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Showing posts with label News and Rumor. Show all posts
Showing posts with label News and Rumor. Show all posts

Thursday, July 31, 2014

Canon Announced New Large Format Printers




MELVILLE, N.Y., July 31, 2014 - Canon U.S.A., Inc., a leader in digital imaging solutions, today unveiled six new models in its imagePROGRAF lineup : four new five-color, large-format inkjet printers - the 36-inch iPF785 and iPF780 models, and the 24-inch iPF685 and iPF680 models - and two new large-format imaging systems - the iPF785 MFP M40 and iPF780 MFP M40. These devices offer faster printing speeds and lower operation costs as compared to their predecessors, as well as upgraded software for an enhanced user experience particularly in mobile and cloud based printing applications.

Designed for a variety of industries that print maps, technical drawings, renderings, site and facilities management plans, signs and posters, the 36-inch devices boast print speeds of up to 21 seconds for an Arch D (24" x 36") print and now support 300 ml ink tanks, helping to lower the cost-per-print. A sub-ink tank system allows users to deplete all of the ink in the tank before replacing them, as well as to replace empty ink tanks without needing to stop the printer, increasing productivity during continuous print runs. In addition, the iPF785 and iPF685 models come equipped with a 320GB internal hard drive for enhanced file processing, personal mailbox space and job storage for up to 500 print jobs.

The iPF785 MFP M40 and iPF780 MFP M40 models now have the ability to scan documents up to 315" in length as a PDF or JPEG file, and up to 590" in length as a TIFF file. The M40 scanner has a maximum optical resolution of 1200 dpi, scan speeds of up to 13" per second for monochrome, 3" per second for color and also the capability to scan documents up to 2mm thick. The system features a stand-alone computer and multi-touch-screen monitor, and come with SmartWorks MFP software V 3.55 to simplify Scan-to-print, File and Share processes.

"In addition to some welcome feature set enhancements such as hard drive capacity and increased scan length, the standout aspect of Canon's new-generation models is their productivity," said David Sweetnam, head of Research and Lab Services for BLI. "For example, the iPF680/780 and iPF685/785 MFP models all showed significant productivity gains over their predecessor models, notably in Fast and High Quality modes, so users can remain highly productive without compromising image quality. The models also deliver higher color gamut, richer color saturation, more distinct fine lines and more natural-looking skin tones. The models further deliver excellent GIS/CAD/AEC graphics with an improved depth of field in GIS graphics, even on plain paper, delivering a more realistic 3D rendering of topographical features. And the SmartWorks MFP software on the iPF785 MFP is even easier to use than previous versions, with flexible options for batch scanning that are not currently available with some leading rivals."

"The new imagePROGRAF models introduce powerful new features that can help save time, cut costs and ensure that print jobs move along seamlessly for outstanding productivity," said Junichi Yoshitake, senior vice president and general manager, Business Imaging Solutions Group, Canon U.S.A., Inc., Canon U.S.A. "These versatile devices lend themselves to numerous applications, including computer-aided design, architecture, engineering and construction, as well as signs and posters and are excellent companions for industries ranging from manufacturing and government to education."

Bolstered Productivity

Ideal for businesses that need to print documents quickly while retaining high image quality, these new imagePROGRAF models are designed for maximum versatility and performance. In their fastest modes, the iPF785 and iPF780 printers can produce an Arch D sized print (24" x 36") in approximately 21 seconds and Arch E sized print (33.1" x 46.8") in approximately 41 seconds, while the iPF685 and iPF680 printers have output speeds of up to 25 seconds for Arch D prints and 48 seconds for Arch E prints. The 24-inch printers now also come standard with a Flat Stacker/Basket that provides the capability to neatly stack up to 20, 24 x 36 inch plain paper prints.

Simple, Intuitive Software

Addressing the needs of a diverse range of users, Canon's Direct Print & Share 2.0 software is a downloadable cloud portal solution for expanding printing workflows. This software empowers users to view, share and print a variety of files, including PDF, TIFF, JPEG and HP-GL/2 formats, from virtually anywhere. Users can utilize the new "Shortcut Print" feature to drag and drop files they wish to print into hot folders on their desktops helping to streamline their workflow process.

These devices are compatible with Canon's new imagePROGRAF Print Utility mobile app, which helps facilitate wireless printing from a compatible iPad device. The app allows users to perform a number of actions, including previewing their PDF file, number of copies, orientation, and quality before sending the job to any of the compatible imagePROGRAF printers sharing the same network.

Increased Color Range and Precision

These imagePROGRAF devices come with a five-color dye/pigment reactive ink system, including a newly formulated magenta ink that helps produce more vivid reds and yellows. Canon inks provide outstanding adhesion to media, are scratch- and marker-resistant, and help produce crisp and legible text. These devices include Canon's high-density PF-04 print head, which uses 15,360 nozzles to lay down ink.

SmartWorks MFP Software

SmartWorks MFP software provides tools needed to help you quickly and easily scan to print/file/share large format technical documents. New features include :

  • Ability to add custom presets with one-touch retrieval for those frequently used settings
  • Full integration with Canon Digital Print & Share cloud software

Users have more control over their workflow with access to editing functions such as invert, mirror, and black and white point adjustments. Custom presets help users control the scanner and increase control over printer settings.

Optional Software

SmartWorks V3.5 Plus gives users the ability to scan and print multi-page PDF documents on the fly. This allows users to take multiple drawings or documents, scan them in using the M40 scanner and either save or print the set as one multi-page document. In addition to this added feature, users can now perform color corrections and automatically crop the borders on their files using the preview mode and large touch-screen monitor, to ensure that they will be obtaining the desired output. The Plus version also supports PDF/archiving functionality.

PosterArtist with a new low MSRP of $395, includes essential features customers need to easily create posters, signs and banners. To make sharing simple PosterArtist now offers the ability to save posters including custom images, clipart, and fonts, to a new file format. This complete file can be exported directly from PosterArtist to Canon's Direct Print & Share cloud portal software for sharing between users.

In addition, there are a host of independent software vendors that have made software available for use with these new imagePROGRAF printers. Cloud4MPS allows users to web enable compatible imagePROGRAF printers for Remote Device management, Status & Usage Readings, Consumable Management and more. Other companies include SA International, Technesis, Sepialine, EFI, Shiraz, Caldera, ColorGate, DEV Studio, SCP and PosterJET.

