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Sleeping Beauties

For over a quarter of a century, my passion for the environment and conservation has centered on my love of travel and wildlife photography. Many animal and plant species are going extinct at an alarming rate. My mission is to promote the understanding and appreciation of the world's biodiversity and the need for its conservation, through the lens of wildlife imagery. Powerful wildlife and nature images are effective and emotive tools in building public awareness and education in combating this worrisome decline.

Sunrise in the sub Arctic tundra, Hudson Bay, Canada

Bull African elephant in Chobe River, Bostswana 

My readers know me as The Wildlife Ho-tographer using Canon equipment for over 25 years. Through the decades, I have used almost all of Canon's cropped and full frame, film and digital cameras, EF and EF-S lenses. You can see what gear I pack in my equipment bag. I started my website, MichaelDanielHo.com and blog a few years ago to share my photos, travel experience and tips with fellow enthusiasts. There are no annoying banner ads, tracking cookies, commissioned links to online retailers, giveaway gimmicks to attract eyeballs and collect email addresses for future spamming or even solicitation for donations, on my site. I am not affiliated with any equipment manufacturer or camera retailer and receive no compensation or commission of any kind, from any company. What you will find are images from my global photo shoots, impartial photographic tips, independent reviews and opinions, plus the latest industry rumors and news.

Iceberg from the LeConte Glacier, South East Alaska

Jaguar walking along the bank of Cuiaba River, Pantanal, Brazil

It takes a lot of time and effort to prepare for photo shoots around the world. In addition, I have to process thousands of photographs from all my travels, plus maintain the website and blog to keep in touch with my readers. On top of that, I lead a hectic, urban lifestyle like most people. If you enjoy seeing stunning wildlife and travel images and value the information I provide on my website and blog, please tell your friends and spread the word on social media. There is no better way for me to re-double my efforts by knowing others, like you, are sharing my passion for conservation, wildlife photography and nature.

Machu Pichu, Peru

Male Cheetah in KwaZulu Natal, South Africa

You can follow me on Facebook , Twitter , Flickr , Instagram , this Blog and accompany me on wildlife photo shoots. Also be sure to visit MichaelDanielHo.com often because new photos are added all the time. I appreciate all your comments and support and look forward to many more years of photography and travel with you. Merry Christmas and a Happy New Year for 2017.

Canon Full Frame DSLR With 50+MP Sensor?

* * *  Canon 50MP full frame camera is finally here  * * *  

A few days ago, I have reported Canon has all but confirmed their Mega Pixel camera will be coming out in 2015. This is probably the worst kept secret of the year but also known is, Sony and Nikon plan to introduced their 40+MP sensor as a follow on to their 36MP sensor found in the Nikon D800 and D810 cameras.

Speculation is ripe about what the new Canon camera will be called. Personally, I would prefer it to be a successor to the EOS-1Ds Mk III ($8,000 list price) but as Canon's pricing strategies have demonstrated in the last few years, the trend is to provide higher value at a lower price. The EOS-1D X ($6,799 list price) and EOS-5D Mk III (list price $3,099) are two cases in point. The 5D Mk III basically beats the 1Ds Mk III in almost all performance categories for less than half its price.

Nikon and Sony have been selling their 'mega pixel' cameras with the 36MP sensor for a few years without any response from Canon. As a leader in the industry, Canon will not be content just joining the race with their new Mega Pixel camera next year. My feeling is they may surpass their competitors in technology and wow the photography world with a sensor in the 50+MP range to lead the industry by setting the new standard. It may be called the EOS-3D or the EOS-5D Mk IV. If the new camera is dubbed the EOS-3D, it will revive an old name from the past, for those who can remember the film camera days.

Some have speculated the Mega Pixel camera might be the replacement for the EOS-1D X. This makes no sense to me since a sensor of 50+MP will dramatically lower the burst rate of the new camera, rendering it 'unsuitable' for professional sports and wildlife photographers to get fast action shots. The current burst rate of the EOS-1D X is up to 14 fps at full resolution of 18 MP. Nikon experimented with a hybrid system by giving the photographer the choice of having a 'faster' burst rate at a lower pixel count in the D7100 camera.  This ultimately proved to be an unsatisfactory way of getting faster frame rates with high megapixel shots. Canon realized this early and is one reason why they split the EOS-1 camera line years ago into the 1D and 1Ds. The former is primarily for sports and wildlife action photographers while the latter is generally for landscape, nature or wedding photographers. Then in 2012, Canon introduced the EOS-5D Mk III camera with a 22 MP sensor and a 6 fps burst rate, thus ending the era of the high megapixel reign of the EOS-1Ds Mk III. Keep checking back for the latest news and development. It will be an interesting 2015.
 

Sigma TC-1401 and TC-2001 Tele Converters

Sigma TC-1401 and TC-2001 tele Converters

Sigma Corporation announced the availability of two types of new tele converters. Please note that the SIGMA 120-300mm F2.8 DG OS HSM | Sports requires an update to the firmware to make it compatible with the SIGMA TELE CONVERTER TC-1401 and SIGMA TELE CONVERTER TC-2001.

