to be available in March 2023 for an estimated retail price of $18,999.00.

Wednesday, August 3, 2022

Canon released new firmware updates for EOS R3 and EOS R5 cameras




Canon EOS R3 firmware update version 1.2.1 is available for download. You can read my real world review on the EOS R3 camera here.

Firmware Version 1.2.1 incorporates the following fixes and enhancements :

  • Adds the ability to set "Custom high speed continuous" to the Drive mode. It is possible to shoot from 2 to 50 images continuously at a speed of approximately 30 to 195 fps.
  • Adds the ability to select "FHD 239.76 fps/200.00 fps" in "High frame rate."
  • Adds the ability for in camera "Depth compositing" during "Focus bracketing."
  • Adds Focus bracketing and depth compositing with a flash (Speedlite EL-1).
  • Adds the ability of time-lapse movie recording. Note that the time-lapse movie setting is retained even if the camera enters the Auto Power Off state before starting time-lapse movie recording.
  • Adds the ability of Cloud RAW processing functionality. RAW processing with the latest image processing technology is possible. This is a paid service that requires the purchase of a Canon Imaging App Service Plan, which will be available starting July 25, 2022.
  • Adds the ability to convert multiple HEIF images into multiple JPEG images.
  • Adds the ability to set [Still Image Crop/Aspect] to [Custom Controls]. The assigned button can be used to switch between crop and aspect ratio.
  • Adds the ability to crop and resize images during transfer to an FTP server.
  • 802.1X authentication/WPA2-Enterprise now supports the PKCS#12 certificate format.
  • Adds an electronic shutter sound to be played when the mechanical shutter or electronic 1st-curtain is set.
  • Enhances the performance of "Movie Digital IS". It stabilizes the image when taking selfies or walking shots using a wide-angle lens.
  • Adds [Auto Power Off Temp.: Standard/High] to the menu for still shooting.
  • Fixes an issue, which displays Error Code 70 on the camera, that may occur, in rare instances, when the [Disp. performance] setting is set to [Smooth].
  • Fixes minor issues.
  • Fixes an issue, in which, after having updated the camera to firmware Version 1.2.0, when performing the [Factory reset] operation, some shooting settings are not retained.




Firmware Version 1.6.0 incorporates the following enhancements and fixes :

  • Adds [Auto Power Off Temp.: Standard/High] to the menu for movie recording. When [High] is selected, the camera will not automatically turn off when the temperature of the camera body and card become high, which may allow for longer movie recording than before, depending on the shooting conditions. Note that the temperature of the bottom surface of the camera may increase at this time.
  • Adds the ability to convert multiple HEIF images into multiple JPEG images.
  • Enhances the performance of “Movie Digital IS”. It stabilizes the image when taking selfies or walking shots using a wide-angle lens.
  • Fixes minor issues.

Wednesday, July 13, 2022

Canon announced the RF 24mm f/1.8 Macro IS STM and RF 15-30mm f/4.5-6.3 IS STM lens


MELVILLE, NY, July 12, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of two new RF-Mount lenses, the RF 24mm f/1.8 Macro IS STM and RF 15-30mm f/4.5-6.3 IS STM. The lenses are both high-value, compact and lightweight wide-angle additions to the RF-Mount family and pair perfectly with the complete lineup of EOS R cameras, including the newly announced Canon EOS R10 and EOS R7 cameras.

 


The Canon RF 24mm F1.8 Macro IS STM lens is a large-diameter, wide-angle fixed focal length lens designed for capturing bright and clear images with beautiful bokeh and macro capabilities to get even closer, both features not possible with a standard kit lens. Will Cadena, wedding and portrait photographer touts the focal length saying, “I love this lens! It helps give you the feeling you are right there in the action, and the focal length really directs your eye to the center of the frame.”

Thanks to the wide-angle of view and built-in STM motor that tracks focus with natural movement, the new RF24mm lens is optimized for video use, particularly vlogging and other social media uses.

