Frankly, I find the present burst rate of the Mark II model more than adequate. The sensor and LCD screen can use a bump up in megapixels. The WiFi and Bluetooth features serve little purpose for me but may be useful for some landscape photography and photo journalism assignments. I am excited about the new AF capabilities, sensor IQ improvement and video enhancements.
Keep checking back for the latest development and information. I am very interested in getting this body.
DPReview recently had the chance to speak to two senior executives at Canon - Mr. Toshio Matsumoto, Senior Principal Engineer, and Mr. Kazuyuki Suzuki, Chief of Operations, from Canon's Image Communication Business group. Mr. Matsumoto is known within Canon as the 'father of the EOS-1', and is pictured below holding the new Canon EOS-1D X Mark III.
The following is an excerpt from the DPReview interview :
How did you decide which features to update compared to the EOS-1D X Mark II? There were a variety of factors. We get a lot of requests from our professional users, and we’re always listening to what they need. Their demands are sometimes very detailed! But we have to listen to their requests. In addition, we have to look at our technology - what kind of technology can meet those demands. We then integrate [those pieces of information] and decide internally what we should include in the next model. In this new camera we’ve improved performance [in several areas], such as autofocus, networking and so on, which we’ll explain later in detail. What were the main requests from users of the 1D X and 1D X II? One important thing was the weight of the camera, and second, autofocus performance. We made sure there is no compromise in the AF performance of the new camera. And number three is network performance, which is very important [for wire services] - how fast you can put images into publication. We thought that there was room for improvement in that aspect of the camera’s performance. Lastly, image quality is of course a big thing. We worked on noise reduction, as well as high sensitivity image performance. Also keep in mind that we have put a lot of effort into improving movie shooting performance as well as stills.
Canon EOS-1D X Mark III camera front view
Canon EOS-1D X Mark III back view
Canon EOS-1D X Mark III - key specifications (what we know so far) :
All-new CMOS sensor
Dual-pixel 525-point CMOS AF with 90/100% coverage horizontally and vertically
New Digic Processor
10-bit HEIF file capture (in addition to JPEG and Raw)
Max 16 fps capture via viewfinder, and 20 fps in live view (with AF)
Dual CF Express card slots
10-bit, 4:2:2 4K/60 video with C-Log
Backlit buttons
Why did you make the decision to change the memory card type to CFexpress? Speed. In terms of read and write speed, these cards are immensely faster than previous solutions. CFexpress is more than twice as fast as CFast. It has more development potential. This is the first high-end camera Canon has released since the EOS R. Are your high-end and professional customers asking for a mirrorless solution? Of course some professional photographers are asking for a mirrorless solution. But as of now, we also see a lot of demand from photographers asking for DSLRs, specifically [because of] the benefits of an OVF. So this time around we decided to go for a DSLR. Of course we understand that there are huge benefits to mirrorless, and we implemented, or combined as much of that [technology] as we could into the [EOS-1D X Mark III]. The Canon EOS R is an innovative camera in some respects, but there is a definite gap between the performance and price of most of Canon's new RF lenses, and the EOS R and RP bodies released to support them. A truly pro-grade R body is coming, but we'll have to wait a little while longer. For example one of the things that we implemented from the mirrorless side was the ability to shoot at 20 fps using electronic shutter. And autofocus performance, specifically subject tracking is on par with some of today’s top-notch mirrorless cameras. Your professional users have a lot of legacy EF lenses in their collections. Do you have a target timeframe for transitioning those users to RF? Obviously that’s a very tough question to answer. We are of course aware of this - a lot of photographers own EF lenses, and they’ve invested a lot in that system. How we look at it is when we work on mirrorless cameras, we always consider how our users can utilize the asset [provided by their] EF lenses. We always keep that in mind when developing new cameras. That’s why we have three EF to RF adapters. Do you have any idea of how many of your users are adapting EF lenses to EOS R cameras using those adapters? I wish we knew that. It’s hard to say, because we do some promotional bundles with free adapters, so that affects the attachment rate. And some users [might buy multiple adapters and] put an adapter on each of their EF lenses. In terms of the development of your DSLRs going forward, will you be focusing mostly on high-end users in future? I can’t be specific about future plans, but we always listen to our customers to decide which direction we should go in. We don’t necessarily [think in terms of focusing] on just one area - we look at the overall picture before we decide what to focus on. How much communication is there between the EF and RF teams within Canon? Are engineering resources shared? We don’t have separate teams for mirrorless and DSLR cameras, it’s just one team. Some of the engineers that worked on the EOS R have worked on the EOS-1D X Mark III. And some of the engineers who worked on this camera could be working on the next mirrorless. It’s a combined organization. One of my responsibilities is to work on the next generation of EOS cameras. I could be working on mirrorless, or DSLR, or even something else. I know you were one of the engineers that worked on the T90 and the original EOS-1. What is your thinking on how the heritage of the EOS-1 series should evolve in future models? Major principles for the EOS-1 series from the beginning have been durability, reliability, speed and control. A big mission of the EOS-1 series is that the cameras should never miss a shot. Some of the controls from the original EOS-1 are still found in the same place on the EOS-1D X Mark III, thirty years later. How did you come up with the original control layout? When we were working on the very first EOS-1 camera we made a lot of mockups, and we had a lot of professional photographers handle those mockups and we noted how quickly and smoothly they were able to operate the cameras. One of the things that was most challenging about the EOS-1 originally was the rear control dial. In the development stage, initially, we didn’t [plan