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Showing posts with label Canon and Nikon full frame mirrorless cameras. Show all posts
Showing posts with label Canon and Nikon full frame mirrorless cameras. Show all posts

Wednesday, September 5, 2018

Canon Announced EOS-R Full Frame Mirrorless Camera and RF Mount Lenses











MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. You can download the whitepaper on this new camera here.

Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lensesi, and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adaptersii. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R 

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per secondiii. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF pointsiv, supporting AF at up to f/11 with a 384 zone (24x16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AFv, making it the fastest autofocus speed in the worldvi. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa.

Thoughts From the First Users 

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it's all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPadvii. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include: 

  • RF Mount Compatible with RF Lenses and EF/EF-S Lenses
  • Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel
  • ISO range of 100-40,000, expandable to 102,400
  • USB 3.1 in-camera charging support
  • Built-in Bluetooth and Wi-Fi providing easy sharing to compatible smart devices and social media sites
  • Single UHS-II SD card slot
  • CR3(RAW/C-RAW) and Dual Pixel RAW Support
  • Dust and weather resistant

New Firmware update will include the following features :

  • Eye detect AF in continuous shooting. The EOS R launches with the ability to do this in one shot.
  • Additional touch bar functionality added.
  • Continuous shooting in silent shutter mode. The EOS R only allows this feature in single shot at launch.
  • A “few tweaks” to video functionality. The 4K crop will not be changed, nor will the maximum frame rate in 4K.
  • Bug fixes


Availability and Pricing 

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $2299 for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $3399.






MELVILLE, N.Y., September 5, 2018 – Helping to rewrite the rules of visual expression, Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a variety of new RF lenses and accessories to accompany the newly announced EOS R Full-Frame Mirrorless Camera System. The four new RF lenses are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. The new RF mount enables new possibilities in optical design and lens formulation, allowing for faster and lighter lenses with higher performing optics.

The four new lenses, the Canon RF 28-70mm F2 L USM, RF 50mm F1.2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM capitalize on the robust optic foundation of Canon’s new EOS R system. The design behind Canon’s new EOS R camera and RF lens system started with the concept of the optimal rear lens element diameter and shorter distance (back focus) for a Full-Frame image sensor.

With over 130 million EF lenses in circulation since Canon launched the mount in 1987*, the Company is enhancing the possibilities for its loyal customers who own and love their EF glass. Canon is introducing three RF Lens Mount Adapters that expand the capabilities of existing EF lenses when paired with the EOS R camera. The Canon Mount Adapter EF-EOS R allows photographers to utilize the full breadth of Canon’s EF, EF-S, TS-E, and MP-E lenses on the newly introduced EOS R camera system. The Control Ring Mount Adapter adds a customizable control ring via the adapter that provides photographers with added functionality to their fingertips. The Drop-in Filter Mount Adapter now easily places circular polarizing or variable neutral density filters behind the lens, opening up new options for lenses such as the EF 11-24mm where using optical filters were previously not an option.

“Knowing exceptional optics are a vital tool in shaping the image a photographer captures, Canon designed the EOS R camera system from the ground up with optics as the starting point,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Canon is very excited about the world-class optics we have developed to marry with the new RF mount. With our rich history and more than 130 million EF lenses being used across the globe, Canon optics will continue to be at the forefront of our digital imaging development now and into the future.”

New Canon RF Series Lenses 

Three of the newly announced Canon RF lenses are counted among Canon’s top-of-the-line L-series optics; incorporating rugged, dust and water-resistant construction. All four new RF lenses feature a customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO.

The Canon RF 28—70mm F2 L USM lens, the world’s first standard zoom lens with an f/2 aperturei is excellent for capturing landscapes, weddings and portraits with its large aperture for stunning bokeh. Initial testing within Canon has shown this new lens to produce better optical image quality and sharpness over similar focal length EF-series lenses, including the extremely popular and highly regarded EF 24-70mm f/2.8L II USM.

A portrait photographer’s must-have, the Canon RF 50mm F1.2 L USM lens sports an ultra large-diameter f/1.2 aperture and Canon’s Air Sphere Coating (ASC) technology to dramatically reduce flares and ghosting. This amazing new lens is capable of rendering subjects life-size on the full-frame sensor with its minimum focusing distance of only 0.59 inches.

Photographers seeking an all-around utility lens for the new EOS R camera system need to look no further than the Canon RF 24-105mm F4 L IS USM lens. Coming in nine percent shorter in length than the EF 24-105mm f/4L IS II USM, this compact lens employs a CIPA standard of 5 stops of IS and is equipped with NANO USM technology, the first L-series lens with the technology. This small chip-shaped ultrasonic motor is engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full-time manual focus (when using one-shot AF).

A fast, wide-angle single focus lens, the Canon RF 35mm F1.8 MACRO IS STM lens is an excellent option for photographers looking for an affordable compact lens. Featuring a maximum shooting magnification of 0.5x, the lens can easily shoot macro photography of subjects such as flowers, food and even insects. The lens also utilizes a CIPA standard of 5 stops of IS and is compatible with Hybrid IS, compensating for both angular and shift camera shake.

Enhanced Capabilities for Canon EF Lenses 

Thanks to its large lens mount design, Canon’s new EOS R series camera system delivers new capabilities in both design and function, but for existing Canon lens owners it does something incredible. It enhances the capabilities of existing EF and EF-S lenses with full compatibility and in some cases, enhanced functionality when paired with one of three RF mount adapters.

Canon lenses are historically top-rated, and the Company is looking to help customers gain even more value in their investment with three new RF mount adapters.

The Canon Mount Adapter EF-EOS R is a standard adapter that provides full compatibility with EF lenses. Autofocus, metadata, and Optical Image Stabilization on EF lenses all continue to work seamlessly with the new EOS R camera through this adapter.

The Control Ring Mount Adapter EF-EOS R continues full EF lens compatibility with the addition of a customizable control ring. Functions that can be assigned and adjusted by the control ring include aperture, shutter speed, ISO speed and exposure compensation.