Additional Features of the RF 24mm F1.8 Macro IS STM Lens Include :

  • Fast F1.8 maximum aperture for great control over depth of field and bokeh, low-light shooting, and video recording, with fast and reliable autofocus.
  • Excellent image quality: highlights include a UD (Ultra-low Dispersion) glass element, one aspheric element, and Canon SSC (Super Spectra Coating) to help minimize ghosting and flare.
  • Minimum focus distance of approx. 5.5 In./0.14 m; close-up magnification 0.5x at minimum focus distance.
  • Optical image stabilization — up to 5.5 stops* of shake correction. Up to 6.5 stops Coordinated IS when paired with EOS R series cameras featuring In-Body Image Stabilizer (IBIS).
  • Dedicated, programmable Control Ring with click-stop operation.
  • Equivalent to approximately 38mm coverage when used on cameras with APS-C size image sensors.
  • Impressively compact and light at only 0.6 lbs/270g.
  • Circular (9 blades) aperture for beautiful, soft backgrounds.



The Canon RF 15-30mm F4.5-6.3 IS STM lens is an ultra wide-angle zoom lens designed for a variety of image-capturing moments such as dynamic landscapes and natural snapshots. Travel vlogger Juliana Broste (@TravelingJules) says that a wide-angle lens is her go to, “I’ve got options–whether I’m standing super close to my subject or backing up to get a sense of a place, I’m covered.”

Like the new RF24mm, this new lens has macro capabilities and produces images with beautiful bokeh, with the added flexibility of a zoom range. The RF15-30 is another excellent option for photographers looking to go beyond the standard zoom lens.

Additional Features of the Canon RF 15-30mm F4.5-6.3 IS STM Lens Include :

  • Equivalent to approximately 24–48mm coverage when used on cameras with APS-C size image sensors.
  • Excellent image quality: highlights include two UD (Ultra-low Dispersion) glass elements, one aspheric element, and Canon SSC (Super Spectra Coating) to help minimize ghosting and flare.
  • Optical Image Stabilization — up to 5.0 stops* of shake correction. Up to 7.0 stops of Coordinated IS when paired with EOS R series cameras featuring In-Body Image Stabilizer (IBIS).
  • Equivalent to approximately 24–48mm coverage when used on cameras with APS-C size image sensors.
  • Minimum focus distance of approx. 11 in./0.28m (5.1 In./0.13m in manual focus at 15mm zoom position.)
  • Canon STM (stepping motor) focus drive, especially suited for smooth, quiet video AF operation.
  • Impressively compact and light — approx. 0.9 lbs./390g.

​​​

Price & Availability

The Canon RF24mm F1.8 Macro IS STM, and Canon RF15-30 F4.5-6.3 IS STM lenses are scheduled to be available in late August 2022 for an estimated retail price of $599.99 and $549.99, respectively**.

Tuesday, May 24, 2022

Canon announced the EOS R7 and EOS R10 APS-C mirrorless cameras





MELVILLE, NY, May 24, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the new EOS R7 and EOS R10 camera bodies, Canon’s first EOS R-series models with smaller-size APS-C imaging sensor.

Ideal for hobbyists and general photography enthusiasts, the EOS R7 is the quintessential camera to take your photography to the next level. It is a powerful camera choice for those seeking an upgrade to their travel and vacation photos or to capture life-long family memories while opening a new world of creative and professional possibilities. The EOS R10 is perfect for content creators looking for a camera option to capture high-quality action videos and images of sports, wildlife, and motorsports.

As the market share leader for mirrorless cameras in the United States during Q1 of 20221, Canon looks to solidify their position with the addition of new offerings within the EOS R lineup. EOS R7 and EOS R10 provide enhanced video functions and accessories, such as the new multifunction shoe with EOS R7, while still maintaining a high-level ease of use. With a robust mirrorless system at their core, these cameras provide users with a powerful telephoto reach through both still image and video due to the 1.6x crop factor that comes with APS-C sensor cameras.