on having] a dial on the back. What we found through the development process is that when professional photographers in the field were [using our mockups] thinking about exposure control, it wasn’t as smooth without that dial on the back. So we had a number of discussions with those photographers about the design, and we spent a lot of time getting it right. We actually had to delay the launch of the camera in order to implement the perfect solution for exposure control. How have the needs of digital photographers affected the design decisions you’ve made in subsequent EOS-1 series cameras? One important thing we always kept in mind with the original EOS-1 was that it should work as soon as you take it out of the box. But now [with digital] there’s a monitor on the back, and as we thought about how to utilize that we had to consider various [new] factors, such as the possibility of photographers shooting using live view, and various other things. One of the principles that we always keep in mind when designing the controls of the cameras [in this series], for example when implementing the touch-sensitive panels is that we have to make sure that there is no possibility for erroneous control inputs. Do you think that in future, when there is a mirrorless solution for professional sports photographers, that it will still look a little like the original EOS-1? In terms of form-factor we have no idea at this point. But one thing I can say is that our principal focus on reliability and control will always be the same. Obviously one thing that mirrorless cameras allow you to do, which DSLRs do not, is through-the-viewfinder video capture. Are your professional photographers asking for more video features? Or are they mostly still focused on stills capture? With this EOS-1D X Mark III our main focus is stills. But we understand that there are a lot of ‘hybrid’ professional photographers that shoot stills and video. One of the things we’re really focused on right now, and we’re putting in a lot of effort, is the question of how and when EVFs will go beyond the capabilities of optical viewfinders. As a camera manufacturer making products for a professional customer, what does a DSLR allow you to provide that a mirrorless camera does not? At this point in time the biggest difference is the finder. The fact that you can see everything in real time, without any layers in the way. That’s really big for a lot of professional sports photographers. On the other hand, we do see a lot of the younger generation of professionals favoring EVFs, because what you see is what you get. We understand that there is a demand for that benefit of mirrorless cameras. So what we always do is we strive to make a perfect solution out of these different demands. Have you been working with photographers on the EOS-1D X Mark III ahead of the Olympics next summer? Yes, we’ve started communicating with some of the agencies around solutions for their needs. One of the important things for major events like the Olympics is robotics, of course. When we’re communicating with those photographers and videographers we look at a total solution. Editors' note: Barnaby Britton Until I got into the meeting room, I didn't know I would be speaking to Mr. Matsumoto at PPE. It was a huge and unexpected privilege to meet the person responsible for the development of the original EOS-1, and before that the T90: unarguably two of the most important cameras in terms of modern D/SLR design, and two of my personal favorites. As you can see, a lot of the decisions that Canon made in those 1980s models lead to ergonomic details that persist even today, more than 30 years later, and not just in the company's own DSLR and mirrorless options. The fact that that design philosophy doesn't look out of date after three decades is testament to just how forward-thinking Mr. Matsumoto and his team were, way back in the pre-digital era. Unsurprisingly, Mr. Matsumoto himself was not able to speak in any great detail on-record about the precise specifications of the EOS1-D X III. What we know officially about the camera is what Canon has publicly released. That being said, you'd expect any camera that builds on the strengths of the EOS-1D X Mark III to be well-suited to the needs of Canon's professional customer base, and I can tell you from handling the Mark III that the upgrades compared to the Mark II appear significant. As Mr. Matsumoto says, ever since the original EOS-1 debuted 30 years ago, the focus of the 1-series has been durability, speed, reliability and control. Compared to the film-era EOS-1/1N/1V, the EOS-1D X Mark III is a complex and immeasurably more powerful machine, but its also a much tougher camera, and more usable in a range of different environments. I expect that most people reading this are like me - we don't need 20 fps capture. But some professional sports photographers do. And the slow introduction of transformative technologies like Dual CMOS autofocus into Canon's professional line makes each progressive model more capable, none more so than the new Mark III, which can shoot at this rate in either electronic or mechanical shutter mode. It looks like we'll have to wait a little longer before we see an EOS R model aimed at sports and action shooters. Mr. Matsumoto describes these autofocus and continuous shooting capabilities as 'mirrorless' features, probably in a nod to competitive offerings like the Sony a9 II. And there's no doubt that they enhance the usability of the EOS-1D X Mark III in some situations. But there's no getting away from the fact that there is a mirror, getting in the way of the Mark III ever being as versatile a camera for hybrid stills / video use as a Sony a9 II, or a Nikon Z7, or a Panasonic Lumix DC-S1, etc. For now though, according to Mr. Matsumoto, Canon is focusing on a mainly stills photography audience with the Mark III. In other words, the kinds of photographers we'll see on the sidelines of the 2020 Olympic games next summer in Tokyo: many of them agency photographers, shooting stills, using pool equipment. Some people (myself included) had hoped for a truly professional mirrorless camera from Canon for 2020, but it looks like we'll have to wait a little longer before we see an EOS R model aimed at sports and action shooters. That being said, you never know with Canon. The company has a reputation for careful and conservative product development, but it can be imaginative and decisive when it needs to be. As the EOS-1D X Mark III demonstrates, with more than 30 years of (D)SLR development behind him, Mr. Matsumoto and his team is confident that they can still ring the changes in the professional sports / photojournalism market segment, even without a mirrorless product.