For those who own the SIGMA 120-300mm F2.8 DG OS HSM | Sports and considering using it with either the SIGMA TELE CONVERTER TC-1401 or SIGMA TELE CONVERTER TC-2001, please follow the steps below to update the firmware of the lens.

Please be advised that the updated version of firmware will make it compatible with the new tele converters, however it will also make it incompatible with conventional APO TELE CONVERTER 1.4x EX DG and APO TELE CONVERTER 2x EX DG.For further information, please contact your nearest authorized subsidiary / distributor of SIGMA.

For customers who own the SIGMA USB DOCK
Please start up the SIGMA Optimization Pro software and update the firmware of the SIGMA 120-300mm F2.8 DG OS HSM | Sports.
There will be the optimized firmware compatible with the new tele converters (Sigma: Ver. 1.01, Nikon: Ver. 1.02, Canon: Ver. 1.03), currently scheduled for release on October 24th.

For customers who do not own SIGMA USB DOCK
Sigma are going to start the service for update on October 27th.
Please contact their Service department with any further detail or question.

Canon EOS-7D Mk II vs. Nikon D7100 Comparison

The Canon EOS-7D Mk II and Nikon D7100 cameras were announced in September (2014) and February (2013) respectively. I have picked the EOS-7D as the best APS-C camera four years in a row and I eagerly waited for the 7D Mk II's arrival. I have since taken the new camera on numerous photo shoots around the world, from the high Arctic down to the Southern Ocean for some vigorous field testing. You can read my extensive review on the camera here.

While I was on location, I came across some photo enthusiasts who asked me whether they should purchase the Canon EOS-7D Mk II or Nikon D7100. The D7100 is a rather capable camera with a 24 MP DX sensor. The 7D Mk II is equipped with Dual Pixel CMOS AF technology and can take excellent videos, especially when paired with the STM lenses, while the D7100 is capable of taking videos at 1080p.

The D7100's native ISO range (100-6400 vs 100-16000) and burst rate (6 fps vs 10 fps) are quite a bit less than the 7D II. In addition, the D7100 is capable of shooting in 1.3x DX mode, giving it a 'boost' to 7 fps at a resolution of 15MP. This is really an unsatisfactory way of turning on the 'afterburner' in a 4 cylinder engine as far as I am concerned.

The big difference is the EOS-7D Mk II has a much bigger buffer (31 vs 9 RAW and 1090 vs 33 JPEG) and better AF system (65 vs 51 AF cross-type points). This will be crucial when one is primarily interested in sports and wildlife photography. Beyond that, the Nikon D7100 is a good choice and a very good value (about half the price) for the average photographer who has outgrown the point-n-shoot cameras and wants to own a DSLR body. It is better to compare the Nikon D7100 to the Canon EOS-70D camera. You can see my works on MichaelDanielHo.com

Canon Confirms Mega Pixel DSLR Camera

Mr. Masaya Maeda - Senior Managing Director

* * *  Canon's full frame DSLR camera with 50+MP sensor is here  * * * 

During a wide ranging interview recently, Mr Masaya Maeda, Senior Managing Director of Canon Inc., in his own shadow boxing way, has basically confirmed the Mega Pixel camera will be coming some time in 2015. Reflecting on the down turn in sales for all the camera manufacturers in the past few years, he reiterated Canon's need to innovate and invest in research and development.

Reading the tea leaves is never easy, especially when it is Japanese tea but one gets the impression Canon, being the industry leader, will be second to none when it comes to keeping up with consumer trends and demands. Expect the mirrorless camera system to become a more important part of Canon's line up in the years ahead, and perhaps even Medium Format photography. Keep checking back for the latest news and development.

Canon CINE-SERVO 50-1000mm T5.0-8.9 Lens

Canon has posted a video on the features of the $70,200 CINE-SERVO 50-1000mm lens. Pre-order is available if you have some year end spare cash lying around.  

Canon USA Warns On Lithium Batteries In Speedlites

Canon Speedlite 600 EX-RT

Canon USA has issued a warning against using AA Lithium batteries in any Speedlite or Macrolite products and compact battery packs, including those listed below because certain AA lithium batteries may become extremely hot during usage.

I must say this is rather bizarre because I have been using Lithium batteries in my Canon Speedlites for years and never encountered any problem. It must be on the advice of their lawyers to cover all the bases, just in case of some very rare occurrence.

Canon Products

• Speedlite 220EX
• Speedlite 270EX
• Speedlite 270EX II
• Speedlite 320EX
• Speedlite 380EX
• Speedlite 420EX
• Speedlite 430EX
• Speedlite 430EX II
• Speedlite 540EZ
• Speedlite 550EX
• Speedlite 580EX
• Speedlite 580EX II
• Speedlite 600EX
• Speedlite 600EX-RT
• Macro Ring Lite MR-14EX
• Macro Ring Lite MR-14EX II
• Macro Twin Lite MT-24EX
• Compact Battery Pack CP-E2
• Compact Battery Pack CP-E3
• Compact Battery Pack CP-E4

Canon Has Released Updated Version Of Digital Photo Professional Software

Canon has released an updated version of its Digital Photo Professional (DPP) software, which now supports – in addition to its current range of full-frame DSLRs – the EOS-1D Mark IV, EOS 70D, EOS 7D Mk II, EOS 7D, EOS 5D Mark II, EOS 700D and EOS 100D...