In addition to its compact size and ease of use, the EOS R7 and EOS R10 also feature :

  • 32 million pixels (EOS R7) and 24 million pixels (EOS R10), APS-C size image sensor
  • Autofocus (AF): subject detection inherited from EOS R3
  • Up to 15 frames per second (FPS) mechanical shutter
  • First Canon APS-C camera with up to 7.0 stops Coordinated Image Stabilization
  • Dual memory card slots (EOS R7 only)
  • Full width 4K video recording at 60p (EOS R7 only), 30p and 24p
  • Record each clip over thirty (30) minutes2
  • Up to 30FPS with electronic shutter (EOS R7 only)
  • Dust and moisture resistant (EOS R7 only)
  • In-body image stabilization (EOS R7 only)

Alongside the camera bodies, Canon will release new RF-S lenses – a series of RF-mount lenses that are optimized for the smaller APS-C sensor size of the new EOS R camera system. Marked as the RF-S18-45mm F4.5-6.3 IS STM and RF-S18-150mm F3.5-6.3 IS STM lenses, these will be the standard zoom lenses for the EOS R7 and EOS R10 cameras. The RF-S 18-45mm provides an 18-45mm focal length, but users will experience a field of view equivalent to 29-72mm lens coverage on a full-frame camera. The RF-S18-150mm lens is a longer-range standard zoom, equivalent to 29-240mm lens coverage on a full frame. While ideal for the new EOS R10 and EOS R7 APS-C sized sensor bodies, these lenses can be used for any R-series camera.

Thursday, April 28, 2022

Canon may announce EOS R7 cropped frame mirrorless camera before Q2, 2022


 

* * * Check out my Canon EOS R3 camera review * * *


* * *  Canon announced the EOS R7 and EOS R10 cameras  * * *


My readers know me as The Wildlife Ho-tographer. I have been using Canon gear for over 30 years. You can follow my travels on FacebookTwitter and Instagram, see my equipment bag and works on MichaelDanielHo.com

Throughout the decades, I have owned and/or used all the EOS camera lines. I bought my first EOS 1 back in 1989 as my main camera and have upgraded to every model since. Now the EOS-1D X Mark III and EOS R3 are my primary bodies and the EOS-1D X Mark II and EOS-1D Mark IV are my backup cameras. Occasionally, I use the EOS-7D Mark II for far away wildlife shots.

As my readers know, I have waited for almost three years before I purchased my first mirrorless camera, the EOS R3. When the EOS R was first introduced, I was invited to a VIP preview but found the camera wanting. The EOS R3 is a great improvement over the original EOS R and I am trying to get used to it as one of my two primary wildlife centric cameras.

My biggest dislike of mirrorless camera is their small ergonomic size, limited battery life and 'slow' EVF as compared to the real time sensation of SLR cameras. The EOS R3 eliminated many of my concerns with mirrorless camera but it's still not at the EOS 1 level.

The upcoming EOS R1 with its expected 40+ MP (global?) sensor and Quad Pixel AF should hopefully make Canon's transition from a DSLR powerhouse to a first-in-class mirrorless camera company a reality. I am anxiously waiting to see some prototypes out in the wild and plan to place my pre-order as soon as it's available. 

The second mirrorless body that may interest me will be the EOS R7, a APS-C camera. It should have the same 1.6X crop factor that all Canon APS-C cameras. This new body will be similar to the EOS R6 but designed for wildlife photographers who like to have the extra reach under certain circumstances. The EOS R7 is rumored to come with the following features :

  • Dimension and weight similar to EOS R6
  • Low 30+MP dual pixel CMOS sensor
  • Digic X processor
  • CFexpress and SD memory card slots
  • May use the same battery grip BG-R10 as the EOS R6
  • May use the same LP-E6NH battery as the EOS R6.
  • IBIS and AF similar to EOS R6
  • 4K @ 60 fps, 1080p @ 240 fps, C-Log 3
  • List price similar to EOS R6 

I have purchased the RF 100-500mm and RF 24-240mm lenses because they are not available in the EF format. Canon is releasing many EF lens  in the RF format. My complement of EF lenses have served me well and I do not need too many additional lenses to clutter my equipment bags.