MELVILLE, N.Y., October 24, 2019 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. is developing the highly anticipated Canon EOS-1D X Mark III Camera – the successor to the world-renowned and award-winning EOS-1D X Mark II. Ideal for sports and wildlife, the flagship DSLR is being engineered and designed using feedback from the worldwide community of EOS-1D X and EOS-1D X Mark II photographers. Continuing Canon’s rich heritage of creating first-rate optical products, the EOS-1D X Mark III offers an enhanced autofocus system, with dramatically improved still and video image quality and communication. When using this camera, professionals will have the confidence they will get ‘the shot’ and can deliver it at a competitive speed – faster than ever before – ideal for the increasingly fast-paced industry.
“The innovations put forth by the new EOS-1D X Mark III will set the new standard for professional DSLR cameras and further cement Canon’s commitment to its professional photographers,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “In developing the new camera, Canon listened to extensive user-feedback from professionals out in the field. The result is a camera that has evolved from its predecessor and maintained the overall quality that professional photographers have come to expect from the Canon EOS-1D series.”
Need for Speed
The Canon EOS-1D X Mark III will be blisteringly fast - offering exceptional precision, reliability, high-performance autofocus and subject tracking – providing photographers with a tool that will help to capture the shot they are chasing. The camera’s new autofocus algorithm will improve stability and tracking when using both the Optical Viewfinder and in Live View shooting mode, using Deep Learning Technology and adapting to help facilitate accurate focus tracking for every shot.
When using the optical viewfinder the camera will use a new autofocus sensor, with approximately 28 times the resolution in the center of the EOS-1D X Mark II. Offering the ability to autofocus in even brighter and darker situations than before and with greater precision, the camera will have a range of autofocus capabilities, which will enable the photographer to get their shot. In Live View mode, users will be able to make use of 525 AF areas using the Dual Pixel CMOS AF system will cover approximately 90x100 percent of the image sensor. The camera will support significantly faster frame rates with full AF and AE, using either the optical viewfinder (up to approximately 16 fps mechanical shutter) or Live View (up to approximately 20 fps mechanical or electronic shutter). Additionally, the camera’s dual CFexpress card slots will enable more than five times the RAW burst depth of its predecessor.
Powered to Dominate
The development of EOS-1D X Mark III is a clear example of Canon’s commitment to pushing the boundaries of innovative imaging products featuring optically excellent technology. The camera will support an all new, Canon-developed, CMOS sensor and DIGIC processor, that will deliver greater image quality, at even higher ISOs, with the ability to capture stills in 10-bit using the HEIF (High Efficiency Image File) file format. HEIF produces wider dynamic range and greater color representation compared to JPEG. The power of 4K resolution brings stories to life – shoot 4K videos including 4K60p with 10-bit 4:2:2 Canon Log internal recording.
Conveniently Connected
For professionals, content delivery is just as important as image capture – the EOS-1D X Mark III will make it easy, featuring built-in Wi-Fi® and Bluetooth® low-energy connectivity in addition to GPS technology. To keep pace with ever-shortening deadlines, the camera will transfer data at more than twice[i] the speed of the EOS-1D X Mark II when using the built-in Ethernet connection, or the new optional wireless file transmitter – the WFT-E9, which is also compatible with Canon’s recently launched Cinema EOS C500 Mark II camera. Coupled with simpler network set-up the camera will greatly enhance the professional workflow.
A Familiar Feel with Improved Attributes
Existing EOS-1D series users will be familiar and comfortable handling the EOS-1D X Mark III allowing seamless navigation with trusted ergonomics – whilst the magnesium alloy body will offer the durability expected from Canon’s EOS-1D cameras. Professional photographers can trust the same impressive build-quality as the EOS-1D X Mark II – with phenomenal weather-sealing, standing up to harsh conditions, including wind, rain and humidity. With incredible low-light shooting capabilities, the camera will now feature select illuminated buttons that allow for precision operation in challenging, dark and dimly lit conditions.
The camera will also offer a new additional control for selecting AF points, built into the AF-ON button, allowing photographers to change AF points on-the-fly for the best composition – further helping to simplify their work. In addition, dramatically improved battery life – with the same LP-E19 – will allow professionals to shoot for longer periods of time, without having to change batteries, helping reduce the chance of missing a shot.
As reported earlier, the successor to the Canon EOS-1D X Mark II camera, the Mark III is expected to be announced by Q1, 2020 with a possible development announcement before the end of 2019.