In addition to full EF lens compatibility, the Drop-In Filter Mount Adapter EF-EOS R allows for lens filters to be used behind any EF lens and help photographers conveniently utilize variable ND and circular polarizing filters with any EF lens.
New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include: 

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

Availability and Pricing

The Canon RF 50mm F1.2 L USM will be available in October 2018 for an estimated retail price of $2299. The Canon RF 28-70mm F2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM will all be available for purchase in December 2018 for an estimated retail price of $2999, $1099 and $499.99 respectively.

The Canon Mount Adapter EF-EOS R and Control Ring Mount Adapter EF-EOS R will be available for purchase in October 2018 for an estimated retail price of $99.99 and $199.99 respectively. The Drop-in Filter Mount Adapter EF-EOS R will all be available for purchase in February 2019 for an estimated retail price of $399.99 with a variable ND filter or $299.99 with a circular polarizing filter.

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $199.99.

Monday, August 27, 2018

Canon May Announce Full Frame Mirrorless Camera First Week Of September



There is a better than even chance Canon will announce a full frame mirrorless camera the first week of September, much earlier than the Photokina Show in Germany in late September.

If accurate, it may not be the professional, full frame mirrorless camera many pro photographers (including myself) have been waiting for to challenge the Sony A7 and A9 plus the recently announced Nikon Z6 and Z7 full frame cameras.

Stay tune and keep checking back often. In the next few days, we should get some credible leaks if this is turning out to be true. The following specs may have some credence to them.

  • Mid 20+MP full frame sensor
  • Dual Pixel Auto Focus
  • IBIS (In Body Image Stabilisation)
  • 10fps shooting
  • 4k@30fps
  • 1080p@60fps
  • Just below $2,000 in the US
  • New mirrorless to be called EOS-R
  • New RF mount. May be able to accept EF lens as well. Check out video below.


Thursday, August 23, 2018

Nikon Announced Full Frame Mirrorless Cameras and New S Line of Lenses
















MELVILLE, NY – Nikon Inc. is pleased to announce the release of the full-frame (Nikon FX–format) Nikon Z 7 and Nikon Z 6 mirrorless cameras, as well as NIKKOR Z lenses, featuring a new, larger-diameter mount to enable the next generation of ultimate optical performance. 

Mirrorless Reinvented 

The new Nikon Z mount system is comprised of mirrorless cameras and compatible NIKKOR Z lenses and accessories. This system has been realized through the pursuit of a new dimension in optical performance. It has inherited Nikon’s tradition of quality, superior imaging technology, intuitive operability and high reliability, all innovated from its digital SLR cameras. 

At the heart of the Z mount system is the new, larger-diameter mount, which unlocks further possibilities of lens design. The Z mount system will offer a variety of high-performance lenses, including the fastest lens in Nikon history, with f/0.951. Additionally, the new mount adapter will enable compatibility with NIKKOR F mount lenses, adding to the range of choices for photographers. 

The letter “Z” represents the culmination of Nikon’s relentless pursuit of ultimate optical performance, and a bridge to a new chapter. It is about redefining possibilities to provide image makers with tools to pursue greater creativity. 

Nikon will expand the value of mirrorless cameras through the pursuit of a new dimension in optical performance, and by upholding Nikon’s tradition of quality while responding to the evolution of imaging technology. By providing image makers with stimulating new products, Nikon will continue to lead imaging culture. 

Z 7 and Z 6 Product Overview 

The Z 7 and Z 6 are equipped with a new backside illumination Nikon FX-format CMOS sensor with built-in focal-plane phase-detection AF pixels, and the latest image-processing engine, EXPEED 6. 

The high-resolution Z 7 has 45.7 effective megapixels, and supports a standard sensitivity range of ISO 64–25600. In combination with NIKKOR Z lenses, the camera achieves an outstanding level of sharpness and detail, all the way to the edges of the image. 

The versatile Z 6 is an all-purpose FX-format camera with 24.5 effective megapixels, and supports the wide sensitivity range of ISO 100–51200. With superior performance at high ISO sensitivities and full-frame 4K UHD video capture with full pixel readout, the Z 6 responds to a variety of needs, such as shooting in dimly lit environments and high-quality movie recording. 

These two models combine legendary Nikon reliability and a familiar interface with the benefits of a mirrorless, including rapid FPS, hybrid AF, silent shooting and advanced multimedia capabilities. 