Launched in September 2014, Digital Photo Professional 4 was Canon’s first sweeping change to its popular RAW processing software since its original launch. The latest version of DPP – version 4.1.50 – is a response to feedback from owners of older full-frame and APS-C cameras who are looking for the very latest RAW workflow solution.

Additionally, DPP 4.1.50 supports the recently launched EF100-400mm f/4.5-5.6L IS II USM and EF-S 24mm f/2.8 STM lenses, the profiles for which are now available for use with the Lens Correction function.

Commenting on the update, Mike Owen, European Professional Imaging Communications Manager, Professional Imaging Department, Canon Europe, said: “DPP 4.0 has proved incredibly popular with our customers and this latest update further extends its appeal to a wider range of users, such as those using the highly successful EOS 5D Mark II. Canon remains firmly committed to offering a complete range of products to photographers and increasingly its software solutions are playing a vital role in delivering the ultimate in image quality from capture to output.”

DPP Version 4.1.50 KEY FEATURES :

•     Faster, real-time adjustments.
•     Improved RAW file workflow.
•     Better, more approachable user interfaces.
•     Compatible with 64-bit native environments.
•     Colour adjustments for specific colour gamuts.
•     Improved highlight recovery provides expanded tonality.
•     Improved shadow recovery function.
•     Support for movie playback.
•     Auto Lighting Optimizer can be applied to JPEG images.
•     Better integration with EOS Utility.

You can download DPP 4.1.50 now, free of charge, from Canon Europe’s support site here. Just click on your camera - EOS-1D X, EOS-1D C, EOS 5D Mark III, EOS 5D Mark II, EOS 6D, EOS-1D Mark IV, EOS 70D, EOS 7D Mark II, EOS 7D, EOS 700D and EOS 100D - and select DPP 4.1.50 from the software options to download.

Canon MegaPixel Camera Coming In 2015

* * *  Canon EOS-5Ds and EOS-5Ds R megapixel cameras are here  * * *

This is probably the worst kept secret but it is all but certain now Canon will be announcing their megapixel camera next year. What is still unclear is what will it be known as. It is apparently not the replacement to the retired EOS-1Ds Mk III and therefore, may not be a EOS-1 series camera. Hope this is wrong. I like to see another EOS-1Ds model.

Once again, speculation has fallen on the name of EOS-3D. The new sensor will be in a range of 40 to 50MP and the list price will be higher than the EOS-5D Mk III, probably in the neighborhood of around $4,000 to $5,000, depending on the functions and features included in the production camera. Canon is apparently tired of Nikon and Sony hogging up the megapixel space. The camera I am more interested in is the EOS-1D X Mk II and it should be announced by the middle of 2015. Keep checking back for the latest information and news.

Canon EF 100-400mm f/4.5-5.6L IS II Lens Review

* * *  Read the latest shoot in Alaska with the EF 100-400mm II lens  * * *

* * *  Read the latest shoot in Costa Rica with the EF 100-400mm II lens  * * * 

* * *  Read the latest photo shoot in India with the EF 100-400mm II lens  * * * 

Canon EF 100-400mm f/4.5-5.6L IS II USM zoom lens

Canon announced the EF 100-400mm f/4.5-5.6L IS II lens on November 11. These is one of my favorite Canon lenses and I placed my order right after the announcement and have just received the new model. This glass is about 16 years in the making. The original model was introduced in 1998 and it had an earlier version of Image Stabilization with a 2 stop advantage.

Although the technology is aged and it is not one of the sharpest lens in Canon's EF lineup, the Series I lens is still a very good performer and its versatile focal length and light weight makes it my favorite, handheld lens on wildlife photo shoots. This Series II lens incorporates all of Canon's technological advances in the last decade and more with new optics, coatings and material.

Specifications for EF 100-400mm f/4.5-5.6L IS II lens :

• Lens Construction - 21 elements in 16 groups
• Focal Length & Maximum Aperture 100-400mm 1:4.5-5.6
• Rotating zoom ring, telescopic in design
• 4 stop Image Stabilization
• 3 Image Stabilization modes
• Detachable tripod collar foot
• Minimum focusing distance 3.2 ft / 0.98m
• 9 aperture blades
• Dust and weather sealed 
• Air Sphere Coating (ASC) reduces backlit flaring and ghosting
• One fluorite and one super UD element to improve contrast and resolution
• New optics help reduce chromatic aberration across the entire zoom range 
• Filter Size 77mm 
• Latest material, offering a slight weight addition to current model
• Max. Diameter x Length, Weight
• Approx. 3.7 x 7.6 in. / 94 x 193 mm
• Approx. 36.2 oz. / 1640 g
• List price - $2,199

The EF 100-400mm f/4.5-5.6L IS II, together with the recently released EOS-7D Mk II camera, is one of my favorite combination equipment for handheld, wildlife photography.

The Series II lens is equipped with the latest IS technology, and comes with a 4 stop compensation plus 3 IS Modes, a feature shared only by the other Series II Super Telephoto lenses.