Availability

These new imagePROGRAF models are scheduled to be available on July 31, 2014 at manufacturer's suggested retail prices of $4,995 (iPF785), $4,495 (iPF780), $3,195 (iPF685), $2,495 (iPF680), $8,995 (iPF785 MFP M40), $8,495 (iPF780 MFP M40 and $395, for PosterArtist. And ($595) SmartWorks MFP Plus software.

Adobe Releases Lightroom 5.6 Update




Adobe has released Lightroom Version 5.6 and Camera RAW 8.6 and DNG Converter 8.6
The new Lightroom software corrects the following bugs :

  • Collections with a custom sort order would sometimes not properly sync with Lightroom mobile.
  • Updated the “Adobe Standard” color profile for the Nikon D810. Please note that this only impacts customers who used Camera Raw 8.6 or DNG Converter 8.6 to convert NEF raw files from the D810 to DNG
  • Star ratings set in Lightroom mobile did not properly sync to Lightroom desktop. Please note that this only occurred on images that were added to Lightroom mobile from the camera roll
  • Resolved the issues causing the persistent “Syncing … images” state that some of our customers have reported.”
  • Star ratings would sometimes not sync from Lightroom desktop to Lightroom mobile. Please note that this only occurred when attempting to sync a Collection that contained more than 100 photos that already contained star ratings.
  • Added information to the “System Info” dialogue to help designate if the customer installed Lightroom from the Creative Cloud.
  • Unable to open sRaw files from the Nikon D810. Please note that this only impacted customers that converted D810 sRaw files to DNG in either Camera Raw 8.6 RC or DNG Converter 8.6 RC.
  • Images with invalid GPS coordinates would not properly sync with Lightroom mobile
  • Lightroom occasionally crashed when changing image selection on Windows. Please note that this only occurred on the Windows platform.
  • JPEG files exported from Lightroom would not open or be available to edit within Canon Digital Photo Professional application software.
  • Lightroom would run in reduced functionality mode when it should not.

Download Adobe Lightroom 5.6 Update : Macintosh | Windows

Download Adobe Camera RAW / DNG Converter : Macintosh | Windows

Monday, July 28, 2014

Canon EF 180mm f/3.5 DO Macro Lens


Canon EF 180mm f/3.5 DO Macro Lens?

Egami, the Japanese photography blog has uncovered a Canon patent for the EF 180mm f/3.5 DO Macro lens. Frankly, I am puzzled by this design. The current EF 180mm f/3.5L is a slow lens but it's not heavy. If I were Canon, I'd make the lens faster and add IS instead of making it smaller and lighter. But then it's only a patent. Many patents never make it to the market anyway.

    Patent Publication No. 2014-137484

  •         Published Date 2014.7.28
  •         Filing date 2013.1.17

    Example 1

  •         Focal length f = 180.00mm
  •         Shooting magnification ? 0.5x 1.0x
  •         Fno. 3.50-4.50-5.20
  •         Half angle ? = 6.85 °
  •         Image height 21.64mm
  •         The overall length of the lens 202.38mm
  •         BF 52.18mm
  •         Effective diameter of the front lens 58.18mm
  •         12 sheets 8 groups lens configuration

Saturday, July 26, 2014

Canon Posts 2nd Quarter 2014 Results



Canon released their 2014, second quarter financial results. Although camera sales have been less than robust for the last couple of years, they managed to post decent profits by producing higher sales in other product lines and meticulous cost controls.

I have been using Canon equipment for 25 years and a long time observer of the company. Last year I have made some observation and suggestion to my friends in Tokyo. Canon is a large and diversified international company and ranks among the most valuable brands in the Global 100. Their market capitalization is more than 2 and 6 times that of Sony and Nikon, respectively. They are in good shape to weather any additional downturn in camera sales and when the rebound comes, they will be in a good position to cash in on the recovery.

Tuesday, July 15, 2014

Canon Ranks 26th in Interbrand’s Best Global Green Brands




London, 14 July 2014 – Canon, world-leader in imaging solutions, has risen to 26th place on the latest Interbrand Best Global Green Brands list, up from 30th place in 2013. The Interbrand report highlights Canon’s implementation of sustainable practices in 2012, including reducing CO2 emissions over entire product life cycles by nearly three times the company’s target, and collecting 310,000 tons of used toner cartridges globally since 1990, consequently reducing CO2 emissions by approximately 450,000 tons and avoiding the need for 201,000 tons of new resources.

The annual Interbrand Best Global Green Brands report is based on consumer research designed to examine the gap that exists between a brand’s environmental performance and consumers’ perceptions of that performance. In Canon’s case, that perception has improved considerably and the Gap Score has narrowed to +3.8 from +6.56 in 2013.Susan Stuart, Sustainability Director, Canon Europe, Middle East and Africa, said: “Our commitment to sustainability helps us add value to customers in meeting their own business and sustainability goals. It connects us to society by enabling people to capture, document and record the world around them.”“Sustainability is a strategic imperative for Canon which is embedded deeply within our culture, as well as in our strategy and how we do business. Our approach is based on the Canon corporate philosophy of Kyosei, a Japanese word that means living and working together for the common good.”

Only companies featured on Interbrand’s annual Best Global Brands list are considered for the Best Global Green Brands report. To become one of the top 50 Best Global Green Brands, organisations must perform well in terms of both sustainability performance and consumers’ perception of it.

MichaelDanielHo.com

Monday, July 14, 2014

Canon Patents Multi Layer Related Sensor




The Japanese photography blog Egami (translated) has discovered another sensor patent filed by Canon. This patent describes a 3 layer, Foveon-like sensor with an insulator film applied. The film helps reduce reflection and flares. In the last few months, similar patents have been unearthed.

This new sensor design may be featured in the upcoming Canon EOS-7D Mk II and future cameras.