Primary Features of the Z 7 and Z 6  
  • Equipped with a new backside illumination Nikon FX-format CMOS sensor with focal-plane phase-detection AF pixels
  • The Z 7 and Z 6 are equipped with a new backside illumination, Nikon FX-format CMOS sensor with focal-plane phase-detection AF pixels, and the latest image-processing engine, EXPEED 6. The Z 7 has 45.7 effective megapixels and supports ISO 64–25600 range of standard sensitivities (reduction to the equivalent of ISO 32 and expansion to the equivalent of ISO 102400 is also possible). The Z 6 has an effective pixel count of 24.5 megapixels, and supports a broad range of standard sensitivities, from ISO 100–51200 (additional reduction to the equivalent of ISO 50 and expansion to the equivalent of ISO 204800).
  • A fast and accurate hybrid AF system with focus points covering approximately 90% of the imaging area
  • The Z 7 has 493 focus points2 and the Z 6 has 273 focus points2, enabling broad coverage of approximately 90% of the imaging area both horizontally and vertically. This hybrid AF system uses an algorithm optimized for the FX-format sensor, to automatically switches between focal-plane phase-detection AF and contrast-detect AF when focusing to achieve focus. Newly-designed NIKKOR Z lenses take full advantage of this system, providing faster, quieter and with increased AF accuracy than previously possible for both still images and videos.
  • The new EXPEED 6 image-processing engine for sharp and clear imaging, and new functions that support creativity
  • The Z 7 and Z 6 are equipped with the new EXPEED 6 image-processing engine. Employing the superior resolving power of NIKKOR Z and NIKKOR F mount lenses, subjects are rendered more sharply than ever before. Noise is also effectively reduced. Additionally, a mid-range sharpening option has been added to Picture Control sharpness parameters. This option, along with existing sharpening and clarity parameters, allows users to make various textures within the screen sharper or softer, for both still images and video3. The cameras also offer 20 options of Creative Picture Control, supporting creative imaging expression. The effect level is adjustable from 0 to 100.
  • An electronic viewfinder that utilizes Nikon's superior optical and image-processing technologies to offer a clear and natural view
  • The electronic viewfinder adopted for the Z 7 and Z 6 is comfortable and easy to use, comparable to optical viewfinders. Both cameras are equipped with an electronic viewfinder for which an approximately 3690k-dot OLED panel has been adopted. The electronic viewfinder has frame coverage and magnification of approximately 100% and 0.8×, respectively, as well as an approximately 37.0° diagonal viewing angle. It draws on Nikon's superior optical technologies and image-processing technologies, ensuring a clear and comfortable view, with reduced aberration and minimum eyestrain, even during extended shoots. Furthermore, a fluorine coat that effectively repels dirt has been applied to the eyepiece protection window. In addition, the menu can be displayed in the electronic viewfinder, allowing users to quickly view and adjust a variety of shooting settings, including ISO sensitivity, AF-area mode, and Picture Control, all while looking through the viewfinder.
  • An ergonomic design unique to Nikon that enables intuitive and familiar operation
  • The Z 7 and Z 6 have inherited the superior operability that Nikon has cultivated over the years through its development of cameras. The bodies are compact, while boasting a firm grip that is easy to hold, and the sub-selector and buttons such as AF-ON, ISO, and exposure compensation are all placed so that they can be operated swiftly and easily. Additionally, a display panel has been placed on the top plate of the camera, where information about settings can be displayed, similar to high-end digital SLR camera models.
  • Video functions such as 10-bit N-Log that enables wide dynamic range, and timecoding that respond to professional needs
  • The Z 7 and Z 6 support recording of not only full-frame 4K UHD (3840 × 2160)/30p movies using the FX-based video format, but also Full-HD/120p movies. Sharper 4K UHD movies are made possible, using the full-pixel readout4. Additionally, Active D-Lighting, electronic vibration reduction, and focus peaking can be used with 4K UHD and Full-HD movie recording. Nikon’s original N-Log color profile can also be used with 10-bit5 HDMI output. The N-Log setting utilizes extensive color depth and twelve-stop, 1,300% dynamic range to record a wealth of tone information from highlights and shadows for more effective color grading. Timecode support makes synchronizing video and sound from multiple devices easier. Additionally, the control ring built into NIKKOR Z lenses can be used to quietly and smoothly adjust settings such as aperture and exposure compensation.
  • Nikon's first6 in-camera vibration reduction with approx. 5.0-stop7 effectiveness
  • The Z 7 and Z 6 are equipped with in-camera vibration reduction (VR). The VR unit provides compensation for movement along five axes. The effects of vibration reduction are equivalent to a shutter speed up to approximately 5.0 stops6. This function can also be used effectively with NIKKOR F lenses, including those not equipped with a VR function, with the Mount Adapter FTZ (sold separately)8.


Other features
  • Same level of strength and durability, as well as dust- and drip- resistance, as the Nikon D850, offered in a compact body
  • A 3.2-in., approximately 2100k-dot touch-sensitive LCD monitor, with a tilting mechanism
  • Silent photography function eliminates shake and noise caused by shutter release,
  • Peaking stack image function9 enables confirmation of the area in focus after shooting using focus shift, which is convenient for focus stacking10
  • High-speed continuous shooting (extended)11 at approximately 9 fps (Z 7) and 12 fps (Z 6) captures fast motion
  • Interval timer photography that makes 8K (Z 7) time-lapse movie creation10 possible
  • An extended low-light metering range12 allows users to easily capture scenes such as the transition from sunset to starry night sky, using aperture-priority auto exposure
  • Built-in Wi-Fi for direct connection to a smart device using SnapBridge
  • Built-in Wi-Fi makes the transfer of images and movies to a computer possible
  • Support for existing digital SLR camera accessories such as the EN-EL15/a/b batteries, WT-7/A/B/C Wireless Transmitter (available separately) for transferring images and movies at high speed over a wired or wireless LAN, and radio-controlled/optical controlled Advanced Wireless Lighting, which makes flexible multi-flash photography possible


Development of the MB-N10 Multi-Power Battery Pack 

The MB-N10 Multi-Power Battery Pack that is currently in development will hold two EN-EL15b, effectively increasing the number of shots possible and/or movie recording time by approximately 1.8×. It will provide the same level of dust and drip resistance as the Z 7 and Z 6, and will support USB charging using the EH-7P Charging AC Adapter. Information regarding the release of this product will be announced at a later date. 

Price and Availability 

The Nikon Z 7 will be available September 27 for a suggested retail price (SRP) of $3399.95* for the body-only configuration, or for $3999.95 SRP as a kit with the new NIKKOR Z 24-70 f/4 S lens. The Nikon Z 6 will be available in late November for the $1995.95 SRP for the body only configuration, or for the $2,599.95 SRP with the NIKKOR Z 24-70mm f/4 S lens kit. 





NIKKOR Z 24 - 70 mm f / 4 S
  • Representation performance renewing the image of the previous open f / 4 zoom lens
  • Achieve the shortest shooting distance of 0.3 m across the zoom range
  • Approximately 500 g
  • Suggested retail price: 136,500 yen + tax
  • Scheduled release date: late September, 2018




NIKKOR Z 35 mm f / 1.8 S
  • Representation performance renewing image of 35 mm open f / 1.8 lens so far
  • Quiet, high-speed, high-precision AF control realized with a newly adopted multifocus system
  • About 370 g
  • Suggested retail price: 114,000 yen + tax
  • Scheduled release date: late September, 2018




NIKKOR Z 50 mm f / 1.8 S
  • Representation performance renewing image of 50 mm open f / 1.8 lens so far
  • On-axis chromatic aberration is thoroughly corrected, and from the opening of the diaphragm, the texture of the subject is also depicted in the peripheral portion of the image
  • Approximately 415 g
  • Suggested retail price: 83,500 yen + tax
  • Scheduled release date: late October 2018




AF-S NIKKOR 500 mm f / 5.6 E PF ED VR
  • A compact and lightweight body with a maximum diameter of about 106 mm, a length of about 237 mm, and a mass of about 1,460 g is realized
  • VR mechanism of image stabilization effect 4.0 level (CIPA standard compliant) mounted
  • Suggested retail price: 506,000 yen + tax
  • Expected release date: September 14, 2018

Thursday, August 2, 2018

The Latest News On Canon and Nikon Full Frame Mirrorless Cameras



Nikon is expected to announce their full frame mirrorless cameras the last week of August. There may be two models. One is for the professional market and the other for the prosumer segment.