• Mode 1 is designed for stationary subjects 
• Mode 2 is designed for panning, allowing a linearly-moving subject to be tracked 
• Mode 3 detects panning but IS activates only at the moment when the shutter releases

This new telephoto lens features one fluorite and one super UD element. Canon claims it will provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Furthermore, a new Air Sphere Coating (ASC) reduces backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints. A new 9-blade circular aperture provides beautiful bokeh.

With the improved Image Stabilization system and material of the new lens, the weight has increased by about 8.3 oz / 206 g. The dimension has grown a tiny bit in diameter but almost identical to the old lens. The EF 100-400mm II telephoto zoom lens comes with a new inner focusing AF system for faster and more accurate focusing, down to about 3.2 feet, with a .31x maximum magnification. Gone is the old Push/Pull design for zooming in and out. The new lens is equipped with a rotation-type zoom ring and a redesigned tripod mount. The small foot of the tripod mount can be detached but not the tripod mount itself.

There is also a new lens hood, with a small side window that makes it easy to adjust specialty filters like circular polarizers, without the need to remove the hood. The small window is rather loose and opens easily, whether one wants to or not. It is an annoying feature to have in my opinion. I wish there were no window there at all, so I glued it shut. In addition, the lens hood now locks into place, much like the EF 70-200mm f/2.8L IS II. To take it off, one depresses the button on the side of the hood before unscrewing it. This is a nice feature I like and Canon should incorporate this design into every lens hood in their EF, non Super Telephoto line.

Canon retained the old Smooth/Tight ring on the lens barrel to ensure the lens does not extend itself when it is pointed downwards. At first, I preferred the Lock button on the EF 70-300mm f/4-5.6L IS lens, but after a few long shoots, my mind was changed and the EF 100-400mm II locking mechanism is better after all. The detachable tripod foot is another feature I am not enamored with. The detachment is done by unscrewing a knob that is under tension. The foot is small and can be misplaced easily. When the foot is off, the exposed screw hole can collect dirt and dust over time, especially when out in the field. I prefer to have the entire tripod mount detachable.

Other than that, the lens is excellent and extremely well built. It has a familiar feel in my hands, much like the EF 70-200mm f/2.8L IS II. I have taken the lens out for a quick birding trip. Mounted the EF 100-400mm Series II on the EOS-1D Mk IV camera. All shots were handheld, taken with f/5.6 aperture @ 400mm. The lens is great, IQ quite impressive and sharper than the old model. I will add an extender next time for further testing.

I have just returned from a photo shoot down in the Southern Oceans. The weather was windy, cool and sometimes misty. The EF 100-400mm II performed flawlessly but I found the lens not to be as sharp as I had hoped at 400mm wide open. The sharpness improved dramatically with a little stepping down. This does not happen all the time and I will give it additional field testing in Asia.

Just back from India. The weather was was too hot by Indian standard but the conditions were extremely dusty and bumpy on the jeeps. Put the EF 100-400mm II through some though field tests and it came through with flying colors.

Just back from Costa Rica. It rained often and the weather super humid. As usual, the lens performed flawlessly. AF was fast and accurate, even under heavy rain and cloud forest lighting conditions. Used it with both the EOS-7D Mk II and EOS-1D X cameras. I am beginning to like the lens more and more. You can see more of my works on MichaelDanielHo.com 

Canon EF 400mm f/4 DO IS II Lens Review

              
                    * * *  Canon EF 600mm f/4 DO BR prototype lens at Expo 2015  * * *

             Read the latest photo shoot in Costa Rica with the EF 400mm f/4 DO IS II lens

                 Read the latest photo shoot in India with the EF 400mm f/4 DO IS II lens

Read the latest photo shoot in South Africa with the EF 400mm f/4 DO IS II lens

Canon EF 400mm f/4 DO IS II lens in 400D lens case

Canon EF 400mm f/4 DO IS II USM lens

* * *  Canon explains EF Lens technology - Diffractive Optics  * * *

Canon announced the EF 400mm f/4 DO IS II lens on September 11. These is one of my favorite Canon lenses and I placed my order right after the announcement and have just received the new model. This glass is about 13 years in the making. The original model was introduced in 2001 and it had one of the earlier version of Image Stabilization with a 2 stop advantage.

Although the technology is aged and it is not one of the sharpest lens in Canon's EF lineup, the Series I lens is still a very good performer and its relatively fast speed, excellent focal length and light weight made it my favorite, handheld lens on wildlife photo shoots. The Series II lens incorporates all of Canon's technological advances in the last decade and more with new optics, coatings and material.

Specifications for EF 400mm f/4 DO IS II lens :

• Lens Construction - 18 elements in 12 groups
• Focal Length & Maximum Aperture 400mm 1:4
• Diagonal Angle of View 6°10’
• Focus Adjustment Inner focusing system with USM
• Minimum Focusing Distance 10.83 ft. / 3.3 m
• Filter Size 52mm drop-in
• Latest generation 4 stop Image Stabilization system
• Comes with 3 IS modes
• Attached tripod collar
• Latest material, offering a slight weight addition to current model
• Max. Diameter x Length, Weight
• Approx. 5.04 x 9.16 in. / 128 x 232.7 mm
• Approx. 74.1 oz. / 2100 g
• List price - $6,899

The EF 400mm f/4 DO IS II lens, together with the recently released EOS-7D Mk II camera, is one of my favorite combination equipment for handheld, wildlife photography.