Frankly, I find the present burst rate of the Mark II model more than adequate. The sensor and LCD screen can use a bump up in megapixels. The WiFi and Bluetooth features serve little purpose for me but may be useful for some landscape photography and photo journalism assignments. I am excited about the new AF capabilities, sensor IQ improvement and video enhancements.
Keep checking back for the latest development and information. I am very interested in getting this body.
There is no secret a successor to the venerable Canon EOS-1D X Mark II camera is coming in 2019. The Tokyo 2020 Olympics is the perfect event to highlight Canon's dominance in Mirrorless and high end DSLR cameras.
The EOS-1 line of cameras has been my equipment of choice since 1989 and the current EOS-1D X Mark II body is my workhorse since its introduction in February 2016. Although the Mark II is a very capable camera, I like to see the following incremental improvement in the Mark III :
A new sensor with mid 20MP rating
Maintain 12 - 14 fps without mirror lockup or Live View
First in class high ISO performance
First in class 4K video performance
New AF system with around 100 AF points. More dual cross-type and cross-type points
New LCD monitor with 3.0 million dots
Built in WiFi (Not for myself. For photo journalists meeting their deadlines)
I expect the new camera to be announced some time in late Q4 of 2019 or before the CP+ Show in February 2020 and before the release of the pro EOS R model. Please bookmark this site and check back for the latest news and development.
Canon is rumored to be testing their full frame mirrorless camera with 3 different sensors - 24MP, 28MP and 36MP. This is nothing unusual since Canon manufactures their own sensors, they can test different megapixel sensors on the new camera to try and perfect the resolution.
I have been calling for Canon to bring to market such a camera for over two years. Canon must think outside the box and comfort zone on this new body. The camera should be called EOS-1M, must have the ability to accept all EF mount lenses. Ideally, the ergonomics will be similar to the EOS-1 body style, with a new sensor higher than the current EOS-1D X Mark II but lower than the present EOS-5Ds in megapixels. A burst rate of around 15 fps, comes with 2 or 3 types of card slots - SD, CF and CFast, a built-in flash and weighs less than 2 pounds. This is certainly doable given the engineering prowess of Canon.
Enough of the tinkering around with the EOS-M, APS-C based models. Canon has a few full frame mirrorless prototypes in their labs. They have been surveying professional photographers and want to get it right the first time with this announcement. Real life testing of these cameras have started already.
Canon Inc. is conservative and rarely tries to be the first in introducing new stuff. Rather, they try to 'perfect' the equipment first before bringing them to market. But there is a risk in waiting too long. In an interview with Canon's CEO, Mr. Fujio Mitarai earlier this year, he intimated he wants the company to be more innovative and nimble.
SankeiBiz, the Japanese business news outlet reported Nikon's full frame mirrorless camera project is advancing at a 'break neck' speed and they plan to announce their development plan during the Photokina Show in September in Germany and launch the camera before the end of their fiscal year, which ends March 2019.
Canon stated last month that the company may be ready to cannibalize the sales of its DSLR cameras in order to take the number one spot in mirrorless camera sales in Japan. Frankly, I think the low end DSLR and PowerShot cameras are losing sales to advance smartphone cameras anyway but the high end DSLRs like the EOS-1D X Mark II, EOS-5D Mark IV, etc. will hold their own. I will not hesitate to own a profesional full frame mirrorless camera, along side my EOS-1D and EOS-5D series cameras.
In a recent speech given by Canon's CEO, Mr. Fujio Mitarai, he made the following comments :
"Within existing businesses, there are market areas that are growing, such as mirrorless in cameras,” Mitarai says. “In these segments, by launching differentiated products that only we can provide, we will stimulate the market, grow our sales, and secure additional market share. For example, in our core camera business, in addition to our overwhelming share of the DSLR market, we will go on the offensive and work to expand our sales in the mirrorless camera market, which is exhibiting remarkable growth . . . . This will allow us to reach our goal of 50% market share of the entire interchangeable-lens camera market." Earlier this month at the CP+ Show in Japan, Sony Camera's General Manager, Mr. Kenji Tanaka made the following comments : "This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think by then they will be participating in this market. Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think."
In my opinion, any new Canon professional full frame mirrorless camera must have the following features :
EF mount w/o the use of adapter Any new mirrorless camera without the ability to use the full line of EF mount lenses without an adapter is not going to attract serious photographers who have invested in their extensive EF lens inventory. I am NOT interested in using adapters.
On this point, Canon has recently patented a new lens mount that can apparently use both EF-M and EF lenses. The EF-M mount has 9 contacts, the EF mount has 8 but the new mount only has 7 contact points. This may be Canon's solution to the upcoming full frame mirrorless camera.
Feel, Size and Weight
The current crop of high end mirrorless cameras do not feel right to me. Once a professional lens is mounted, the combo feels front heavy. The new Canon model must have the feel of an EOS-1 body, with built-in molded grip and a well balanced weight, albeit lighter, once the commensurate lens is attached.
Electronic Viewfinder First in class Electronic Viewfinder is a must and the screen must come with the highest megapixel, replete with crisp and faithful colors reproduction.