    Patent Publication No. 2014-130890

  •      Publication date 2014.7.10
  •      Filing date 2012.12.28

Multilayer sensor drawback of G is light, the image quality is degraded and reflected by the surface of the layer between the G and B layer, re-enters the B layer

    Canon patents

  • The provision of the dielectric film and the insulating film as an anti-reflection film
  • First insulating layer, B layer, a dielectric film, insulating film, dielectric film, G layer, 
  • a dielectric film, insulating film, insulating film, dielectric film, the R layer
  • By increasing the thickness of the dielectric film, to suppress the multiple reflection
  • The dielectric film is between the G layer and B layer, the reflectance with respect to G is lower than B



Free Adobe Lightroom Book from PhotoFocus




Photofocus is offering a free copy of their Lightroom book. Below is their offering :


While we have been sitting high on the best-sellers list for Photography books, we have heard from several of you asking how to get our new Lightroom book.  Well, there’s two ways to get the book.

The book is free until August 1 thanks to Mosaic Archive.  Mosaic commissioned the team at Photofocus to create the best eBook on the planet about Lightroom.  We hope you enjoy it.

The new book is called “Develop Great Images in Lightroom.” In its 236 pages you’ll find practical advice and expert tips.  Learn from Nicole S. Young, Levi Sim, Rob Sylvan, Rich Harrington, and Gerard Murphy.

Method 1 : You can get the book here... on iBooks.  You will need an iPad or iPad mini to view or a Mac running OS 10.9 or newer.

Method 2 : For those of you without an iPad, you can read the book on Scribd or embedded here. This version does not have interactive slideshows, resizable photos, or embedded video.

Canon EOS-7D Mk II and Dual Pixel CMOS AF




* * *  EOS-7D Mk II camera announced  * * *


Last year, Canon announced the EOS-70D camera with the ground-breaking Dual Pixel CMOS AF technology to rave reviews. A few months later, I reported Canon is ready to take this new revolutionary system to the next level and introduce it to other cameras in their lineup.

With the imminent release of the Canon EOS-7D Mk II on September 5, my sources informed me the new camera will come with a brand new sensor to bring the Dual Pixel CMOS AF technology to new heights. In the last year, Canon has been filing patents similar to Foveon sensors, with one patent showing up to 5 layers, 3 layers for RGB, 1 for IR and 1 for UV.

The current EOS-7D camera has dual DIGIC 4 processors but Canon may even skip the DIGIC 5+ processors in favor of the DIGIC 6 to power the EOS-7D Mk II, in order to maximize the potential of this new sensor. You can see my works with the present camera from worldwide photo shoots on MichaelDanielHo.com. Keep checking back for the latest info and development as I get more 'leaks' from my sources.


Possible specifications of the EOS-7D Mk II camera :

  • 20+ MP APS-C Sensor ( With new, breakthrough technology. Stay tuned )
  • Advanced Dual Pixel CMOS AF technology
  • Dual DIGIC 5+ or DIGIC 6 processors ( Excellent for speed processing )
  • 8 - 10 fps ( Most welcomed by me ) 
  • Dual Memory Card Slots ( One CF and one SD. I prefer 2 CF slots )
  • 45 -61 AF Points ( Perhaps similar to EOS-1D Mk IV and X )
  • 3.2″ LCD monitor ( Excellent for reviewing images )
  • 100% coverage viewfinder. Magnification 1.15
  • Similar build quality as the EOS-5D Mk III with improved weather proofing
  • Comes with GPS and WiFi ( Not necessary, in my opinion ) 
  • ISO Performance may equal EOS-5D Mk III ( Most welcomed by me )
  • Latest video features similar but more advanced than EOS-70D 
  • Selling price between $2,000 to $2,199. Not finalized yet
  • May be announced with EF 100-400mm f/4.5-5.6L IS II lens

Thursday, July 10, 2014

Canon, Google Cooperate On Patent Troll




TOKYO, July 10, 2014 - Asana, Canon Inc., Dropbox, Google, Newegg and SAP today announced the formation of the License on Transfer (LOT) Network, a cooperative patent-licensing agreement that will cut down on patent troll litigation and the growing practice of patent privateering.

Patent litigation reached an all-time peak last year, with more than 6,000 lawsuits filed. Most of those suits came from non-practicing entities, also known as patent trolls—companies that don’t have a business outside of licensing and litigating patents.

More than 70 percent of the patents used by trolls come from still-operating companies. Indeed, in a growing trend called privateering, companies are selling patents to trolls that then use those patents to attack other companies. In some cases, those companies arrange to get a cut of revenue generated from the trolls’ suits.

The LOT agreement is a new kind of royalty-free cross-license meant to address these growing systemic problems. Member companies receive a license when the patents are transferred out of the LOT group. That means that companies retain their right to enforce a patent so long as they retain ownership of it. However, as soon as it is sold, a license to the other members becomes effective, protecting them from attacks by the troll to which the patent was sold.

The agreement includes several other provisions that preserve a patent portfolio’s value, including carve-outs for certain M&A transactions and change of control.

The initial members of the LOT Network range from early-stage startups to established technology companies. Together they own almost 300,000 patent assets, generate more than $117 billion in revenue and employ more than 310,000 people.

“The LOT Network is a sort of arms control for the patent world,” said Allen Lo, deputy general counsel for patents at Google. “By working together, we can cut down on patent litigation, allowing us to focus instead on building great products.”

“Startups need to overcome many risks before they can become mature, thriving companies. The LOT Network is a powerful and creative new idea that will help ensure that patent abuse need not be one of them,” said Dustin Moskovitz, cofounder of teamwork software provider Asana.

“The LOT Network provides a unique mechanism for reducing patent troll threats while maintaining a portfolio’s primary significance and value,” said Kenichi Nagasawa, director and group executive of Canon Inc.’s Corporate Intellectual Property & Legal Headquarters. “Through the further expansion of the LOT Network, I look forward to the patent system restoring its sound functionality.”

“We believe that patents should never be used to stifle innovation,” said Brett Alten, IP counsel at Dropbox, “The LOT network is a creative solution to fight patent abuse that becomes more effective with each company that joins. The more participants there are, the better off we’ll all be.”

“Newegg has a very strong history of successfully battling patent trolls, and the License on Transfer Network is another valuable tool that helps protect participants from frivolous patent litigation,” said Soren Mills, chief marketing officer of Newegg North America. “We’re very happy to join forces with Google and other leading technology companies to preserve the spirit of innovation that’s so vital to our collective well-being.”