Stay tune as I get the latest leaks and information concerning the upcoming EOS R1 and EOS R7. Both cameras' prototypes should be out in the wild now for field testing. It is possible to have a development announcement in the second half of 2022 for the EOS R1 and possible limited delivery in early 2023. The EOS R7 may be announced before the end of the second quarter of 2022. 

Sunday, April 24, 2022

Canon released new firmware for EOS C300 Mark III and EOS C500 Mark II cameras



MELVILLE, NY, April 21, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a firmware update for the Canon EOS C300 Mark III and EOS C500 Mark II digital cinema cameras. The new firmware will enable these cameras to be Frame.io Camera to Cloud (C2C) compatible devices. This cutting edge workflow can save valuable time, allowing a collaborative cloud-based workflow in a variety of production environments from scripted motion picture and television production to reality TV, documentary, commercial, and more.

Transferring footage from camera, from on set or location, into the post-production workflow traditionally requires backing up files to a hard drive and carrying or shipping the drives to another location to be ingested for post. C2C workflow sends secure high-quality, low-bandwidth H.264 proxies, 4K 10bit 4:2:2 H.265 (HEVC) files and uncompressed audio files with matching timecode and filenames to the Frame.io cloud platform. Frame.io® is now an Adobe® company.

Using a third-party Wi-Fi, 5G or LTE streaming encoder connected to the camera output, Frame.io C2C workflow can automatically distribute clips to editors (or anyone else who needs them) the moment the Director calls “cut.” This enables immediate review of footage on an authorized user’s device on or off set, anywhere in the world, empowering all stakeholders to watch production and collaborate in real-time.

Availability

The firmware update that will enable Canon EOS C300 Mark III and Canon EOS C500 Mark II digital cinema cameras to leverage third-party encoders for Camera to Cloud is scheduled to be available end of May 2022.*

Wednesday, April 13, 2022

Canon announced 122x Field Zoom Lens with AF for 4K Broadcast Cameras



MELVILLE, NY, April 12, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the UHD-DIGISUPER 122 AF, a new field zoom lens with autofocus for 2/3-inch sensor 4K broadcast cameras, featuring the world’s widest angle*, longest focal length* and largest zoom*. Along with the new lens, Canon will also release two new focus demand accessories – The Canon FDJ-S31 and FDJ-S41.

The UHD-DIGISUPER 122 AF is Canon’s new flagship field zoom lens for 4K broadcast cameras, and the company’s first 4K broadcast lens to include built-in AF. With the addition of AF with superb high-speed and high-accuracy subject tracking, this new lens enables the capture of immersive, high-resolution video, thus meeting a wide range of needs at on-location 4K workspaces that demand extremely precise AF, such as sporting events, concerts and other indoor and outdoor events.

The DIGISUPER 100 AF (released in June 2006), Canon’s AF-enabled lens for HD broadcast cameras, garnered high praise from the broadcast market thanks to its high-performance phase-detect AF. The new UHD-DIGISUPER 122 AF carries this legacy into the next generation with support for 4K video. The lens produces natural and smooth AF that can rapidly focus on subjects — even when initially far out of focus — as well as track fast-moving subjects while maintaining focus with high precision.

Canon’s new UHD-DIGISUPER 122 AF features a zoom range of 8.2 mm at the wide end and 1,000 mm at the telephoto end — a 122x zoom ratio, the world’s most powerful zoom range for AF-equipped field zoom lenses for 2/3-inch sensor 4K broadcast cameras. In addition, the lens employs a built-in 2x extender that allows users to increase the zoom range two-fold, featuring a 16.4 mm focal length at the wide-angle end and a 2,000 mm focal length at the telephoto end.