Battery Life The current EOS-1D X Mark II camera's battery can comfortably lasts a full day's shooting on an average trip unless it is in extremely cold climate. The new mirrorless camera must be able to come close to this performance. I know short battery life is the Achilles' Heel of many high end models, like the Sony A7 and A9 but I am confident Canon engineers can and will overcome this limitation.
Burst Rate As a wildlife photographer, I do need fast shooting speed in my equipment but a burst rate of around 12 - 14 fps is adequate for my needs. Anything faster than that is marketing hype.
The other bells and whistles like 4K video, GPS, WiFi, etc. are nice to have but they add weight, complication and cost to the final product and are not a deal breaker for me. There must a healthy compromise between features, price and weight.
Let me hear your thoughts about what you feel are important in Canon's upcoming high end, full frame, mirrorless camera. Keep checking back for the latest news for any future announcements.
I am currently on a Wildlife Photo Tour in East Africa. I have owned the Canon EOS-1D X Mark II for about 2 years and have taken it all over the world on photo trips. It has gone to both ends of our planet and many places in between. It has performed flawlessly and admirably.
Their is a top rated merchant on eBay selling the new Canon EOS-1D X Mark II camera for $5,000 including free shipping. Hurry, it won't last. This is a very good deal. I bought this camera when it first came out and have taken it on many global photo tours.
You will not find a link to this item because I am not receiving any compensation from this company. I do not accept any ad or commissioned link on my blog or website. You can easily find the item by Googling it yourself. I am completely unbiased in my recommendation and have no conflict of interest.
Jaguar drinking from the river bank in the Pantanal
Toco Toucan in flight over the Pantanal
Capybara mom feeding pups on river bank
Tequila Sunrise in the Pantanal
An interesting patent has emerged from Canon Japan. It involves a new rear screen design. Many of us are used to the high resolution OLED screens found on high end smartphones.
It is logical that high end DSLR cameras eventually may go that way as well. The new patent also cover some kind of pivoting mechanism for the LCD screen. Apparently some of the buttons found on the rear panel of today's DSLRs may be built into the screen instead.
If so, and depending on which button may disappear, I may not be a fan of that. Canon is a conservative company and I suspect they will not introduce something that 'radical' on their top of the line models, like the EOS-1. Instead, it may come as a 'special' model in the EOS-5 line. Notice how Canon always introduce their latest processors in the lower end PowerShot cameras first before putting them on the high end models.
Just a quick note to let my readers know Canon has upgraded the CPS Platinum membership to offer a one day turn around for service and repairs. Gold membership will enjoy a two day turn around time. MELVILLE, N.Y., October 19, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, continues its mission to deliver industry-leading speed and quality of service offered through Canon Professional Services (CPS), its award-winning service and support program for professional photographers. CPS Platinum members will now enjoy next-day service, with equipment serviced and shipped the business day after an estimate is approved. For repairs that will take longer, Canon will offer next-day loaner equipment. In addition, CPS Gold members’ benefits will now be enhanced with two-day service turnaround.
“For professional photographers, sending equipment in for service can mean lost income while their gear is being repaired, and we are committed to do everything in our power to minimize their downtime,” noted Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “Canon has long been delivering fast, high-quality service and customer satisfaction, and this bold new level of performance sends a clear message to photographers that we remain dedicated to providing professional-level service and support.”
This next-day service will officially launch at PhotoPlus Expo 2017 in the Jacob K. Javits Convention Center in New York City, Oct. 26-28, 2017, where Canon U.S.A. is showcasing its latest in digital imaging products for photographers of all skill levels, in addition to hosting educational seminars from booth #121. At the Expo, Canon Professional Services will once again host its always-popular CPS Lounge where Platinum, Gold, and Cinema CPS members can have their Canon equipment (up-to-two current Professional DSLR bodies or lenses)2 cleaned and checked during Expo hours from Thursday, Oct. 26, through Saturday, Oct. 28, in Room 2D12.
CPS Lounge Hours during PhotoPlus Expo 2017:
Oct. 26: 9:00 AM-6:00 PM
Oct. 27: 9:00 AM-6:00 PM
Oct. 28: 10:00 AM-2:00 PM (equipment pickup only, no new items accepted)
In the Canon booth, attendees can observe factory-trained technicians performing Canon maintenance service, highlighting Canon’s commitment to providing world-class service and support for professionals. For more information on the Canon CPS program, including the new service times, please visit the CPS web page at: www.cps.usa.canon.com. For more information on Canon maintenance service, including a list of eligible products, visit usa.canon.com/maintenance.
Canon Products at the PhotoPlus EXPO
Also at the booth, will be the tradeshow debut of the brand-new Canon PowerShot G1 X Mark III, Canon’s first PowerShot Digital Camera to feature an APS-C CMOS Sensor and Canon’s revolutionary Dual-Pixel CMOS Auto Focus. As always, PhotoPlus Expo attendees will have the opportunity to touch and try Canon’s wide array of digital imaging solutions, including the recently announced EOS 6D Mark II DSLR Camera, EOS M100 Digital Camera and EF 85mm f/1.4L IS USM lens. The booth will also feature the full line of Canon EOS and PowerShot Digital Cameras, EF Lenses, imagePROGRAF PRO, PIXMA PRO, PIXMA and SELPHY printers and REALiS projectors.