  • Both models with new sensors : 20+MP and 40+MP
  • Both models equipped with BSI sensors 
  • 5-axis in-body stabilization
  • 9 fps burst rate
  • Dual memory card slots : XQD and CF Express. Pro model with CF Express card slot
  • EVF resolution : 3.6MP 
  • State of the art video AF features.
  • AF tracking ability of the pro version comparable to A7 and A9 models.
  • Hundreds of AF points (Marketing gimmick in my book) 
  • Tiltable LCD screen similar to D850
  • Advanced 4K video

Canon is also expected to announce their full frame mirrorless camera some time in September. I expect two models as well, each with its own new sensor. The prosumer version (20+MP sensor) may come with a modified adapter to accept EF and EF-M lenses but the pro model (30+MP sensor) may have the native EF mount.

If true, then I will be acquiring the pro version as soon as it is available. My readers know me as The Wildlife Ho-tographer. I have been using Canon equipment for over three decades. Follow my travels on Facebook and Twitter, see my equipment bag and works on MichaelDanielHo.com

I have been holding back on buying a mirrorless camera because the current models do not fill my needs. While I welcome the reduction in weight in mirrorless bodies, the other features like AF, ergonomics and functionalities do not impress me enough to add it to my equipment bag.

If Canon does decide to announce their full frame mirrorless cameras in time for the Photokina Show in September, we should be getting additional leaks soon. Check back often to get the latest development and details. 

Tuesday, May 1, 2018

Nikon Confirmed New Full Frame Mirrorless Camera Coming Q1, 2019




Nothing surprising here. I have been reporting Canon and Nikon have been working on their own full frame mirrorless camera for over two years now. In a recent NHK interview, a Nikon executive has confirmed the company's intention to bring such a camera to market by the first quarter of 2019.
Canon is also expected to announce a high end full frame mirrorless camera around the same time frame. Nikon's new camera is expected to require an adapter in order to use their F mount lenses. That is not very desirable. Canon already has such an arrangement with their series of EOS-M mirrorless cameras.

I have discussed how Canon can make their new high end mirrorless camera an instant success upon announcement. We will have to see how they intend to proceed with this important project. Keep checking back for the latest information and development.

Saturday, April 28, 2018

Canon EF 70-200mm f/4L IS II Lens and EOS-7D Mark III Camera




As reported earlier, Canon should be announcing the EF 70-200mm f/4L IS II lens very soon. However, the replacement of the EOS-7D Mark II camera may come in early 2019. Here's my wish list for the EOS-7D Mark III camera.

It is not unusual for Canon to shift around the announcement date a few months here and there. I suspect they may have other priorities in mind, like getting the long overdue high end, full frame mirrorless camera to market.

Saturday, March 24, 2018

Canon Professional Full Frame Mirrorless Camera With EF Mount Coming In One Year Or Less


Sorry, Canon and Sony. But the time is Now to bring out the Mirrorless camera many photographers want

My readers know I have been reporting on Canon's development of a full frame mirrorless camera for about two years now. There is little doubt this camera is coming. Even Canon's arch rival in this space, Sony, has acknowledged it and expects the arrival soon. The real question is will Canon finally leverage their greatest advantage over Nikon, Sony, Leica, etc. and announce a professional, EF mount, full frame mirrorless camera.

Canon is rumored to be testing their full frame mirrorless camera with 3 different sensors - 24MP, 28MP and 36MP. This is nothing unusual since Canon manufactures their own sensors, they can test different megapixel sensors on the new camera to try and perfect the resolution.

I have been calling for Canon to bring to market such a camera for over two years. Canon must think outside the box and comfort zone on this new body. The camera should be called EOS-1M, must have the ability to accept all EF mount lenses. Ideally, the ergonomics will be similar to the EOS-1 body style, with a new sensor higher than the current EOS-1D X Mark II but lower than the present EOS-5Ds in megapixels. A burst rate of around 15 fps, comes with 2 or 3 types of card slots - SD, CF and CFast, a built-in flash and weighs less than 2 pounds. This is certainly doable given the engineering prowess of Canon.

Enough of the tinkering around with the EOS-M, APS-C based models. Canon has a few full frame mirrorless prototypes in their labs. They have been surveying professional photographers and want to get it right the first time with this announcement. Real life testing of these cameras have started already.

As The Wildlife Ho-tographer, I have been a Canon user and company observer for almost three decades. You can follow my travels on Facebook and Twitter. See my equipment bag and works on MichaelDanielHo.com

Canon Inc. is conservative and rarely tries to be the first in introducing new stuff. Rather, they try to 'perfect' the equipment first before bringing them to market. But there is a risk in waiting too long. In an interview with Canon's CEO, Mr. Fujio Mitarai earlier this year, he intimated he wants the company to be more innovative and nimble.

SankeiBiz, the Japanese business news outlet reported Nikon's full frame mirrorless camera project is advancing at a 'break neck' speed and they plan to announce their development plan during the Photokina Show in September in Germany and launch the camera before the end of their fiscal year, which ends March 2019.

Canon stated last month that the company may be ready to cannibalize the sales of its DSLR cameras in order to take the number one spot in mirrorless camera sales in Japan. Frankly, I think the low end DSLR and PowerShot cameras are losing sales to advance smartphone cameras anyway but the high end DSLRs like the EOS-1D X Mark II, EOS-5D Mark IV, etc. will hold their own. I will not hesitate to own a profesional full frame mirrorless camera, along side my EOS-1D and EOS-5D series cameras.

In a recent speech given by Canon's CEO, Mr. Fujio Mitarai, he made the following comments :

"Within existing businesses, there are market areas that are growing, such as mirrorless in cameras,” Mitarai says. “In these segments, by launching differentiated products that only we can provide, we will stimulate the market, grow our sales, and secure additional market share.