Alongside the new lens, Canon will also release two new focus demand models for AF-equipped lenses used with HD or 4K broadcast cameras. The Canon FDJ-S31 and FDJ-S41 focus demand accessories enable focus control and provide a variety of powerful support capabilities, including the ability to switch between three sizes of AF frames, move the AF frame within the screen, AF mode switching, and three different focus curve modes.

Availability

The Canon UHD-DIGISUPER 122 AF lens and Canon FDJ-S31 and FDJ-S41 focus demand accessories are all scheduled to be available in early July 2022.**

Canon will showcase its latest digital imaging solutions and products, including the new field zoom lens and focus demand accessories, at the NAB Show 2022 (Booth #C4432) in Las Vegas, April 24th-27th. For more information about the new lens, focus demand accessories, and Canon’s presence at the show please visit usa.canon.com.

Tuesday, April 12, 2022

Canon announced new series of EF Cinema Lenses with wide T2.4 aperture designed for Full-Frame Cameras



MELVILLE, NY, April 12, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of a new series of lenses for the company’s EF Cinema Lens lineup — the Flex Zoom Lens series of lenses, which were developed to create cinema-style productions with greater workflow efficiency. The first lenses in the series are the CN-E20-50mm T2.4 L F/FP wide-angle zoom lens and the CN-E45-135mm T2.4 L F/FP telephoto zoom lens.

Designed in the pursuit of cinematic beauty, the new large-aperture lenses feature both high-level optical design and performance while maintaining the style and ease-of-use of Canon’s EF Cinema lens series. With the introduction of the zoom lenses featuring focal length ranges of 20-50mm for wide-angle and 45-135mm for telephoto, Canon now offers zoom lenses that cover the same range as its six existing prime (single focal length) lenses. The versatility of these new lenses supports efficient production workflows for a wide range of scenarios, including film, TV programs, commercials, and much more.

When paired with full-frame or large-format cameras, these lenses fully leverage the cameras’ signature shallow depth-of-field look and provide smooth and natural background blur, helping to produce powerful storytelling imagery. The lenses also maintain a bright T2.4 aperture1 across their entire zoom ranges allowing for image capture in both natural light and darker environments. This feature helps to reduce the need for intricate lighting setups, enabling more efficient and cost-effective video production workflows.

Engineered with an optical configuration that creates the optimal placement of lens elements, including a large-aperture aspherical lens and an anomalous dispersion glass lens, the CN-E20-50mm T2.4 L F/FP and the CN-E45-135mm T2.4 L F/FP lenses help reduce the potential for color smudging and chromatic aberrations. This enables them to maintain high optical performance from the center of the image to the periphery when paired with 8K cameras.

In addition to supporting EF-mount data transmission2, the new lenses are also compatible with /i Technology3 from Cooke Optics. With this capability, recording metadata such as focus, zoom, aperture, and lens model can be transmitted via the lens mount for visualization on the camera itself. This additional information helps to contribute to more efficient workflows not only during on-location recording, but also during post-production and editing.

Pricing and Availability

The Canon CN-E20-50mm T2.4 L F/FP wide-angle zoom lens and Canon CN-E45-135mm T2.4 L F/FP telephoto zoom lens are scheduled to be available in early June 2022 and early September 2022 for an estimated retail price of $21,999.00.*

Canon will showcase its latest digital imaging solutions and products, including the new Flex Zoom Lens series of lenses, at the NAB Show 2022 (Booth #C4432) in Las Vegas, April 24th-27th. For more information about the new lenses and Canon’s presence at the show please visit usa.canon.com.

Tuesday, March 29, 2022

Canon holds top share of Global Interchangeable Lens Digital Camera market for 19th Consecutive Year




MELVILLE, NY, March 28, 2022 – Canon Inc. announced today that the company’s interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share of the global market for 19 consecutive years1 from 2003 to 2021.