Officially Licensed Merchandise from Canon
Canon will also showcase its line of “Canon Gear,” available for purchase to visitors of the Canon booth. This line will feature a collection of officially licensed Canon merchandise, including miniature Canon model cameras, Canon-branded thermal water bottles and backpacks, collectible photographer teddy bears and much more. The full line of Canon Gear is scheduled to be available for purchase on October 26 at shop.usa.canon.com.
Enjoy a taste of the Canon Live Learning experience with free 45-minute sessions on the show floor. The sessions will have something for everyone—including portraits, lighting, macro, action and more. Each session features hands-on training by a pro photographer, inspiring subjects to capture, sample gear to try, a free print and a tote full of Canon swag. Space is limited to eight students per session; register here: learn.usa.canon.com/resources/articles/2017/cll_photoplus_workshops.shtml.
The booth will also feature a curated gallery of photographs by Explorers of Light, showcasing the skill and talent that earned them a place in this elite program. Included is a special collection of images from a campaign for the Too Young to Wed organization with Canon Explorer of Light Stephanie Sinclair telling the true story of young women across the globe—many still children—who are forced into marriage.
Follow Canon throughout the PhotoPlus Expo show @CanonUSApro. To see the full details of Canon’s presence at PhotoPlus Expo, please visit: usa.canon.com/photoplus2017.
There is a top rated seller on eBay with a new Canon top-of-the-line EOS-1D X Mark II camera for $5,172 including free shipping. Hurry, it won't last. This is a very good deal. I bought this camera when it first came out and have taken it on many global photo tours.
You will not find a link to this item because I am not receiving any compensation from any company. I do not accept any ad or commissioned link on my blog or website. You can easily find the item by Googling it yourself. I am completely unbiased in my recommendation and have no conflict of interest.
Nikon has announced their D850 full frame camera. The specs look impressive. I am especially taken in by the good combination of sensor resolution and shooting speed.
While both cameras perform well out in the field, there are improvements I like to see in their replacements. The EOS-1D X Mark II can shoot at 'lighting' speed of up to 14 fps for a DSLR, but its sensor is only 20MP, albeit of the highest quality pixels. The EOS-5Ds has a 50MP sensor but its shooting speed is a glacial 5 fps.
This brings me back to the Nikon D850, with its good combination of 45MP and 7 to 9 fps burst rate. Ideally, I like to see Canon announce a EOS-1 camera with a 35 to 40MP sensor and 10 fps speed.
I am not surprised the announcement of the Nikon D850 now and the APS-C D500 camera last year may speed up Canon's decision to upgrade the EOS-5Ds and EOS-7D Mark II with the Mark II and Mark III models respectively next year. Hope you are listening Canon. The competition is heating up fast and you must respond with superior equipment.
Nikon D850 at a glance :
45.7MP FX-Format BSI CMOS Sensor
EXPEED 5 Image Processor
3.2″ 2.36m-Dot Tilting Touchscreen LCD
4K UHD Video Recording at 30 fps
Multi-CAM 20K 153-Point AF System
Native ISO 25600, Extended to ISO 102400
7 fps Shooting for 51 Frames with AE/AF
8K Time-Lapse, Negative Digitizer Mode
180k-Pixel RGB Sensor, Auto Focus Shift
SnapBridge Bluetooth and Wi-Fi
MELVILLE, NY – Today, Nikon announced the new Nikon D850, a powerful full-frame DSLR camera that provides professional photographers and multimedia creators with an impressive combination of resolution and high-speed performance. The 45.7-megapixel D850 is Nikon’s first DSLR with an FX-format, back-side Illuminated (BSI) CMOS sensor for image quality that is nothing short of majestic, allowing professionals to create stunning, high resolution still images and full-frame 4K UHD video. Despite its monumental resolution, the D850 is capable of an astoundingly fast capture rate of up to 7 frames-per-second (fps) or 9-fps with the optional battery grip and EN-EL18a/b battery, while offering a range of new user-friendly features requested by Nikon shooters around the world.
The Nikon D850 is a serious tool that expertly enables every kind of photographer. Whether capturing for client work or personal projects, the camera delivers intense clarity and accurate skin tones for portraits, with the added benefit of low-light ability for weddings and events. It is versatile enough to be used for landscapes and fine art where broad dynamic range is critical, for sports that require a high frame rate and decisive AF, or for video creators who want 4K UHD flexibility. Whether in the studio or on-location, from the catwalk or the scenic overlook, to a wedding ceremony or night sky, the Nikon D850 is the tool that can capture it all, with astounding resolution and speed.
“The Nikon D850 is much more than a camera, rather it’s a statement that Nikon is continuing to listen to customer needs, to innovate for the next 100 years, and bring to market a full-frame DSLR that exceeds the expectations of the professionals that rely on this caliber of camera to make a living,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.