For example, in our core camera business, in addition to our overwhelming share of the DSLR market, we will go on the offensive and work to expand our sales in the mirrorless camera market, which is exhibiting remarkable growth . . . . This will allow us to reach our goal of 50% market share of the entire interchangeable-lens camera market."

Earlier this month at the CP+ Show in Japan, Sony Camera's General Manager, Mr. Kenji Tanaka made the following comments :

"This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think by then they will be participating in this market.

Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think."

In my opinion, any new Canon professional full frame mirrorless camera must have the following features :

EF mount w/o the use of adapter

Any new mirrorless camera without the ability to use the full line of EF mount lenses without an adapter is not going to attract serious photographers who have invested in their extensive EF lens inventory. I am NOT interested in using adapters.

On this point, Canon has recently patented a new lens mount that can apparently use both EF-M and EF lenses. The EF-M mount has 9 contacts, the EF mount has 8 but the new mount only has 7 contact points. This may be Canon's solution to the upcoming full frame mirrorless camera.

Feel, Size and Weight

The current crop of high end mirrorless cameras do not feel right to me. Once a professional lens is mounted, the combo feels front heavy. The new Canon model must have the feel of an EOS-1 body, with built-in molded grip and a well balanced weight, albeit lighter, once the commensurate lens is attached.

Electronic Viewfinder

First in class Electronic Viewfinder is a must and the screen must come with the highest megapixel, replete with crisp and faithful colors reproduction.

Battery Life 

The current EOS-1D X Mark II camera's battery can comfortably lasts a full day's shooting on an average trip unless it is in extremely cold climate. The new mirrorless camera must be able to come close to this performance. I know short battery life is the Achilles' Heel of many high end models, like the Sony A7 and A9 but I am confident Canon engineers can and will overcome this limitation.

Burst Rate

As a wildlife photographer, I do need fast shooting speed in my equipment but a burst rate of around 12 - 14 fps is adequate for my needs. Anything faster than that is marketing hype.

The other bells and whistles like 4K video, GPS, WiFi, etc. are nice to have but they add weight, complication and cost to the final product and are not a deal breaker for me. There must a healthy compromise between features, price and weight.

Let me hear your thoughts about what you feel are important in Canon's upcoming high end, full frame, mirrorless camera. Keep checking back for the latest news for any future announcements.

Tuesday, March 13, 2018

Sony Expects Canon and Nikon To Announce Full Frame Mirrorless Cameras In One Year




I have reported about Canon Japan working on their full frame, EF mount, mirrorless camera for over two years now. There are a few working prototypes floating around in their labs. They have not finalized on a marketable model but I will not be surprised we will have an announcement at year's end or early 2019 from Canon and Nikon.  Sony's free ride with their A7 and A9 series of full frame mirrorless cameras will come to a crashing end.

SankeiBiz, the Japanese business news outlet reported Nikon's full frame mirrorless camera project is advancing at a 'break neck' speed and they plan to announce their development plan during the Photokina Show in September in Germany and launch the camera before the end of their fiscal year, which ends March 2019.

Canon stated last month that the company may be ready to cannibalize the sales of its DSLR cameras in order to take the number one spot in mirrorless camera sales in Japan. Frankly, I think the low end DSLR and PowerShot cameras are losing sales to advance smartphone cameras anyway but the high end DSLRs like the EOS-1D X Mark II, EOS-5D Mark IV, etc. will hold their own. I will not hesitate to own a profesional full frame mirrorless camera, along side my EOS-1D and EOS-5D series cameras.

In a recent speech given by Canon's CEO, Mr. Fujio Mitarai, he made the following comments :

"Within existing businesses, there are market areas that are growing, such as mirrorless in cameras,” Mitarai says. “In these segments, by launching differentiated products that only we can provide, we will stimulate the market, grow our sales, and secure additional market share.

For example, in our core camera business, in addition to our overwhelming share of the DSLR market, we will go on the offensive and work to expand our sales in the mirrorless camera market, which is exhibiting remarkable growth . . . . This will allow us to reach our goal of 50% market share of the entire interchangeable-lens camera market."

Earlier this month at the CP+ Show in Japan, Sony Camera's General Manager, Mr. Kenji Tanaka made the following comments :

"This is just my personal opinion, but I think that maybe by next year’s CP+ you’ll see full-frame mirrorless cameras from Canon and Nikon. I think by then they will be participating in this market.

Just look at our technologies, like eye focus. All of that data comes from the imaging sensor. In DSLRs, the data comes from separate sensors. The main imaging sensor is blanked out, 90% of the time by the mirror. The sensor is turned off. But the imaging sensor is very important. So if cameras are going to develop, and be more able to capture the moment, manufacturers have to develop mirrorless technologies. So within one year, I think."

In my opinion, any new Canon professional full frame mirrorless camera must have the following features :

Native EF mount

Any new mirrorless camera without an EF native mount is not going to attract serious photographers who have invested in their extensive EF lens inventory. I am NOT interested in using adapters.

Feel, Size and Weight

The current crop of high end mirrorless cameras do not feel right to me. Once a professional lens is mounted, the combo feels front heavy. The new Canon model must have the feel of an EOS-1 body, with built-in molded grip and a well balanced weight, albeit lighter, once the commensurate lens is attached.

Electronic Viewfinder

First in class Electronic Viewfinder is a must and the screen must come with the highest megapixel, replete with crisp and faithful colors reproduction.

Battery Life 

The current EOS-1D X Mark II camera's battery can comfortably lasts a full day's shooting on an average trip unless it is in extremely cold climate. The new mirrorless camera must be able to come close to this performance. I know short battery life is the Achilles' Heel of many high end models, like the Sony A7 and A9 but I am confident Canon engineers can and will overcome this limitation.

Burst Rate

As a wildlife photographer, I do need fast shooting speed in my equipment but a burst rate of around 12 - 14 fps is adequate for my needs. Anything faster than that is marketing hype.

The other bells and whistles like 4K video, GPS, WiFi, etc. are nice to have but they add weight, complication and cost to the final product and are not a deal breaker for me. There must a healthy compromise between features, price and weight.

Let me hear your thoughts about what you feel are important in Canon's upcoming high end, full frame, mirrorless camera. Keep checking back for the latest news for any future announcements.  