“The structure of the LOT Network helps protect innovative patent owners from unwarranted litigation, without stifling valid, beneficial uses of patents, such as cross-licensing,” said Anthony DiBartolomeo, senior vice president and chief IP counsel at SAP. “As long as a company owns their patent they retain all their rights to it.”

Read more at http://www.lotnet.com.

Tuesday, July 8, 2014

Canon EF-S 10-18mm f/4.5-5.6 IS STM Video Review




Canon announced two wide angle lenses in May and their list prices are surprisingly 'cheap.' The EF 16-35mm f/4L IS is what I am interested in and with a 4 stop IS system, it may find a place in my equipment bag.

You can see images taken with the EF-S 10-18mm f/4.5-5.6 IS and EF 16-35mm f/4L IS lens on Canon's China website. You can see the video review of the EF 16-35mm f/4L lens here. I am not enamored of the EF-S 10-18mm len's speed and will not be interested in this glass but it is available in camera stores now and you can see the video review above.

MichaelDanielHo.com

Canon EOS-6D - WiFi Setup and Remote Capture Tutorial Videos




Canon USA has posted the following tutorial videos explaining how to enable the Built-in WiFi and utilize Remote Capture on the EOS-6D camera :


Canon Mobile Print Solution for Andriod and HP devices




Canon U.S.A. Introduces Canon Print Service, Mobile Print Solution for Android Version 4.4 (KitKat) and HP Slate Devices. Delivers Easy-to-Use Solution for Current and Future Customers to a Variety of imageCLASS, PIXMA, imageRUNNER, and imageRUNNER ADVANCE Systems


MELVILLE, N.Y., July 7, 2014 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced Canon Print Service, a mobile print offering that enables users to print from any Android version 4.4 (KitKat) enabled devices as well as select HP Slate devices to select Canon models. Canon Print Service works on top of Android’s recently announced printing framework and enables users to print their business documents, personal documents and photographs to Canon printing systems over a wireless network. The addition of Canon Print Service to Canon’s mobile solutions portfolio expands easy Android device printing support.

Canon Print Service is an ideal solution for existing and new Canon customers, as users who already own compatible Canon systems don’t need to upgrade their printers, nor download new driver software. Users will enjoy printing with options, including paper size, number of copies and orientation, to name a few.

“As the growth in mobility among individuals and businesses around the world expands exponentially, Canon U.S.A. continues to deliver to our customers the technology they need to remain productive and successful,” said Junichi Yoshitake, senior vice president and general manager, Business Imaging Solutions Group, Canon U.S.A. “With the release of Canon Print Service, we are demonstrating our commitment to existing Canon customers especially by offering them a valuable solution they didn’t have when they originally bought their product.”

The Android KitKat plug-in can be downloaded from the Google Play Store at : https://play.google.com/store/apps/details?id=jp.co.canon.android.printservice.plugin

The HP Slate plug-in can be downloaded from the Google Play Store at : https://play.google.com/store/apps/details?id=jp.co.canon.android.print.printserviceplugin.g

To learn more about Canon Print Service, including model support, please visit : http://usa.canon.com/cusa/consumer/standard_display/mobile_printer_plugin

MichaelDanielHo.com

Monday, July 7, 2014

Canon and Microsoft sign Patent Cross Licensing Agreement




REDMOND, Washington, and TOKYO - July 2, 2014 — Microsoft Corp. and Canon Inc. on Wednesday broadened their strategic alliance with the announcement of a broad patent cross-licensing agreement. With this agreement, Microsoft and Canon gain licenses to each other’s highly valued and growing patent portfolios.

“This collaborative approach with Canon allows us to deliver inventive technologies that benefit consumers around the world,” said Nick Psyhogeos, general manager, associate general counsel, IP Licensing of the Innovation and Intellectual Property Group at Microsoft. “Microsoft believes cooperative licensing is an effective way to accelerate innovation while reducing patent disputes.”

This agreement covers a broad range of products and services each company offers, including certain digital imaging and mobile consumer products. Microsoft and Canon have a long history of collaborating to bring high-quality, cutting-edge products to consumers, including color technology. Contents of the agreement will not be disclosed.

“This agreement is a natural extension of our longstanding relationship with Microsoft and commitment to developing innovative technologies,” said Hideki Sanatake, senior general manager, Corporate Intellectual Property & Legal Headquarters of Canon Inc.

Microsoft’s commitment to licensing IP

The patent agreement is another example of the important role intellectual property (IP) plays in ensuring a healthy and vibrant technology ecosystem. Since Microsoft launched its IP licensing program in December 2003, the company has entered into more than 1,100 licensing agreements and continues to develop programs that open Microsoft’s IP portfolio for customers, partners and competitors. The program was developed to provide access to Microsoft’s significant R&D investments and its growing, broad patent and IP portfolio. More information about Microsoft’s licensing programs is available at http://www.microsoft.com/iplicensing

About Canon Inc.

Canon Inc. (NYSE: CAJ), headquartered in Tokyo, Japan, is a leader in the fields of professional and consumer imaging equipment and information systems. Canon’s extensive range of products includes production printers, multifunction office systems, inkjet and laser printers, cameras, video equipment, medical equipment and semiconductor-manufacturing equipment. With nearly 200,000 employees worldwide, Canon has manufacturing and marketing subsidiaries in Japan, the Americas, Europe, Asia and Oceania; and a global R&D network with companies based in the United States, Europe, Asia and Australia. Visit the Canon Inc. website at : www.canon.com

About Microsoft

Founded in 1975, Microsoft (Nasdaq “MSFT”) is the worldwide leader in software, services, devices and solutions that help people and businesses realize their full potential.

Note to editors: For more information, news and perspectives from Microsoft, please visit the Microsoft News Center at http://www.microsoft.com/news. Web links, telephone numbers and titles were correct at time of publication, but may have changed. For additional assistance, journalists and analysts may contact Microsoft’s Rapid Response Team or other appropriate contacts listed at http://www.microsoft.com/news/contactpr.mspx

Tuesday, June 24, 2014

Canon EOS-5D Mk III Product Advisory - LCD Illumination




UPDATE :

Please see the changes to the “Identification Procedure” section below regarding criteria for affected serial numbers. The identification method has been enhanced to include the first digit in the identification procedure in order to more precisely identify affected products.

Thank you for using Canon products.