Canon develops the key imaging system components featured in its EOS series of digital interchangeable-lens cameras — including CMOS image sensors, image processors and interchangeable lenses—under the core notion of, “Speed, Comfort and High Image Quality.” Amassing together a wide-ranging product lineup—from high-performance flagship models that are go-to tools for professionals to entry-level models that allow users to enjoy high-image-quality shooting with easy operation, as well as a wide variety of RF and EF series lenses that make possible a broad spectrum of creative expression—Canon continues to support the diverse needs of customers.

During the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital in Japan (EOS Digital Rebel or EOS 300D in other regions) in September 2003. This groundbreaking camera, which was competitively priced and featured a compact, lightweight design, captured the top share of the global market and set the stage for growth in the digital SLR market. Since that time, Canon has continued to launch a range of revolutionary products, including the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. Launched in October 2018, the EOS R System was born from Canon’s desire to construct the ideal lens mount and maximize the appeal of its new RF lenses. Canon has since continued to expand the range of imaging creativity and new possibilities for visual expression, including the release of the EOS R5—the first Canon camera to feature 8K video recording2—in July 2020.

In 2021, Canon announced the EOS R3 full-frame mirrorless camera (released in November 2021) featuring the high performance and reliability demanded by professional and enthusiast users, alongside eight new RF lenses3. While further expanding its lineup through such new launches as the EOS VR System, Canon managed to secure the No. 1 share of the global market for the 19th consecutive year.

Canon will continue to enhance its diverse imaging technologies based on its core optical technology while further strengthening and expanding the EOS series of cameras and RF and EF series of lenses, opening up new avenues of image capture to meet the needs of increasingly diverse users and to promote the spread of photo and video culture.

Friday, March 18, 2022

Canon announced firmware updates for the EOS R5 and EOS R6 cameras



Canon EOS R5 Firmware Version 1.5.2 incorporates the following enhancement :

  • Optimizes AutoFocus accuracy when Extender RF1.4x or Extender RF2x is attached to the RF800mm F5.6 L IS USM and RF1200mm F8 L IS USM lenses.
  • Enhances the stability of Eye Detection.
  • Enhances AutoFocus tracking when shooting moving subjects.

Download firmware v1.5.2 for the Canon EOS R5


Canon EOS R6 Firmware Version 1.5.2 incorporates the following enhancement :

  • Enhances the stability of Eye Detection.
  • Enhances AutoFocus tracking when shooting moving subjects.

Download firmware v1.5.2 for the Canon EOS R6

Sunday, February 27, 2022

Canon announced RF 800mm f/5.6 L IS USM and RF 1200mm f/8 L IS USM Super-Telephoto Lenses



MELVILLE, NY, February 23, 2022 — Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce that the Canon RF lens family is growing by two, with the addition of the Canon RF800mm F5.6 L IS USM and the RF1200mm F8 L IS USM. Both super-telephoto fixed focal length lenses are quite light for their considerable abilities, and share many of the same features such as Super Spectra Coating (SSC) and Air Sphere Coating (ASC) to help minimize ghosting and flaring, compatibility with both the RF1.4x and RF2x extenders and a customizable electronic focusing ring with manual focus capability during Servo AF.

Additional features shared by both lenses include :

  • Two focus presets, with the ability to instantly switch between memorized focus distances
  • Circular nine-bladed aperture providing photographers with exceptionally beautiful and soft blurred backgrounds and bokeh
  • Renowned Canon L-Series durability and construction with dust and water resistance, plus fluorine coating on the front element for easy cleaning

Canon RF800mm F5.6L IS USM

The RF800mm F5.6 L IS USM weighs in at just 6.9 lbs and features a minimum focusing distance of 8.53ft/2.6 meters — maximum close-up magnification is a superb 0.34x, allowing wildlife image creators to fill the frame with small subjects, such as birds, at its minimum focusing distance. Optical image stabilization is up to 4.5 stops* of shake correction and includes three IS operation modes. When using the RF1.4x or RF2x extenders, users can experience enhanced effective focal lengths of 1,120mm and 1,600mm respectively.