Tuesday, February 13, 2018

How Did The Photography Industry Perform In 2017?


The folks at LensVid put together the video below to give us a recap of what happened to the photography industry in 2017. My take is smartphones will continue to get better and take business away from the Point-N-Shoot and lower end DSLRs but the high end models will certainly hold its own.

Once Canon and Nikon announce their high end, full frame mirrorless cameras with native mounts some time this year, to take advantage of their formidable lines of EF and Nikkor lens, Sony's market share will decline and the entire mirrorless camera segment will increase and perhaps equal to the high end DSLRs in the next few years.


Tuesday, October 3, 2017

Canon Full Frame Mirrorless Camera Will Come With Brand New Sensor




As reported earlier, Canon's next full frame mirrorless camera will most probably have a brand new sensor, perhaps in the mid 20 to 30 MP range.

Nikon is also planning to announce their full frame mirrorless camera, perhaps some time in mid 2018. Canon is expected to be cautious again and let Nikon take the lead in the new camera introduction. The earliest Canon may announce their full frame mirrorless camera is probably late August 2018, just before the Photokina Show in Germany.

Canon is a huge conglomerate and the biggest photography equipment manufacturer in the world. They have multiple full frame mirrorless projects in their labs. However, unless Canon decides to bring out their full frame mirrorless body with the EF mount, they will still be playing catch up to Sony's formidable line of full frame mirrorless cameras. The successor to the highly acclaimed Alpha A9 will be on the market by then.

The only way Canon can differentiate itself from the pack is to announce a top-of-the-line, full frame mirrorless camera that will interest professional sports and wildlife photographers, and the ace in Canon's pocket is a mirrorless camera with the EF mount, enabling photographers to use the vast array of EF lenses on the market without any cumbersome adapter.

Tuesday, September 26, 2017

Will The EOS-M1 Be The Upcoming Canon Full Frame Mirrorless Camera?




I am back from my High Arctic Wildlife Photo Tour. It was an enjoyable trip, albeit a bit light on the wildlife but I knew that in advance due to the late summer schedule of the tour. Nevertheless, I came across Polar bears, herds of Musk Oxen and Walruses, Arctic hares and foxes, a pod of Fin whales, seals, stunning sea ice and massive icebergs and glaciers as far as the eye can see.

Getting back to my blog and keeping my readers up to date on the latest photography news and rumors but another trip is coming up next month. You can follow my travels on Facebook and Twitter and see my works on MichaelDanielHo.com.

In the past year, I have been reporting Canon is working on a full frame 'prosumer' mirrorless camera and a professional model using the EF mount. There is no secret Sony is ahead of Canon and Nikon in the mirrorless camera space. Both companies will introduce their own full frame cameras finally next year.

My readers know me as The Wildlife Ho-tographer, traversing the globe on wildlife photography tours, utilizing and testing Canon equipment for decades. As an observer of Canon for years, I am not a fan of the current crop of mirrorless cameras on the market but will be very interested in Canon's full frame EF mount model once they have decided to announce it.

Canon is a large and conservative conglomerate. They are usually not the first in introducing new, breakthrough photographic equipment but once they have decided to be a player in a particular space, they will devote the resources and marketing clout to make it a success.

The mirrorless market is one area Canon intends to be a winner eventually. In order to achieve that goal, they will have to announce new full frame mirrorless cameras that excite. Their current family of EOS-M models make a difference without a distinction from their competitors.

Nikon is expected to announce their own full frame mirrorless model in 2018. With the usual Canon caution, they may wait till Nikon make their announcement first and follow suit soon afterwards, not unlike the Nikon D5 vs Canon EOS-1D X Mark II rivalry of last year.

Tuesday, August 29, 2017

Canon USA Announced EOS-M100 Mirrorless Camera




MELVILLE, N.Y., August 29, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the successor to the EOS M10 interchangeable lens camera: the compact and stylish EOS M100. An easy-to-use yet powerful camera, the EOS M100 is an excellent choice for those looking to step up from smartphone photography, offering the versatility of interchangeable lenses, optical zoom and the latest imaging technology, without sacrificing size, style or the ability to share instantly.

“We are living in a moment where more images are being taken and shared than any other time in history. In an increasingly visual world, high-quality images are the ones that truly stand out from the crowd,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “The new Canon EOS M100 can be the ideal camera for those eager to step up their images and share their creative vision without sacrificing image quality or on-the-go performance.”

Discover a World That Cannot Be Captured with Smartphone Photography

Canon’s newest EOS M-Series offering helps expand creativity while providing the ability to capture photos that simply cannot be matched by smartphone photography. The EOS M100 camera is boosted by a powerful 24.2-megapixel APS-C CMOS sensor and the Canon DIGIC 7 processor. These attributes, alongside Canon lenses, are capable of rendering incredible details even when zoomed in on distant subjects or shooting in low-light scenarios, such as a dark restaurant. Packed with high-end features like Dual Pixel CMOS AF, which enables high-speed focusing for capturing fleeting moments nearly across the entire frame, and video mode, novice and enthusiast photographers alike will appreciate the tremendous capabilities of the new EOS M100 camera.




For those eager to share family photos, epic adventures or culinary creations with their friends and family, the EOS M100 camera is also Wi-Fi®*, Near Field Communication (NFC)** and Bluetooth*** connected, allowing for live-view remote shooting and the viewing and transferring of images to a compatible smart device, via the Canon Camera Connect app††. High-quality images and video can be uploaded to a compatible device for easy sharing to select social media networks. Once connected through Bluetooth, the EOS M100 camera can also work with a compatible smartphone’s GPS function to provide a geo-tagged log of where every photo was taken on one’s journey.

The EOS M100 camera features a revamped and simple touch user interface that makes it easy for users to change settings, adjust modes and even focus on their subject. The 3.0-inch LCD touch-panel display also offers tilt functionality, helpful when shooting subjects from creative angles. Users can also use touch focus and Dual Pixel CMOS AF to smoothly transition focus between subjects with the touch of a finger.