Concerning the EOS 5D Mark III digital SLR camera, when the LCD panel illuminates in extremely dark environments, the displayed exposure value may change. Canon has concluded the investigation of this phenomenon, and this announcement informs you of our findings as described below.

Phenomenon

In extremely dark environments, if the LCD panel illuminates, the displayed exposure value may change. However, based on the results of extensive testing this change in exposure value will not noticeably affect the captured image.

Affected Product

The phenomenon described above may occur in Canon EOS 5D Mark III Digital SLR Cameras whose first and sixth digits of the serial number are as set forth below.

Identification Procedure :

Serial Number: [XnnnnNnnnnnn]
"X"="0" and "N"="1" or "2"
"n" represents any digit.
Examples of affected serial numbers are: "0nnnn1nnnnnn" or"0nnnn2nnnnnn"

Support

Under almost all shooting conditions (including dark environments) this phenomenon will not affect your captured images. However, if you would like Canon to inspect your camera, we will provide this service free of charge upon request beginning in mid-May. Please contact Canon using the information below to request service.

This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.

Please register the EOS-5D Mk III. By registering, we will be able to notify you via email when service updates are available. If you already registered, please ensure you are opted-in to receive the notification.

Thank you,
Customer Support Operations
Canon U.S.A., Inc

Contact Information for Inquiries
Canon Customer Support Center
Phone: 1-800-OK-CANON, 1-800-652-2666
TDD: 1-866-251-3752
Email : carecenter@cits.canon.com
For additional support options : www.usa.canon.com/support

Saturday, June 21, 2014

Canon EOS-7D Mk II, EOS-1D X Mk II, EOS-5D Mk IV Coming





* * *  For a nostalgic look, read this post on the EOS-1 camera  * * *

* * *  Read the latest post on EOS-5D Mk IV camera  * * *


The EOS-7D has been out for almost 5 years and is one of Canon's most successful cameras. The Mk II should be announced on September 15. Read my latest post on this highly anticipated DSLR body, including yours truly.

The Canon EOS-1D X has been available for about two years now. I have picked this camera as the best DSLR body on the market two years in a row. Since its announcement, there has been many improvements in the world of high tech camera equipment - the DIGIC 6 processor, Dual Pixel CMOS AF system and newer sensor technology, just to name a few.

My sources informed me the upcoming EOS-7D Mk II will be the first camera to feature a new, ground breaking sensor technology but even more advanced version will be introduced on the EOS-5D Mk IV and EOS-1D X Mk II cameras in early 2015.

Nikon recently released their D4S camera. Canon, in anticipation of the move, released Firmware 2.0.3 to enhance the capabilities and features of the EOS-1D X back in January. In my opinion, the camera is holding its own against the newer Nikon and Canon engineers are busy working on the Mk II version. You can see photos taken with the current camera on worldwide shoots on MichaelDanielHo.com

With major emphasis placed on the Canon Cinema EOS camera line, there was a secret test last month in some New York City film studios. The camera in question was a prototype Canon EOS-1D X Mk II, with a new type of sensor, creating files that are larger than the present EOS-1D X and similar in size to the EOS-5D Mk III but with superior colors and details.

The EOS-1D X is a favorite body for sports and wildlife photographers. I believe Canon wants to maintain the burst rate of the Mk II to at least equal the current EOS-1D X's 12 to 14 fps. If they can increase the size of the output file without having to increase the mega pixel of the sensor too much, this would be ideal for them.

If everything goes well, the EOS-1D X Mk II model may have a product development announcement some time late 2014, with an early to mid 2015 official launch date and a Q1 to Q2 shipping schedule for the camera. That would put the EOS-1D X's replacement cycle about three years after its first introduction. The EOS-5D Mk IV may be announced before or after the EOS-1D X Mk II. Right now the timetable is very fluid for both cameras. Canon needs to pull out all the stops and complete the official EOS-7D Mk II launch first and then they can turn their full attention to the other two cameras. Keep checking back for the latest information and development.

Canon Quick Tips - Photographing Fireworks




4th of July is just around the corner. Canon Digital Learning Center has put out an article on how to photograph fireworks. Keep experimenting and happy shooting. Below is the article in its entirety.

Fireworks are one of the most inspiring and photogenic, yet challenging subjects, to capture. And unfortunately, this is one of those shooting situations where fully automatic exposure and focusing may not help. However, with these tricks up your sleeve, a few accessories and a willingness to experiment, you'll capture amazing fireworks photos this Fourth of July!
Setting up for fireworks

Try to arrive early enough to scout out a good location to take pictures from. You don’t necessarily need to be close to where the fireworks will be launched from, but you want to be sure you’ll have a clear, unobstructed view of open sky where you expect them to explode. The closer you are to the fireworks, the more you’ll have to aim the camera upward to capture them, and the wider a lens you’ll generally need to get them into the frame without cutting part of the fireworks out of the picture.

Be aware of factors like wind. Fireworks produce smoke and if you’re downwind from where they’re launched from, you’ll be shooting through a veil of smoke that’ll interfere with your color, sharpness and exposure after the first few bursts.

And of course, try to find a location where you won’t be partially blocked by other people viewing the fireworks and, likewise, where you won’t be an obstruction to others in attendance. You won’t be able to avoid crowds completely — but by arriving early, you hopefully can find a location that combines a clear view and is a bit offset from crowds of people.

Bring a few things to keep you comfortable: a portable lawn chair, mosquito repellent and perhaps a lightweight long-sleeve shirt to minimize problems with biting insects on summer nights. Since you may be waiting around for a while for the show to start, don’t forget things like water. A small, clean hand towel can be helpful on hot nights to prevent sweat from getting onto the camera or your lens. And while it’s not a comfort item, a small flashlight can be invaluable for changing camera settings after dark.

Camera Settings: Exposure modes

Get out of AUTO! With near-black nighttime skies and the illumination from bright, thin streaks of fireworks, this is one instance where your camera’s automatic exposure system simply can’t be expected to deliver proper results. In all likelihood, Evaluative Metering and auto exposure in an EOS camera will try to render the dark skies to a middle shade of gray and, in doing so, grossly wash-out your fireworks. There’s a better answer:

Turn your camera’s mode dial to “M” for Manual and manually select a shutter speed, aperture and ISO. Or, set the camera to its “Bulb” setting — more on that in a moment.