The Series II lens is equipped with the latest IS technology, with a 4 stop compensation and 3 IS Modes, a feature shared only by the other Series II Super Telephoto lenses.

• Mode 1 is designed for stationary subjects 
• Mode 2 is designed for panning, allowing a linearly-moving subject to be tracked 
• Mode 3 detects panning but IS activates only at the moment when the shutter releases

This new Series II telephoto lens features gapless dual-layer diffractive optical elements for improved diffraction efficiency with reduced flare. They are arranged with a large-diameter ground aspheric lens and a UD lens for unparalleled sharpness and clarity. New coatings help to reduce ghosting and ensure excellent color balance, while reducing fingerprints on the front and rear of the lens. A new 9-blade circular aperture provides beautiful bokeh.

The tripod collar is now permanently attached to the lens. It has a very small foot and even with a lens plate attached, it is rather difficult to carry the lens by grabbing on to the foot, especially if one has large hands. The most annoying thing about Canon's Super Telephoto lenses is their factory lens cap and the EF 400mm DO II is no exception. The cap is 'cumbersome' and does not do a great job in protecting the glass. I always substitute it with the Don Zeck lens cap. The DZ caps are on all my Canon Super Telephoto lenses.

With the improved Image Stabilization system and material of the new lens, the weight has increased by about 5.3 oz / 160 g. The dimension is almost identical to the old lens and it is extremely well built and has a familiar feel in my hands. The 400D lens case is slightly redesigned and feels lighter. The handle on top of the old 400B case is gone, replaced by a side handle on the right.

I have taken the lens out for a quick birding trip. Mounted the Canon EF 2.0x Series III extender and used it on the EOS-1D Mk IV camera. All shots were taken with f/8 aperture. Some shots are from very far away (Osprey and Snowy Egret). The others are from moderate distance. The lens' IQ is impressive and much sharper than the Series I especially with the 2.0x extender mounted.

It is nothing less than amazing when paired with the EOS-1D Mk IV and EF 1.4x and EF 2.0x extenders, I have a handheld package with about 520mm to 1,040mm focal length to work with and not get tired even after a full day of wildlife photography. I have also tried the lens with the EOS-7D Mk II but recommend using only the EF 1.4x on it. The EOS-7D Mk II autofocusing ability is less than desirable with f/8. It is slow and I have lost crucial wildlife shots trying to AF with that aperture. Read my 7D2 review for details.

I have just returned from a photo shoot down in the Southern Oceans. The weather was windy, cool and sometimes misty. The EF 400mm f/4 DO IS II performed flawlessly. It is a joy to use especially on handheld photography. I get to move around quickly following the wildlife without the bulk and weight of the EF 200-400mm f/4L IS . Of course, the drawback is I have to use my feet a lot to get closer or further from the action whereas the EF 200-400mm is a zoom lens with a built-in extender. The DO's sharpness improved dramatically with a little stepping down. I will give it additional field testing in Asia.

Just back from India. The weather was was too hot by Indian standard but the conditions were extremely dusty and bumpy on the jeeps. Put the EF  400mm DO II through some though field tests and it came through with flying colors.

Back from my latest shoot in Costa Rica. It rained often and the weather super humid. This DO lens is a joy to use with or without a tripod.. AF was fast and accurate, even under heavy rain and cloud forest lighting conditions. Used it with the EOS-7D Mk II , EOS-1D Mk IV and EOS-1D X cameras. This is my favorite Super Telephoto lens in my inventory. It is a real pleasure to be able to handhold a 400mm Super Telephoto lens all day and get incomparable mobility to follow the wildlife action. You can see more of my works on MichaelDanielHo.com

Canon EOS-6D Firmware 1.1.6 Released

Canon EOS-6D full frame DSLR camera

Canon has released a software update to the EOS-6D camera. Firmware Version 1.1.6 incorporates the following fixes :

• Fixes a phenomenon in which the camera may not first use the center AF point to focus, when the AF point selection is set to automatic in AI Servo AF mode.
• Fixes a phenomenon in which focus cannot be finely adjusted with specific lenses when shooting remotely with EOS Utility software.
• Corrects some Ukrainian language displayed on the menu for ISO Setting.

Firmware Version 1.1.6 is for cameras with firmware up to Version 1.1.4. If the camera’s firmware is already Version 1.1.6, it is not necessary to update the firmware. Click here for download. You can also see a comparison of the recently released EOS-7D Mk II vs. the EOS-6D.

Adobe Lightroom 5.7.1 Available For Download

Adobe has released Lightroom Version 5.7.1 The new software corrects a few bugs and provides additional camera raw and lens profile support.