Canon RF1200mm F8 L IS USM

The RF1200mm F8 L IS USM is the most powerful super-telephoto lens in the Canon RF lens line. It weighs in at 7.4 lbs — an outstandingly light figure for a super-tele lens of this type — and features a minimum focusing distance of 14.1ft/4.3m. Optical image stabilization is up to 4.0 stops* of shake correction and, similar to the RF800mm F5.6 L IS USM lens, includes three IS operation modes. When using the RF1.4x or RF2x extenders, users can experience enhanced focal lengths of 1,680mm and 2,400mm, respectively.

Pricing and Availability

The Canon RF800mm F5.6 L IS USM and Canon RF1200mm F8 L IS USM are both scheduled to be available in late May 2022 for an estimated retail price of $16,999.00 and $19,999.00, respectively**.

Thursday, February 17, 2022

Canon released firmware for the Canon EOS R5 and EOS R6 cameras to fix freezing bug



Canon EOS R5 Firmware Version 1.5.1 incorporates the following fix :

Fixes an issue that in rare instances, the camera may become inoperable when shooting in the Servo AF setting while operating the button.

Download firmware v1.5.1 for the Canon EOS R5

Canon EOS R6 Firmware Version 1.5.1 incorporates the following fix :

Fixes an issue that in rare instances, the camera may become inoperable when shooting in the Servo AF setting while operating the button.

Download firmware v1.5.1 for the Canon EOS R6

Tuesday, February 8, 2022

Canon released Firmware V 1.1.1 for EOS R3 mirrorless camera




Canon EOS R3 firmware update version 1.1.1 is available for download. You can read my preliminary EOS R3 camera review here.

Version 1.1.1 incorporates the following fixes and enhancements :

  • Adds the ability to use Smart phone link adapter AD-P1.
  • Adds the ability, when using EOS Utility or Browser Remote for remote shooting with two cards inserted, to set the recording method and select the card to be recorded to.
  • Adds the ability to cancel [Subject Tracking] by pressing the Quick Control and then buttons.
  • Adds Ukrainian as an option to the language of "Browser Remote".
  • Improves operation stability during FTP transfer.
  • Fixes an issue that in rare instances, the camera may become inoperable when shooting in the Servo AF setting while operating the button.
  • Fixes an issue, in which the camera cannot be used as an access point if the camera is being used in a region that only support 2.4GHz bandwidth for Wi-Fi connections.

Wednesday, January 19, 2022

Canon announced the EOS R5C full frame digital mirrorless camera









MELVILLE, NY, January 19, 2022 – Imagine having the best of both worlds at your fingertips. A Canon camera with equal parts video and still digital imaging power, all in one compact-and-lightweight package. Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the EOS R5 C Full-Frame Mirrorless Camera, a hybrid, RF-mount 8K camera that has something for everyone. The new camera showcases video formats and features from the company’s award-winning Cinema EOS line, alongside select still capabilities that have made the EOS R5 camera a popular and trusted choice among imaging professionals and enthusiasts alike.

“Imaging professionals are living in a multimedia world. Gone are the days of only needing to be sufficiently equipped and skilled at video or stills,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The EOS R5 C squarely takes aim at providing end-users with a solution that can tackle all facets of the ever-demanding multimedia and content production landscape. Canon is confident this all-in-one solution can help improve the workflow for a variety of content creators.”

Small, but Mighty

The EOS R5 C camera can record non-stop, uninterrupted 8K/60Pii thanks to an active cooling system. 8K video delivers outstanding definition and realism with four times the resolution of 4K video, enabling unprecedented capabilities in video expression and highly flexible workflows, such as 4K cropping from 8K footage.

The EOS R5 C camera can record High Frame Rate (HFR) video up to 120P at 4K resolution in 4:2:2 10-bit without cropping the sensor, an ideal option when shooting scenes full of fast-paced action or when the camera is paired with a gimbal or drone. Canon’s renowned Dual Pixel CMOS AF is functional even in HFR shooting. Unlike some cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording.