Even though we speak at length about dialing-in your own specific shutter speeds, this is one instance where (usually) shutter-priority (the Tv mode) on your camera won’t be an ideal choice. Like any form of automatic exposure, the Tv mode can be fooled by broad expanses of dark sky and end up over-exposing the fireworks you’re hoping to capture.
Camera Settings: Shutter speeds

Long exposures at slow shutter speeds are the norm for photographing fireworks. Most shooters experiment with long shutter speeds anywhere from one full second to 30 seconds or longer for fireworks. These relatively long exposures will allow the burst from the fireworks to produce moving streaks, which can be stunning against a dark sky. There’s no “right” shutter speed here, so many users will try different speeds to get a feel for the sorts of fireworks pictures that result. With the camera set to Manual exposure mode, simply turn the Main Dial on top of the camera to set the speed you want to use.

Since many digital SLR shooters rarely venture into the range of slow shutter speeds, it’s helpful to remember that with all Canon EOS cameras, any shutter speed of one full second or longer is indicated by two “quote marks” after the number displayed in the viewfinder and on the body’s information panel. In other words :

    5" = five full seconds shutter speed
    0' '5 = one half-second shutter speed
    5 = one fifth-second (1/5) shutter speed

When manually dialing-in shutter speeds for fireworks, most users will want to see speeds with the two digital quote marks displayed after the number. Remember, the longer the shutter speed, the longer the trails of light for each fireworks burst will be in your images.
Multiple fireworks bursts in one image:

At longer shutter speeds, such as 10 seconds or more, it’s sometimes possible for two or more fireworks to be captured in one single exposure. How multiple bursts of fireworks will line up in a picture is unpredictable, but it’s definitely something to experiment with. You can dial-in timed shutter speeds as long as 30 seconds with all Canon EOS cameras. But for shutter speeds longer than 30 seconds, you’ll need to switch to the BULB setting, where you can hold the shutter open for as long as the shutter button is kept in its fully depressed position.

BULB with EOS Rebel models :

Set camera to Manual (M) mode; turn top Main Dial to progressively slower shutter speeds, until “BULB” is displayed

Most other EOS models :

Turn Mode Dial to “B” setting. With EOS-1D and 1Ds series models, press MODE button and turn top Main Dial until “bulb” appears on top LCD info panel

Camera settings : Lens apertures

Manual exposure mode requires you to set an appropriate lens aperture, as well as shutter speed. Here are a few points to keep in mind:

There is no “correct” aperture for fireworks shooting! In general, especially at longer shutter speeds (such as eight seconds or longer), you’ll want to stop the lens down to smaller apertures, such as f/11 or thereabouts, to ensure the fireworks aren’t over-exposed and washed-out.
Smaller lens openings (higher f-numbers, such as f/16) will tend to give you thinner fireworks streaks with richer color saturation and less tendency to wash-out (especially if more than one burst of fireworks appears in the same image). 

If you do use shorter shutter speeds (such as 1 second), this is an instance where you should start out at wider lens apertures, such as f/4 or f/2.8. Adjust as needed after shooting and viewing the first few fireworks shots you take.

Don’t pay attention to the metering scale in your viewfinder! Normally a reliable tool when setting exposure in Manual mode, this scale will read the dark sky and try to guide you into a middle-gray rendering of this dark expanse — exactly what you don’t want in fireworks pictures. Set an initial shutter speed and lens aperture in Manual mode, shoot a picture or two and look at them on your LCD monitor. Adjust shutter speed and/or lens aperture as needed but, again, fireworks are an unusual type of photographic subject, so ignore that metering scale!

Be sure you know how to set lens apertures in Manual or Bulb mode with your camera. With EOS Rebel models, press the Av/± button (hold it in) and turn the top Main Dial. For other EOS models, turn the large Quick Control Dial on the back of the camera to adjust aperture when in Manual and Bulb mode.
Camera settings: ISOs

Even though you’re shooting the nighttime sky, fireworks are generally a situation where you want low ISO settings. Unless you’re trying to use shutter speeds faster than perhaps 1/8 or 1/4 of a second, we normally would suggest manually dialing-in low ISOs such as 100 or 200.

Once again, we usually suggest that you bypass the Auto ISO settings in your camera. They are a potentially valuable asset in “normal” daylight shooting conditions, but fireworks represent an unusual type of lighting that doesn’t lend itself well to most types of automatic exposure control.
Image Controls in EOS cameras

Aside from the exposure control settings we recommend above as good starting points for fireworks, there are a couple of other settings you may want to consider which can impact the image quality of your fireworks pictures:

Highlight Tone Priority

This can be a big benefit in fireworks pictures — helping to add color and vitality to streaks of fireworks, and minimizing that washed-out look to bright highlight areas. It can be set with nearly any recent EOS camera, and works at any shutter speed. About its only limitation is that when it’s active, the lowest available ISO speed is now 200, rather than ISO 100. Regardless, this is a setting that should be strongly considered.

Neutral Picture Style

This will similarly tend to reduce contrast, expand your dynamic range, and give you color in bright fireworks streaks that might have been rendered as a washed-out, bordering-on-white tone at factory-default settings. Fireworks pictures are rarely about increasing detail in dark sky tones — we usually want them to be dark in the finished pictures — but anything that can enhance bright highlights in your fireworks is helpful.  These two features are worth trying the next time you shoot fireworks images.

Supporting and firing your camera

There’s no getting around it: a firm support (ideally, a tripod) is mandatory for satisfactory results when shooting fireworks. Even if you’re using an image stabilized lens, the likelihood that you can hand-hold that and the camera completely steadily at slow shutter speeds, like one second or longer, is pretty slim.

Once the camera is mounted on the tripod, you’re still faced with firing it without the risk of having the camera shake from your finger pressing the shutter button. Anything you can do to minimize the impact from physically pressing the shutter button is helpful. Here are some of your options:

Use the self-timer

Activating the camera’s self-timer still requires you to press the shutter, but gives either a 2-10 second delay before the shutter actually fires — giving the camera a few moments to “settle down” from any shaking after the camera was touched. The problem is that you no longer can precisely time your shots to match when a fireworks rocket is launched upward. But at longer speeds, when you expect to have the shutter open to capture multiple bursts, the self-timer may be a viable option.