Users will also discover a newly designed and intuitive touch interface that makes it easy to choose settings and focus shots, while beginners can learn and improve on their photography using Canon’s Creative Assist function, an intuitive setting that allows users to execute their creative vision, even without an “expert level” of camera knowledge. To make a scene brighter or blur backgrounds, users simply select their desired change within the Creative Assist menu, and the camera will automatically make corresponding setting adjustments, available immediately in live view. Preferred settings can be saved for next time, while those using the mode will begin to learn more advanced camera techniques to further pursue their creative vision—beyond just Auto Mode.

Sized to be an on-the-go camera, the EOS M100 is slimmer and lighter than other M-Series offerings, and fits neatly into a bag with ease. The new sleek and refined design features two body color options—white or black.

The use of interchangeable lenses is a differentiator factor of the Canon EOS M-Series from most smartphone photography, with Canon offering seven distinct and lightweight EF-M lenses, spanning wide-angle, telephoto and macro applications. EOS M100 users can find a lens for nearly any application while maintaining a compact system ready for on-the-go moments. For those with Canon’s EF lenses, the EF-EOS M Mount Adapter (sold separately) will allow for the use of Canon’s complete lineup of EF and EF-S lenses. Exploring close-up macro photography is also possible using the EOS M100, combined with a macro lens option—great for wildlife or detailed food photos.

Expand Your Horizons with Useful Functions

The EOS M100 camera sports a host of useful functions for users of any level—whether a true beginner in the world of photography or someone who simply wants to take their images or video to the next level. These functions include:

  • Video Mode: Record Full HD 1080/60p video or picturesque time-lapse movies with the push of a button or use Hybrid Auto to pull still frames form HD video recording
  • Continuous Shooting: Don’t miss a moment with up to 4 frames-per-second (fps) continuous shooting; up to 6.1 with fixed AF
  • ISO Range: 100-25,600 ISO range helps capture sharp images, even in low light
  • In-Camera RAW Conversion: Allows users to experiment with RAW photography and experiment with various in-camera expressions
  • Self-Portrait Mode: Using the 180-degree tilt of the LCD screen, take beautiful selfies and adjust brightness, focus and Smooth Skin functions with ease
  • HDR Backlight Control: Shoot three images with different exposures to help naturally correct scenes that are backlit or show differences in contrast
  • Bulb exposure: Continue shooting after the shutter button is released for light painting or capturing fireworks
  • Creative Filters: To add a personal touch, choose from a variety of creative filter options like Grainy Film, Art Bold, Fish-eye Effect and more

The Canon EOS M100 is scheduled to be available in black or white in October 2017 for an estimated retail price of $599.99 with the EF-M 15-45mm f/3.5-6.3 IS STM lens and $949.99 with EF-M 15-45mm f/3.5-6.3 IS STM lens and EF-M 55-200mm f/4.5-6.3 IS STM lens. In addition, the Canon EOS EF-M Mount Adapter is currently available for a suggested retail price of $199.99. For more information please visit usa.canon.com. Click here to see sample photos from Canon and read an in depth article on the camera from Canon Digital Learning Center.

Wednesday, August 16, 2017

Canon EOS-M100 Mirrorless Camera Will Replace EOS-M10




As reported earlier, Canon will announce the replacement to the mirrorless EOS-M10 camera very soon. The new camera will be called the EOS M100 and comes in nine different colors, including black, white and red. It will also be sold with various kits.

The photography world does not need another also-ran mirrorless camera. Canon needs to announce their high end, full frame mirrorless camera with EF mount without further delay. Both Canon and Nikon have been working on their respectively beta cameras and must announce them soon in order not to give Sony too much of a lead in the high end, full frame mirrorless camera space.

EOS-M100 Available kits :

  • Body only
  • EF-M 15-45mm f/3.5-6.3 IS STM kit
  • Double zoom kit confirmed
  • Other kits are available depending on the country of sale

Tuesday, August 1, 2017

Canon EOS-6D Mark II Camera Review and Upcoming High End, Full Frame Mirrorless Model


Mount Denali from Mile 9 inside Denali National Park, Alaska

I am back from my Alaskan Wildlife Photo Tour. It was a good trip but not great. I had to make it shorter this year because my traveling companions have limited time. 

On the bright side, I was able to see and photograph Mount Denali, albeit from a long distance. The Humpback whale action was fair in SE Alaska but the bear action is a bit better. You can follow my travels on Facebook , Twitter , see my equipment bag and works on MichaelDanielHo.com


Humpback whales bubble net feeding in Auke Bay, Alaska

Brown bear running on water in SE Alaska

Now I have to get back to the daily routine, process the photos and catch up on my blog again. Just a few quick notes on the photography news front while I was away. The TSA has issued new guidelines for travelers passing through airport security with their camera equipment.

Below is a good video review of the Canon EOS-6D Mark II camera. The results are rather predictable. Some good features accompanied by other mediocre performance. Frankly, that's to be expected from an entry level, full frame model that is a very good value in my opinion. In fact, the camera is selling so well to budding wedding, portrait and landscape photographers, Canon has announced a shortage of the EOS-6D Mark II camera kit with the EF 24-70mm f/4L IS lens until further notice. 

Even the EOS-1D X Mark II, which is my workhorse camera, is hardly perfect. I have received word the long expected high end Canon full frame mirrorless camera with EF mount should be announced by the end of 2018. Frankly, I think Canon should just get the camera out ASAP and move on to other projects. Mirrorless camera sales have picked up slightly for them recently but it is mostly the low end stuff and Canon does not need to announce another mirrorless camera but I'm afraid the public will be offered the EOS-M20 model soon anyway.




Friday, July 14, 2017

New Canon Powershot Cameras and Lenses Submitted For Certification




Canon is planning to announce a couple of Powershot and Mirrorless cameras, plus 2 EF lenses soon. The Japanese photography blog has discovered Canon has submitted the gear below for certification authorities in Japan.

As reported earlier, the Canon EF 85mm f/1.4L IS is the most anticipated 'L' lens for this year.