New Camera Support :

•     Sony ILCE-A7M2

New Lens Profile Support :

• Canon EF 24-105mm f/3.5-5.6 IS STM
• Canon EF-S 24mm f/2.8 STM
• Tokina AT-X 12-28 F4 PRO DX
• Zeiss Distagon T* 1,4/35 ZM
• Tokina AT-X 12-28 F4 PRO DX
• Tokina AT-X 70-200mm F4 PRO FX VCM-S
• Tokina AT-X 166 PRO DX II 11-16 F2.8

Software Fixes :

•     Fixed issues with chromatic aberration specific to the Samsung NX1

Click on the links below to download the latest version of Lightroom.

Mac – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5856

Win – http://www.adobe.com/support/downloads/detail.jsp?ftpID=5857

Canon Video : EOS C100 Mk II Features

Canon Cinema EOS C100 Mk II camera

Canon announced the Cinema EOS C100 MkII camera on October 21. The new model will be shipping at the end of December to early January at a list price of $5,499. They have also put out two videos explaining the features and functions of the new camera.

Canon EOS C100 Mk II Specifications :

•     Super 35mm 8.3MP CMOS Sensor + EF Mount
•     1920x1080p 59.94/50/29.97/25/23.98
•     Built-In Dual Pixel CMOS AF Hardware
•     AVCHD + MP4 Recording
•     Dual SDHC/SDXC Media Card Slots
•     HDMI Output with Timecode & Canon Log
•     ISO 320 to 102,400
•     Canon Log and Wide DR Gamma
•     Two XLR Audio Connectors
•     Built-In 2.4 GHz & 5 GHz WiFi Capability

Magic Lantern Unlocks Hidden Features On Canon DSLRs

CNET shows you how to unlock many hidden features inside your Canon DSLR. Magic Lantern is the key you need to unlock them.

Magic Lantern is one of the most popular firmware add-ons available, opening up many possibilities for photography and video. It's free, runs alongside the stock Canon firmware and new features are constantly being added.

Once installed, your DSLR gets useful tools such as :

• Focus peaking : highlights the area of the image that are in focus
• Zebras : flashes to indicate areas of the image that are under or over-exposed
• HDR video : boosts the dynamic range of recorded video by alternating the ISO
• In-camera intervalometer : useful for time-lapse photography, with no extra remote required
• Motion detection : take an image when the camera senses motion

These features are just the tip of the iceberg. A full functionality list can be found in the User Guide.

Before you install Magic Lantern, be aware that it is not in any way supported by Canon. Proceed at your own risk and note that it may void your warranty and I frankly do not recommend it but for those who still want to try it, the following Canon EOS cameras are supported :

5D Mark II, 5D Mark III, 6D, 7D, 50D, 60D, 500D/T1i, 550D/T2i, 600D/T3i, 650D/T4i, 700D/T5i, 1100D/T3 and EOS M.

Installation process

Step one : Find a spare SD card and format in-camera. Then, head to the Magic Lantern downloads page and choose your model number from the list.

Step two : Make sure the official firmware on your camera is up to date. The Magic Lantern download page will tell you which is the latest version number. Check what is installed on your camera by choosing any of the manual exposure modes (PASM) on the dial, then press the Menu button. Scroll through until you find the version number. If necessary, visit Canon's official support site and download the latest version of the firmware for your DSLR.

Step three : Connect the SD card to your PC or Mac and download the Magic Lantern build for your camera. Extract the zip archive, then put all those files in the root directory of the SD card.

Step four : Insert the SD card into the camera and turn it on. Install the firmware by going to Menu and finding the firmware option. Press Set and confirm your selection to update the firmware. You will be prompted to restart the camera by turning the power off and on again.
 Step five: Clear any custom settings by pressing Menu, and find Clear settings. Exit the Canon menu system by pressing Menu again, then press the trash can button to bring up the Magic Lantern options.

If you run into any difficulties during the installation process, there is also a user guide on the Magic Lantern wiki page.

General tips

Some settings will require you to turn the camera off and on again to apply the feature
When in Live View, press the Info button several times to clear the Canon overlay menus so you can see the Magic Lantern overlays.

Once you are in the Magic Lantern menus, press the Menu button to bring up a screen with all your options in columns, rather than needing to scroll through individual pages

Helpful photography tools

Intervalometer : Magic Lantern has it all built-in. From the menu, scroll across to Shoot, then down to Intervalometer. Press Set to activate, then the Q button to bring up options.

Choose how often you want to take a picture and when you want the camera to start. Get out of the menu and you'll see the screen is waiting for that half press.

Audio trigger : You can fire the camera shutter using sound. Go to the menu, Audio RemoteShot and press Set. Then, hit the Q button to set the trigger decibel level. Make sure it's set to as high as possible, so 20dB, otherwise even the smallest sound will fire the shutter.
Clap your hands or make some noise, and when the camera detects it, the shutter will fire.

Focus peaking and zebras : This one is great for stills and video users. Focus peaking gives you an outline on what's in focus while zebras show you areas of overexposure. In the menu, go to Overlay, turn on zebras and focus peak. You can tweak lots of other options to your liking in the sub-menus too.

Head out of the menu, turn on live view and press the Info button a couple of times to turn off the Canon overlays. You'll see your exposure info down at the bottom of the screen with focus peaking and zebras on the screen as well.