Use an accessory Canon Remote Controller

An electronic remote control switch (sometimes generically referred to as an “electronic cable release”) is a short cable that connects to the camera and has its own shutter button. By pressing this button, you can trigger the shutter without directly transferring shake to the camera and lens. One huge benefit of the Remote Controllers is that their shutter button can be physically locked in its fully depressed position with a sliding lock switch, allowing the camera’s shutter to remain open steadily for long Bulb exposures.

Here is a list of which Canon Remote Controllers work on which EOS cameras :

Canon Remote

EOS Digital Rebels (all); EOS 60D; EOS 70D :  Remote Controller RS60-E3

EOS 5D series (all); EOS 6D; EOS 7D; EOS 10D - 50D : Remote Controller RS80-N3, Timer Remote Controller TC80-N3

EOS-1D, EOS-1Ds (all versions) : Remote Controller RS80-N3, Timer Remote Controller TC80-N3

Use an accessory wireless infrared remote control

Canon also makes cordless remote controllers, which fire an infrared beam to trigger the shutter on compatible EOS cameras. The compact and affordable RC-1, RC-5 and RC-6 remote controllers work with specific EOS models, allowing them to be fired up to about 15 feet from the camera. The professional-grade LC-5 remote controller is a set with a separate transmitter and receiver for cameras compatible with the “N3” type remotes listed above. The shooter can be up to about 300 feet (100m) from the camera with the LC-5.

Unlike the cord-type remote controllers, the infrared cordless ones cannot hold the shutter open in Bulb mode. They can, however, be used when you manually set a shutter speed, down to 30 seconds.
    
Use your Android or iOS mobile device to remotely fire select EOS cameras

The EOS 6D is the first Canon EOS model to have built-in Wi-Fi capability. One option with this system is to download Canon’s free “EOS Remote” app to your phone, connect the camera and phone, then remotely fire the camera from the phone. You can even see a live view of the scene through the lens of the camera on the phone before you fire it, then see the finished image after it’s taken. The phone can be up to about 100 feet (30m) from the camera. Bulb mode can be used with EOS Remote and your mobile device, with the camera’s shutter remaining open as long as you keep the button on the phone’s LCD screen depressed (there is no separate locking switch for long bulb exposures). To check out other features the EOS 6D is capable of, check out our on-camera tutorials.

Techniques for taking fireworks pictures

Option 1: Bulb mode for one fireworks burst

With the camera pre-positioned and set to Bulb mode, watch for a fireworks shell to be launched upward. Press the shutter button to open the shutter and keep it open for the burst to occur. Wait a few moments after the initial burst to record the streaks and any secondary bursts that may occur. Then remove your finger from the button to end the Bulb exposure.

Option 2: Bulb mode for multiple bursts

Same as above, but after the first burst, keep the shutter open for another burst or two. Don’t go overboard, because as multiple bursts on one image build-up, you can easily run into over-exposure. Depending upon where each appears on the image, the beauty of individual bursts can become more of a jumble of random streaks. Two or three bursts can be effective, but don’t feel like you have to keep the shutter open for a minute or longer — you’ll likely just over-expose the scene.

Option 3: Bulb mode for long exposures — the “Baseball hat technique”

Leaving the camera’s shutter open for long periods in Bulb mode to capture multiple bursts can be effective when they occur in quick succession, but (especially early on in a fireworks show), some time may occur between each shell launch. If you’re looking to get multiple bursts in this situation, bring an opaque baseball cap to cover the lens in between each burst while the shutter remains open in Bulb mode. This is especially easy if you’re using an accessory electronic remote switch with a locking shutter button.

Let the camera capture the first explosion, then immediately (and gently) drape the baseball hat over the lens, to cover it. Leave the shutter open, with the remote’s button still in its locked position. When the next bursts go skyward, remove the hat to expose the imaging sensor and after it’s completed, “cover” the lens with the hat again. Don’t mix too many fireworks bursts this way, but experiment with different numbers of them. When you’ve got enough for one picture, slide the locking switch to unlock the remote’s shutter button and the exposure ends. You’re ready for the next bulb-timed picture. If you don't have a baseball hat, any solid object large enough to fully cover the front of the lens should work fine (such as a piece of cardboard).

Option 4: Use faster shutter speeds to “freeze” a fireworks burst

Unlike many shooters who use long shutter exposures, Canon Product Educator Jim Dicecco has had great success using shorter speeds.

Jim explains: “Fireworks are much easier to shoot than most people expect. However, you do need to plan ahead. Here is my usual equipment: a digital camera, a wide-angle zoom lens (my favorite focal length for shooting fireworks with a full-frame camera is about 24mm, or a 15mm lens on cameras like an EOS Rebel or 70D), a remote shutter release and a small tripod.

“My camera settings are usually:  ISO 100, Bulb mode (generally held open for about half a second to two seconds) and the aperture all the way open (usually around f/2.8, f/3.5 or f/4 depending on the lens). Focus is usually set to infinity but the first few fireworks can help establish focus. I prefer using cameras with Live View so I can watch while I'm shooting. When the shot is taken, it is all about timing. I look for the rockets to take off and try to time the explosion. I use the remote release so not to move the camera and hold down the button watching as the fireworks expand to the point where I want to stop the exposure. It’s all about timing the expansion of the display in the air. Post-production consists mostly of cropping since composition was difficult to control under these circumstances (one reason for the wide angle lens).

“Finally, don’t even think of trying to use flash! It won’t help capture distant fireworks though it will help illuminate objects or people in the foreground if you want to take portraits with fireworks in the background.”

Focusing the lens

Now, turn the focus ring until you’re set at infinity focus. Some Canon lenses have a distance scale printed on them for this purpose, but others (like the popular EF-S 18-55mm kit lens) do not. If you don’t have a distance scale, with the lens set to “MF” and the front of the lens facing you (as if you’re staring into the lens), turn the focus ring with your fingers clockwise until it stops. Now leave it there and do not set it back to “AF” until you’re done shooting fireworks.
Digital “noise” in long exposures

Any time a digital camera’s shutter is held open for longer than a few seconds, for technical reasons, it’s possible to see an increase in visible digital “noise” in the picture. This is sort of like film grain or the “snow” you might see on a TV screen with weak reception. As shutter speeds get progressively longer (10 seconds, 30 seconds, 1 minute and so on), this noise can build up and become increasingly apparent. Most Canon EOS digital SLRs have an available feature called “Long Exposure Noise Reduction,” which can be activated by either a Custom Function or menu setting.