PC2276 (EOS M20)
  • Mirror-less camera
  • Made in Japan
  • SKU: 2209C002AA, 2209C012AA, 2209C022AA, 2209C032AA, 2210C002AA, 2210C012AA, 2210C022AA, 2210C032AA, 2211C002AA, 2211C012AA, 2211C022AA, 2211C032AA
  • Wi-Fi · Bluetooth installed

PC 2335 (New G Series PowerShot or SX70 HS)
  • Digital camera
  • Made in Japan
  • SKU: 2208C001AA
  • Wi-Fi · Bluetooth installed

Interchangeable lens 1 (EF 85mm f/1.4L IS)
  • SKU: 2271C005AA
  • Made in Japan (Utsunomiya Factory)

Interchangeable lens 2 (The EF-S 18-55mm f/4-5.6 IS STM)
  • SKU: 2273C005AA, 2274C005AA, 2275C005AA
  • Apparently the lens comes in three slightly different variants
  • Made in Malaysia

Strobe (Apparently a brand new flash)
  • SKU: 2398C003AA
  • Made in Japan (Oita)

Thursday, July 13, 2017

Canon and Nikon Will Announce Full Frame Mirrorless Camera In 2018



Canon EOS-1D X Mark II vs Sony A9 camera comparison


My readers know me as The Wildlife Ho-tographer. I have been using Canon equipment for over a quarter of a century. Over the years, I have migrated from film to digital cameras but still kept my EOS-1 V, the state-of-the-art Canon film camera announced back in 2000.

Through the decades, I have owned many Canon cameras. My first pro body was the EOS-1 in 1989. Then I bought the first Canon digital camera, the D30 in 2000 and the first 'affordable' full frame digital camera, the EOS-5D in 2005.

Currently, my main bodies are the EOS-1D X Mark IIEOS-1D Mark IV, EOS-5Ds and EOS-7D Mark II. You can follow my travels on Facebook and Twitter. See my equipment bag and works on MichaelDanielHo.com

I have been an observer of Canon for many years now. It is a conservative company and rarely aims to be the first in introducing new technology. Instead, they concentrate on being the brand with the most reliable and state-of-the-art performance equipment.

One area Canon and Nikon have been lagging behind its competitors is in the mirrorless camera space. It is no secret Sony has been pulling ahead of every competitor. Their highly successful A7 series has now been followed by the introduction of the new Alpha A9 model.

Nikon has told DPReview they are also working on a full frame, high end mirrorless camera with the following statement :

"While details are confidential, we can say that we are currently developing new mirrorless products that build upon Nikon’s strengths, and offer the performance prospective customers expect, including the ultimate optics performance, image-processing technologies, strength and durability, and operation."

Sony Alpha A9 camera major specs

  • 24.2MP Full-Frame Stacked CMOS Sensor
  • BIONZ X Image Processor & Front-End LSI
  • 693-Point AF System & 20 fps Shooting
  • Blackout-Free Quad-VGA 3.7m-Dot OLED EVF
  • Internal UHD 4K Video Recording
  • 5-Axis SteadyShot INSIDE Stabilization
  • 3.0" 1.44m-Dot Tilting Touchscreen LCD
  • ISO 204,800, Silent Electronic Shutter
  • Built-In Wi-Fi/Bluetooth, Dual SD Slots
  • Integrated LAN and PC Sync Terminals

On paper, the Sony Alpha A9 camera specs look impressive. Of course many of these 'jaw dropping' features are written by marketing folks and are designed to grab the attention of readers. Although, the majority of professional sports and wildlife photographers will not dream of using a mirrorless camera for their work (including yours truly), there is a case for owning a high-end pro mirrorless body for various reasons, as far as I am concerned.

Take a look at my previous post on why many pro sports and wildlife photographers will not dream of using a mirrorless camera for their work.

Canon already has a few variants of high-end, full frame mirrorless cameras in their labs, including one model using the EF mount. They are trying to decide which model to bring to market. The announcement of the Sony Alpha A9 will concentrate Canon's mind and persuade them to finally pull the trigger some time next year.

I know Canon's management has a lot on their plates. They have made it a priority to upgrade their Super Telephoto line of lens and introduce more Diffrative Optics lens models in time for the World's Cup in 2018, Rugby's World Cup in 2019 and Summer Olympics in 2020, both events will be held in Japan.

They are a big enough company to juggle multiple projects at one time and their high-end mirrorless camera project should be one that takes high priority along with the other tasks. I will be very interested in buying their pro model with the EF mount once it is announced. Stay tuned. More to come. 

Monday, February 13, 2017

Nikon Announced Big Loss & Cancelled DL Line Of Cameras




Today Nikon posted a big loss and cancelled their much-delayed DL line of compact cameras announced back in February of 2016. When the DL series was first revealed, it was touted as the answer to Sony and Canon's premium point-and-shoots models like the RX100, RX10 series, and PowerShot G1X Mark II.

Nikon is hardly alone in their problems. As reported earlier, industry wide DSLR sales continue to slide. Some medium format manufacturers like Hasselblad are in turmoil. Only Canon seems to be in good shape and they even projected a profit increase recently.


Notice of Recognition of Extraordinary Loss from Nikon

This is to announce the recognition of extraordinary loss for the nine months ended December 31, 2016 (from April 1 to December 31, 2016), as below.

1. Recognition of Restructuring Expenses

As announced in “Notice of Restructuring” released on November 8, 2016, Nikon Group is currently under a fundamental company-wide restructuring to improve its corporate value as shifting from a strategy pursuing revenue growth to one pursuing profit enhancement.

In accordance with this restructuring, the Group recorded extraordinary loss of 29,790 million yen, mainly incurred from inventory write-downs/write-off in Semiconductor Lithography Business, as restructuring expenses for the nine months ended December 31, 2016.

 Also, restructuring expenses in Imaging Products Business and the expenses related to “Results of Solicitation for Voluntary Retirement,” which is released today, are expected to incur in the fourth quarter of this fiscal year.

As a result, the total amount of restructuring expenses for the fiscal year ending March 31, 2017 will be approximately 53,000 million yen, which is 5,000 million yen increase from the previous estimate of approximately 48,000 million yen in “Notice of Restructuring” released on November 8, 2016.

2. Impact on Consolidated Financial Forecast

The impact of the recognition of restructuring expenses has been reflected in the consolidated financial forecast for the fiscal year ending March 31, 2017, as announced today in “Revision of the Financial Forecast for the Fiscal Year Ending March 31, 2017”.