“I have had the pleasure of putting this camera through its paces, and there is nothing like it. The Nikon D850 introduces a whole new generation of photographers to medium format quality; the resolution is out of this world, and the tonality and range are at a level I never thought possible from a DSLR,” said Nikon Ambassador and award-winning wedding photographer Jerry Ghionis.
The Ultimate Combination of Resolution and Speed
The Nikon D850 is the new benchmark in DSLR image quality, with an unprecedented combination of resolution, dynamic range, ISO and processing power. The 45.7-megapixel CMOS sensor approaches medium format-level resolution and forgoes an optical low pass filter (OLPF) to harness the maximum sharpness of NIKKOR lenses, with fantastic fidelity, tonality and clarity. This is also Nikon’s first DSLR to incorporate a BSI CMOS sensor, which captures light more efficiently, resulting in a wider dynamic range and low-noise image capture. Beyond the immense resolution, the Nikon D850 offers photographers superior performance:
High-Speed Capture: The D850 is capable of shooting up to 7 fps at full resolution, with full AF/AE or 9 fps at full resolution with the addition of an optional battery grip (MB-D18) and EN-EL18a/b battery (Buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless).
Wide ISO Range: The D850 offers a wide ISO range from 64-25,600 (Expandable down to ISO 32, up to 102,400).
Flagship Focus System: The D850 uses the Nikon D5’s 153-point, Multi-Cam 20K AF system, which features 99 cross type sensors, 15 of which are sensitive to f/8.
EXPEED 5: Behind every great sensor is a great image-processing engine. EXPEED 5 is Nikon’s most powerful engine yet, allowing for fast data readout and swift image processing, improved low light performance, high speed shooting, full-frame 4K UHD video capture and greater power efficiency for longer battery life.
Innovation Built for the Needs of Professional Creators
In addition to its phenomenal performance, the Nikon D850 hosts a range of innovative and thoughtful new features that enhance workflow, and will leave every photographer or content creator wondering how they ever lived without them:
Tilting LCD Touchscreen: The 3.2-in., high resolution (2359k-dot) LCD monitor offers Nikon’s most extensive touch functionality ever.
Silent Shooter: The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence, which is ideal for weddings, ceremonies and events where the shutter sound is discouraged. The electronic shutter operates at up to 6 fps (AF/AE locked) at full resolution, while an additional mode enables 8.6-megapixel capture in DX image area mode at up to 30 fps.
Radio Flash Control: Like the D5 and D500, the D850 also supports Radio-controlled Advanced Wireless Lighting with the optional SB-5000 Speedlight and WR-A10 and WR-R10 accessories.
RAW Processing Power: Users can choose from 3 sizes of RAW files to enhance workflow, including Large (45.4-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process RAW files in camera, saving time in post-production.
Phenomenal Battery Performance: Shoot all day and well into the night with up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge. Users who opt for the additional control and handling benefits of the optional battery grip can expect up to 5140 shots (CIPA standard).
Focus Stacking: Ideal for macro, product and landscape photographers, the Focus Shift Photography feature of the D850 is high resolution meets high magnification. This feature lets the user automatically shoot up to 300 shots at adjustable focus step intervals to infinity which can be easily assembled into a focus-stacked image using third party software.
Negative/Positive Scanning: With the optional ES-2 Film Digitizing Adapter and compatible Micro-NIKKOR lens, the camera enables super high-resolution digitizing of 35mm slides or negatives and converts them in-camera to positives
Durable Construction: Ready for any field assignment or production environment, the rugged and weather-sealed magnesium alloy body lets users work with confidence in a wide range of tough environments.
Square shooter: Photographers can choose from five formats, including FX-format, 1.2x, DX, 5:4, or 1:1 square with viewfinder shading for easy composition.
Built-in Wi-Fi1 & Bluetooth2 Connectivity: Users can seamlessly send images to their compatible smart devices through an always-on Bluetooth Low Energy (BLE) connection or through Wi-Fi. Nikon SnapBridge3 also gives the ability for remote capture and preview.
Nikon’s Widest and Brightest Optical viewfinder: The 0.75x viewfinder magnification is the highest ever for a Nikon DSLR, and offers a wide and bright view of the frame to easily track and compose subjects.
Dual Card Slots: The D850 features dual memory card slots — XQD for high-speed capture and transfer, as well as readily available SD media.
Illuminated Buttons: Buttons that light up at the turn of a dial increase visibility and allow easy shooting at night or in low-light scenarios.
Multimedia Production Ready
Multimedia content creators and filmmakers alike will appreciate a wide range of considerate, industry-leading new features that can help to elevate any production:
Full-frame 4K UHD at 24/30 fps: The D850’s FX BSI CMOS sensor allows 4K UHD output at a full-frame width at 16:9, to increase lensing options and provide a true field of view.
Slow Motion: Creators can also capture Full HD 1080p at up to 120 fps (4x or 5x) for dramatic slow-motion video capture.
Focus Peaking: When shooting Full HD or in Live View for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness.