The EOS R5 C is the first Canon camera to provide internal 8K (8192x4320) 60P Cinema RAW Light recording. Cinema RAW Light is a popular and valuable format found in other Canon Cinema EOS cameras such as the EOS C300 Mark III and EOS C500 Mark II. This feature captures the full dynamic range of the sensor and provides video data with a cinematic look, optimized for advanced grading and HDR, in a more manageable file size than Cinema RAW. Cinema RAW Light now has three newly-developed modes, RAW HQ (high quality), RAW ST (standard quality), and RAW LT (light recording). All three modes are 12-bit regardless of frame rate. The EOS R5 C can also record 8K video in MP4 format, ideal for quicker delivery.

The EOS R5 C supports RAW output via HDMI for ProRes RAW recording with compatible a external recorder iii. When connecting the EOS R5 C with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K/30P. Proxy data can also be simultaneously recorded to an SD card in-camera, helping to provide efficient post-production operations.

Powerful Still Imaging Performance

With the flip of a switch, the EOS R5 C becomes a familiar force to be reckoned with as a still photography camera. At its core is Canon’s 45-megapixel high resolution, high-speed full-frame CMOS sensor, paired with the equally impressive DIGIC X image processor that provides users an ISO range of 100-51200; expandable to 102400iv. Precise focus and lightning-fast speed are cornerstones of the EOS R5 C, featuring Dual Pixel CMOS AF II and high-speed continuous shooting of up to 12 frames-per-second (fps) in mechanical shutter mode and up to 20 fps in silent electronic shutter mode. 

This allows users to track and photograph split-second movements of even the most elusive subjects. With EOS iTR AF X and 1,053 Automatic AF zones, it is easier than ever to photograph people using Eye, Face and Head Detection AF, or intuitively track the whole body, face, or eye of cats, dogs, or birds with Animal Detection AFv. For those with the need for speed, the camera also offers vehicle subject detection to track cars and motorcycles accurately, especially in race-type environments. Connectivity like 5GHz and 2.4GHz Wi-Fi®vi and Bluetooth®vii connectivity is also included for the transfer of still images.

Additional Features of the Canon EOS R5 C Camera Include :

  • Supports 8K HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats
  • 4K and 2K oversampling with high-definition debayer algorithm that processes RGB data of the 8K sensor with less incidence of moirĂ©, false colors, and noise
  • XF-AVC codecs offer robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows
  • Canon Log 3, which is found in many Canon cinema products, is available for a wider range of grading after shooting
  • Coordinated image stabilization (with Canon lenses equipped with optical IS) helps to correct hand-shake and better anti-vibration performance than electronic IS alone
  • Timecode terminal allowing for multi-camera shooting
  • Canon’s next-generation Multi-Function Shoe is compatible with a variety of accessories, such as an optional TASCAM CA-XLR2d-C XLR microphone adapter (sold separately) for up to 4-channel digital audio
  • RF mount provides access to the expanding lineup of Canon RF lenses, as well as the full lineup of EF lenses (adapter required)
  • Compatible with Canon’s new RF 5.2mm 2.8 L Dual Fisheye lens allowing for stereoscopic 180° VR video capture
  • 13 marked, assignable buttons allow for user-friendly customized operation
  • Compact-and-lightweight at 1.7 lbs. (body only)
  • 3.2-inch variable-angle LCD monitor and high-definition 5.76 million-dot viewfinder
  • Dual card slots: one CFexpress and one SD UHS-II
  • USB Video Class (UVC) connectivity, enabling out of the box use as a streaming video camera
  • A new DC Coupler DR-E6C helps to provide the continuous power needed for the demands of shooting in Cinema RAW Light at high framerates

Pricing and Availability

The Canon EOS R5 C Full-Frame Mirrorless Camera is scheduled to be available March 2022 for an estimated retail price of $4499.00.*