Some users wonder why this noise reduction feature isn’t always on at all times. The answer is that using it can slow down your shooting of one picture after another. To do its job, Long Exposure Noise Reduction has to re-energize your imaging sensor and take a “blank” exposure, after your actual picture is taken, for the same length of time. During this time, you cannot shoot another picture — the red card “busy light” on the back of the camera stays on until the process is completed. If you shoot a 30 second exposure, the camera has to be tied-up for an additional 30 full seconds to process before your next picture can be taken. This can be a problem during rapid repeating bursts of fireworks.

As a practical matter, the noise build-up at shutter speeds of 30 seconds or shorter (10 seconds, 1 second and so on) is so minimal that you’re usually better off leaving this noise reduction off for fireworks shooting. But if you do anticipate using the “baseball hat” technique and utilizing longer bulb exposure times, you may find a noticeable quality boost if this feature is set to on. Long Exposure Noise Reduction only applies to images taken at shutter speeds of one second or longer and is ignored at shorter speeds like 1/2 second, 1/60th and so on. Finally, don’t confuse this with “High ISO Noise Reduction” on your camera’s menu. They’re two separate and independent things.
Your camera’s battery life during long exposures

Generally, the battery in an EOS digital SLR can power the camera for hundreds of pictures in ordinary daylight conditions. But longer shutter speeds require more battery power to hold the shutter open and build-up exposure on the imaging sensor. If you shoot a series of long exposures, you definitely need to be aware that batteries won’t last as long. For long exposures, camera makers rate the battery power in terms of total length of time a freshly charged battery can hold the shutter open. Here are a few examples supplied by Canon’s engineers at 73°F/23°C — keep in mind that these don’t factor-in use of the LCD monitor, such as Live View shooting, or playing-back images during shooting:

    EOS Rebel series: Approx. 2 ~ 2.5 hours
    EOS 60D: Approx. 6 hours
    EOS 70D: Approx. 4 hours
    EOS 7D, EOS 50D: Approx. 2.5 hours
    EOS 5D Mark II and Mark III: Approx. 4 hours

Most Canon EOS digital SLRs accept an optional Battery Grip, which does allow the photographer to install one or two rechargeable batteries. With two batteries installed, any of the above figures would be doubled. Battery grips with an extra battery pack can be a great accessory for extensive shooting of fireworks displays.

Composition in fireworks shots

No matter what kind of subjects or photography we’re speaking of, great pictures begin with great composition — that is, the placement and arrangement of subjects in the image.

Fireworks pictures are no different, but they present a challenge since you can’t see your final subject until it explodes in the night sky and you’re actually capturing it.

You don’t always want to be among the spectators closest to the fireworks themselves. By backing off and occasionally using a telephoto lens, it’s sometimes easier to get good, sharp images of a burst of fireworks, compared to looking upward with a wider-angle lens.

Look at the first burst or two to judge how much of the sky they take up, how high they go and what lens(es) will be appropriate for the types of shots you’re looking for. Remember, you can back-off with a wide-angle lens and incorporate more of the surrounding area (possibly a powerful technique near a city skyline) or you can zoom in with more of a telephoto lens to emphasize the colors from the fireworks themselves with less emphasis on the surrounding sky.

Just as when you’re shooting pictures of people, consider whether to use horizontal or vertical composition. Try to look through the viewfinder during the first burst or two to judge what will most effectively fill the frame and the amount of background information you want. Also, don’t let your eyes play tricks on you when you look through your viewfinder or use the Live View feature on your camera: it’s easy to concentrate visually on the fireworks’ burst as it happens and lose sight of the fact that there may be large black areas of surrounding sky that you’re not taking into account. Always try to judge the position and size of the subject in the context of the entire picture area, from corner to corner. The Live View feature of many recent EOS models can be useful to get an idea from the first burst or two of how the frame will be filled.

Try mixing things up as you shoot the show. Change lens apertures, alter the number of bursts you capture on a single frame, vary your zoom setting, shoot some pictures with foreground details and others where you’re zoomed in more on the sky. The more you shoot, the better the chances of some really exciting pictures.

Friday, June 20, 2014

Canon EOS-1D X Camera For $5,099


Canon EOS-1D X with EF 200-400mm f/4L IS 1.4x Extender lens

There is a top-rated merchant on eBay selling the Canon EOS-1D X camera for $5,099 including shipping. Hurry, it won't last. This is an excellent price and my pick as the best full frame DSLR camera two years in a row.

You will not find a link to this eBay item because I do not accept any ad or commissioned link on my Blog. I am completely unbiased in my recommendation and have no conflict of interest. You can see travel and wildlife photos taken with this camera on my worldwide photo shoots on MichaelDanielHo.com

Canon Patent - EF 400mm f/4 DO IS


Canon EF 400mm f/4 DO IS lens

* * *  Read the latest post on EF 400mm f/4 DO IS II lens  * * * 

A new patent for the Canon EF 400mm f/4 DO IS has been uncovered by Egami of Japan. The current EF 400mm f/4 DO IS is my favorite prime Super Telephoto lens but its design and technology is 'aging' after the initial introduction in late 2001. The current lens is in my equipment bag on all my photo shoots. You can see my works on MichaelDanielHo.com




 Patent Publication No. 2014-109700
  •         Publication date 2014.6.12
  •         Filing date 2012.12.3

 Example 1
  •         Focal length f = 392.00-381.59-332.99mm
  •         Fno.
  •         Half angle ? = 3.16-3.10-2.81 °
  •         Image height Y = 21.64mm
  •         The overall length of the lens 292.02mm
  •         BF 105.64mm

Canon EOS-6D In-Camera HDR Tutorial


Canon USA has put out a tutorial video on how to take High Dynamic Range photos on the full frame EOS-6D camera. I am not a big fan of this camera although it can be a good value for those who are limited in their equipment budget. See the other videos on multiple exposures and Auto Exposure Bracketing as well.

Read my post on the EOS-5D vs. EOS-6D comparison and my guide to the best Canon DSLR cameras. You can see my works on MichaelDanielHo.com