Canon EOS-7D Mk II Camera Tips And Tricks

Canon EOS-7D Mk II APS-C DSLR camera

* * *  More Canon EOS-7D Mk II camera tricks and tips  * * *

Canon announced the EOS-7D Mk II on September 15, 2015. I have owned it now for about a month and a half and have taken the camera on real world photo shoots to the sub Arctic under extremely harsh environment. You can read my review and see many more photos on MichaelDanielHo.com

I have chosen the EOS-7D as the best APS-C camera 4 years in a row and have high hopes for the Series II successor. Canon has issued some quick tips and tricks below and tutorial videos on how to get the most out of this new camera. Take a look because it will be worth your while.


Capturing stills in Movie mode

Usually when shooting Movies on an EOS camera, it is possible to capture a still image at the same time simply by pressing the shutter button. This causes the movie to pause for about a second and then continue. If you find you can’t capture a still image while shooting movies on the EOS 7D Mark II, it is most likely due to your frame rate settings. If you are shooting at 59.94fps or 50fps, the camera is unable to capture a still and so the shutter will not be released. If you need to capture a still, change the frame rate to one of the other settings.

Frame rate options

The EOS 7D Mark II offers a range of frame rate options when shooting Full HD movies, including 59.94fps and 50fps for slow-motion effects. When setting either 59.94 or 50fps in Full HD Movie shooting, you will find that the Movie Servo AF using the Dual Pixel CMOS AF system no longer functions and the camera makes use of contrast detection AF instead. This may result in either jumpy or slow AF in Movie mode. To avoid unnatural AF switch instead to using manual focus at those frame rates.

Movie recording formats

When shooting HD movies on the EOS 7D Mark II, there are two options for recording format – either MOV or MP4. Previous EOS cameras produce MOV based movie files and these are the best option if you want to edit your footage afterwards and produce the highest video quality. If you want to share your videos with a wider range of devices, the MP4 format is a better choice, as it is a more widely accepted format on devices like mobile phones, tablets and smart televisions.

iTR AF and focus point selection

The EOS iTR AF system in the EOS 7D Mark II allows the camera to track moving subjects more accurately by using data from the metering sensor to track both faces and colours. With the EOS iTR AF setting enabled, you may find the camera is not picking up faces or colours to track. This is most likely due to your AF point selection method. To ensure the EOS iTR AF functions, the camera needs to be set to Zone AF, Large Zone AF or 65-point auto selection. In any of the other focus point selection modes, the EOS iTR AF will not function regardless of the menu setting.

EOS iTR AF

Like the flagship EOS-1D X, the EOS 7D Mark II features EOS iTR AF, which improves autofocus tracking by recognising faces and subject colours in addition to looking for subject contrast. When shooting with the EOS iTR AF function enabled, you may find the AF is actually slightly slower and the maximum shooting speed in continuous high speed AF is slower than expected. This is especially likely in low-light shooting and is due to the extra data being processed from the metering system before a subject can be tracked. If you need the fastest AF possible and want to achieve the maximum frame rate and do not need to make use of the colour and face tracking, switch the EOS iTR AF setting to ‘disable’.

AF point orientation

Using the AF point orientation function allows you to switch quickly and easily from portrait to landscape shooting and vice versa and have the camera automatically change the focus point and even focus point selection method for you. If you’ve set up different settings for landscape and portrait shooting but find that the camera is not switching the AF points or modes for you as you turn the camera, it may be because you have attached a lens from ‘Group G’ – these are lens and extender combinations where the maximum aperture drops to f/8 or lower. Using one of these may clear the orientation linked AF point setting. If you use one of these lenses, remember to re-check your linked orientation point settings prior to shooting again.

AF point selection settings

The EOS 7D Mark II features a large number of AF modes to allow you to choose exactly the right AF points for the subject you are photographing. Within the camera menu you can select exactly which AF modes are selectable based on your personal preferences. If you are shooting and find you are unable to select Zone, Surround Expansion or Auto Select AF points, check your lens. Lenses that belong to Group G can only be used with single point Spot AF, Manual AF point selection and the first of the AF area expansion settings. The Group G lenses are those that when an EF2x Extender is used, it causes the maximum aperture to drop to f/8 or smaller. If in doubt, you check the manual for the camera where a complete list can be found.

AF Tracking sensitivity

If you move to an EOS 7D Mark II from either an EOS 7D or EOS-1D Mark III/IV or EOS-1Ds Mark III, you will find the AF feature for AI Servo tracking sensitivity is no longer there. In the EOS 7D Mark II, the setting has been renamed as simply “Tracking Sensitivity”. Beyond the name change though, the setting has exactly the same function as in the previous models.

Viewfinder information

The viewfinder of the EOS 7D Mark II is able to display a variety of shooting information such as shooting mode, white balance, drive mode and image quality among others. By default, only the flicker detection setting will be displayed. Should you wish to see the extra information, to help you keep on top of the camera settings without taking your eye from the viewfinder, the settings can be enabled from the “Viewfinder display” option in the second yellow menu tab. Even if you leave the displays turned off, when pressing the WB/Metering mode or Drive/AF buttons, or when you change the position of the AF switch on the lens, this information will still be shown in the viewfinder so you can see what is being altered.