8K / 4K Time-lapse: Users can create 4K UHD time-lapse videos easily in-camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse that can be assembled in post for those who want the ultimate in video quality.
Zebra stripes: The D850’s highlight display mode uses zebra patterns to quickly spot overblown highlights. What’s more, the zebra patterns come in two varieties, selectable according to the patterns and textures of the subjects.
HDMI output: Using HDMI, users can record uncompressed, broadcast quality 4:2:2 8-bit 4K UHD footage, directly to an external digital recorder while simultaneously recording to a card.
Audio Control: The D850 features an onboard stereo microphone, as well as inputs for headphones and microphone. The camera also features a new audio attenuator to regulate sound levels.
THE FX-Format advantage
The amazing performance and image quality of the Nikon D850 is best coupled with the wide variety of NIKKOR lenses, heralded for their unmatched image quality, color reproduction and optical characteristics. For maximum fidelity, Nikon’s Gold Ring Series of lenses provide the highest caliber of optical performance needed for such immense resolution applications.
Heading into 2018 and beyond, The EOS-80D and EOS-7D Mark II's replacement, the Mark III will certainly be announced, together with the EOS-5Ds and EOS-5Ds R successor. Canon will almost certainly do away with the two different models and consolidate it into the EOS-5Ds Mark II camera.
I believe all the replacement cameras above will come with 4K video. In addition, Canon will beta test new EOS-1 bodies next year. The EOS-1D X Mark II is not scheduled to be replaced until 2019 or early 2020 but Canon has so many exciting technology they have to field test, including 100+MP sensors and Curved Sensors.
Finally, the professional full frame, mirrorless body with EF mount will be Canon's answer to the Sony A7 and A9 cameras that have been dominating the full frame mirrorless market for too long. I expect this high end mirrorless model will be announced some time in late 2018 or early 2019.
2018 and beyond are exciting years for Japan and Canon. The Soccer World Cup is in 2018 followed by the Olympic Winter Games in South Korea. Then the Rugby World Cup and Summer Olympic Games will be held in Japan in 2019 and 2020 respectively. Canon usually makes a splash in these big world athletic events by introducing new gear for pro photographers.
Mount Denali from Mile 9 inside Denali National Park, Alaska
I am back from my Alaskan Wildlife Photo Tour. It was a good trip but not great. I had to make it shorter this year because my traveling companions have limited time.
On the bright side, I was able to see and photograph Mount Denali, albeit from a long distance. The Humpback whale action was fair in SE Alaska but the bear action is a bit better. You can follow my travels on Facebook , Twitter , see my equipment bag and works on MichaelDanielHo.com
Humpback whales bubble net feeding in Auke Bay, Alaska
Brown bear running on water in SE Alaska
Now I have to get back to the daily routine, process the photos and catch up on my blog again. Just a few quick notes on the photography news front while I was away. The TSA has issued new guidelines for travelers passing through airport security with their camera equipment.
Below is a good video review of the Canon EOS-6D Mark II camera. The results are rather predictable. Some good features accompanied by other mediocre performance. Frankly, that's to be expected from an entry level, full frame model that is a very good value in my opinion. In fact, the camera is selling so well to budding wedding, portrait and landscape photographers, Canon has announced a shortage of the EOS-6D Mark II camera kit with the EF 24-70mm f/4L IS lens until further notice.
Even the EOS-1D X Mark II, which is my workhorse camera, is hardly perfect. I have received word the long expected high end Canon full frame mirrorless camera with EF mount should be announced by the end of 2018. Frankly, I think Canon should just get the camera out ASAP and move on to other projects. Mirrorless camera sales have picked up slightly for them recently but it is mostly the low end stuff and Canon does not need to announce another mirrorless camera but I'm afraid the public will be offered the EOS-M20 model soon anyway.
The Canon Refurbished Store has the top-of-the-line EOS-1D X Mark II camera for $4,799 including free shipping and a one year factory warranty. Hurry, it won't last. This is a very good deal. I bought this camera when it first came out and have taken it on many global photo tours.
You will not find a link to this item because I am not receiving any compensation from Canon. I do not accept any ad or commissioned link on my blog or website. You can easily find the item by Googling it yourself. I am completely unbiased in my recommendation and have no conflict of interest.
Quito, Ecuador. The city is 2 miles high and a launch pad for The Galapagos
Sunset in The Galapagos - Day is done
Footloose in The Galapagos
Only the Lonely
Male Frigate Bird showing his ware
Tequila Sunset
I am embarking on a wildlife photography tour of the Galapagos Islands and the Ecuadorian Amazon. Last year I had a very good tour of the Peruvian Amazon and Highlands. It was a great testing ground for my Canon equipment due to its diverse climates of heavy humidity in the jungles and cold temperatures of over 2 miles elevation in the Peruvian Andes.
There will be very limited access to the Internet and little time to look over and process my photos. I have a small laptop to process a few pics and will try and keep my readers up to date on any interesting Canon and other photography news. In the meantime, you can follow my travels on Facebook and Twitter. See my equipment bag and works on MichaelDanielHo.com