Anti-flicker shooting

When shooting with the EOS 7D Mark II in continuous shooting, you may find the frame rate does not sound as fast as you expect it to be. Assuming that the shutter speed is fast enough to enable you to shoot at 10fps, you should check the anti-flicker shooting setting. When anti-flicker shooting is enabled, you may find the frame rate drops slightly as it tries to avoid flicker. If you are not shooting under lighting that flickers, such as a fluorescent tube, simply disable the anti-flicker mode and you will maximise the speed of continuous shooting.

Advice On Buying Your First Canon DSLR Camera

Well, let us start with some hilarity on buying your first DSLR camera with the guys from DigitalRev. My readers know I have been a wildlife photographer using Canon equipment for 25 years. I started out with Minolta cameras before settling on Canon. There are many reputable camera manufacturers out there and I try to be brand agnostics. The best camera is the best camera and the best value is just that, best combination of performance and price, regardless of the manufacturer.

In the world of DSLRs, owning a camera body means buying into a proprietary lens system and most photographers are very reluctant to sell their old gear and acquire new ones just to change to a new manufacturer.

Canon's current lineup of DSLRs range in list prices from about $400 to $6,799. Some models are released recently while others are a few years old. I have picked four recommended Canon cameras for four different categories. You can also read my recommended list of Canon travel and wildlife lenses and see my work on MichaelDanielHo.com.


The best DSLR camera on the market - Canon EOS-1D X

Ever since the introduction of the Canon EOS-1 series camera in 1989, I have made this body my main piece of equipment and have upgraded to almost every new model through the decades. I am not the type who craves the 'latest and greatest' gear but once in a while, a new camera introduction can fill a gap in my equipment lineup. So when the EOS-1D X was announced, it seems to be the camera I am looking for so I placed my order and anxiously waited for the delivery.

The camera arrived last summer and I have put it through some real world, wildlife photo shoots all over the globe, from Alaska and the high Arctic to Africa, Europe and Asia using the Lexar 1000X UDMA 7 memory cards to take full advantage of the 12-14 fps burst rate. Read my review above to get the full details. After the release of Firmware 2.0.3 in January, the camera is even better than before.


The best value Canon APS-C DSLR for advanced users - EOS-7D Mk II

Canon announced the EOS-7D about 4 years ago. Although it does not have the 'latest and greatest' technology, it is still my pick for the best in class. It has an APS-C 18 megapixel CMOS sensor and Dual DIGIC 4 Image Processors, with ISO range from 100 - 12800 and speeds of up to 8 fps. It comes with the new, all cross-type 19-point AF system with improved AI Servo II AF subject tracking and user-selectable AF area selection modes.

It also has an Intelligent Viewfinder, an entirely new technology, provides approximately 100% coverage and displays user-selected AF modes as well as a spot metering circle and on demand grid lines. Read my review above to get the details and performance of this camera. The EOS-7D Mk II was announced September 15, 2014. I have taken delivery of this camera and wrote an extensive review on it after a rigorous field test in the sub Arctic photographing Polar bears.


The best value Canon full frame DSLR for advanced users - EOS-5D Mk III

Canon announced the EOS 5D Mark III in March 2012. It is a full frame camera and comes with a new 22.3 Megapixels sensor. The newest member of the EOS-5D family features a DIGIC 5+ Imaging Processor, 61-point High Density Reticular Autofocus (AF) System, 6 fps continuous shooting speed (50% more than 5D Mark II), dual memory card (1 CF and 1 SD) slots, enhanced video features with better noise reduction, longer video recording times, a built-in headphone jack for audio monitoring and an improved weather-sealed body.

The 5D Mark III shares many features of the Canon EOS-1D X, including the DIGIC 5+, 61-point AF array with up to 41 cross-type points and five dual cross-type, plus the ability to AF @ f/8. The only non EOS-1 camera capable of this feat in Canon's lineup.

The EOS-5D Mark III is well designed for cinematographers and independent filmmakers. It can capture 1080p Full HD video and 720p HD recording. It also has the new H.264 video compression formats for data storage efficiency. The camera can also double up as a Travel and Wildlife body with its ample megapixels for cropping and adequate 6 fps for action shots. Check out my post on the EOS-1D X vs. EOS-5D Mk III comparison.


The best value Canon APS-C DSLR camera for beginners - EOS Rebel T4i/T5i

The EOS Rebel T4i is not Canon's latest body but is an excellent choice for those who wish to leave the point-n-shoot camera behind and enter the DSLR world. The plastic body makes it lighter than higher-end cameras, but the feel is solid. It comes with the APS-C 18 megapixel hybrid CMOS sensor, DIGIC 5+ processor with a 9-point AF system and ISO range from ISO 100 - 12800.

In addition, it is the first DSLR camera to feature a side-hinged, articulating touchscreen LCD monitor. When mated to the Canon EF-S 18-135mm f/3.5-5.6 IS and EF 10-18mm f/4.5-5.6 IS STM lens, it can focus with almost complete silence, a feature many videographers love. It is a camera with the proper mix of performance and price for the beginner/amateur DSLR market and therefore is my pick. Check out my post on the Rebel T5i vs. Rebel T4i comparison.